Grace is the effect of the Holy Spirit
upon the human soul.
Not exact matches
To explain its relationship to resurrection, John Wesley draws an analogy with
human experiences of joy and laughter, stating «the joy of the
soul, even in this life, has some influence
upon the countenance, by rendering it more open and cheerful.»
Because, my God, though I lack the
soul - zeal and the sublime integrity of your saints, I yet have received from you an overwhelming sympathy for all that stirs within the dark mass of matter; because I know myself to be irremediably less a child of heaven than a son of earth; therefore I will this morning climb up in spirit to the high places, bearing with me the hopes and the miseries of my mother; and there — empowered by that priesthood which you alone (as I firmly believe) have bestowed on me —
upon all that in the world of
human flesh is now about to be born or to die beneath the rising sun I will call down the Fire.
If innocence and experience, the two contrary states of the
human soul, must culminate in a common vision, then that vision must act
upon that which it portrays.
And when he was thinking about
human existence itself, he was intent
upon saying that a whole
human person was compounded of body as well as of
soul; in the end, he said, the two would be reunited after the separation which death had brought about.
If this divine causality is insisted
upon in the official teaching of the Church in the precise case of the origin of the
human soul, that does not of course mean that a divine causality of that kind is found nowhere else.
We may pause to ponder, that while these royal morons disported themselves in beastly passion in Antioch and Alexandria, a petty hill town of their domains, age - old Jerusalem, followed its Temple services that went their quiet way, day after day, year in and year out; and there, groups of thoughtful men reflected
upon the nature of
human life, reasoning that «The fear of the Lord is the beginning of wisdom,» that «The law of the Lord is perfect, converting the
soul,» or fervently ejaculated, «Oh, how I love thy law!
Whitehead's deepest sensitivity here is that purely personal enjoyment, his own or someone else's, closed in
upon itself, can not satisfy the ultimate hungers of the
human soul.
God manifests Himself
upon the scene of our daily living as the Lord and Giver of life: interpreting the divine will to our
human hearts, comforting us in our sore bereavements, awakening within us a hunger for the eternal, quickening our
souls to repentance for sin, witnessing with our spirits that we are the children of God.
And your
human flourishing is contingent
upon being a
soul - bodied thing.»
The 1985 Congregation for the Doctrine of the Faith Instruction on Respect for
Human Life states, «By virtue of its substantial union with a spiritual soul, the human body can not be... evaluated in the same way as the body of animals... The natural moral law expresses and lays down the purposes, rights and duties which are based upon the bodily and spiritual nature of the human person.&r
Human Life states, «By virtue of its substantial union with a spiritual
soul, the
human body can not be... evaluated in the same way as the body of animals... The natural moral law expresses and lays down the purposes, rights and duties which are based upon the bodily and spiritual nature of the human person.&r
human body can not be... evaluated in the same way as the body of animals... The natural moral law expresses and lays down the purposes, rights and duties which are based
upon the bodily and spiritual nature of the
human person.&r
human person.»
The doctrine of Original Sin is a recognition that the damage wreaked
upon human nature which we all inherit involves a weakening and wounding of our whole nature, body and
soul.
It's an effective twist that eventually gives new meaning to his research years down the line, when Ian and Karen — now successful partners still pursuing the eye's many complexities — accidentally come
upon a discovery that hints at the possibility of tracking the
human soul through its many lifespans.
Teaching and learning are not mechanical processes but deeply
human ones that call
upon not just our minds but our hearts and
souls.
It was hard to say how much they paid for her in Ouidah as she was part of a bulk purchase, eighty - eight
human souls for sixty crates of rum and gunpowder, the price arrived
upon after the standard haggling in Coast English.
Barcelona, Spain (October — September) Walker Art Gallery, Liverpool Biennial (October) Late at Tate Britain, (performance), London, (Friday 4 June, 18.00 — 22.00) 2010 Psychopomp Milton Keynes Gallery, Milton Keynes, UK Tomio Koyama Gallery in Tokyo, in conjunction with Daiwa Foundation Art Prize 2009 Marcus Coates, Kunsthalle, Switzerland Marcus Coates and Martin von Hasselberg, New Orleans Museum of Art Follow the Voice, Unitarian Church, Shrewsbury, UK Performance A Ritual For Elephant and Castle Coronet Theatre London Marcus Coates, Lisson Gallery, London, UK Trying To Cope With Things That Aren't
Human, Air - Space Gallery, Stoke on Trent The Plover's Wing, Workplace Gallery, Gateshead, UK 2008 Performance, Pastoral Spirit, Wallspace, All Hallows Church, London Performance, Report, Channel 9 TV, Galapagos Islands, Ecuador Performance, This Wild Melody, Barbican Art Gallery, London Performance, Spirit Caravan, Hayward Gallery, London 2007 Performance, A Heligoland for
Souls — Experiment Marathon, Serpentine Gallery, London Performance, HaPazura, Israeli Centre for Digital Art, Holon, Israel Exhibition, Cycle Parking and Prostitution, Rekord Gallery, Oslo, Norway Solo Screening, Dawn Chorus, Venice Biennale, Italy Exhibition, Marcus Coates, Whitechapel Gallery, London, UK Performance, Dawn Chorus, Arnolfini, Bristol, UK Exhibition, Dawn Chorus, Picture This, Bristol, UK Exhibition, Dawn Chorus, Baltic Centre for Contemporary Art, Gateshead, UK Performance, 100 Ways to Change the World, Hayward Gallery, London, UK Performance, Pub Shaman, The Event, The Lamp Tavern, Birmingham, UK Solo Screening, Artesmundi, Cardiff, UK 2006 Performance, Kamikuchi, Grizedale Arts, Ikebukuru Tokyo, Japan Performance, The Mouth of God, Grizedale Arts, A-Foundation, Liverpool Biennial 06, UK Solo Screening, In Conversation with Mark Wallinger, ICA, London, UK 2005 Solo Screening, Marcus Coates» Films 99 - 2005, Side Cinema, Newcastle, UK 2004 Exhibition, Journey to the Lower World, Café Gallery Projects, London, UK 2003 Exhibition, Unbecoming, The Gymnasium, Berwick
upon Tweed, UK 2001 Performance, Chiffchaff, Compton Verney, The Bandstand, Leamington Spa and Herbert Gallery and Museum, Coventry, UK