Sentences with phrase «upon the scene by»

However, unlike traditional Chinese landscapes, Lam builds upon the scene by adding objects such as rocks, houses and human figurines, inviting viewers to take a closer look at the details.

Not exact matches

When Google came upon the scene in 1998, it introduced a new way to categorize this massive body of data by organizing it around keywords, which made it easier for users to discover exactly what they were looking for.

When first the tribes of Joseph met him at Sinai and he came down in «thunders and lightnings, and a thick cloud upon the mount,» nothing remotely like the interior practice of the presence of God was suggested by the scene.

If by God's «glory» we understand a majestic court scene in which God is seated upon a great throne, lording it over the creation and gloating in his divine magnificence, then the phrase suggests ideas that are the exact opposite of the «Galilean vision» of the Love which is self - giving, gladly receptive, utterly ungrudging in generous openness to all that occurs in the created order.

The incongruities themselves illustrate the manner in which through trial and error men came to apprehend the truth; and the defects and limitations of which we are aware serve as background to the growing light which, as if evoked by them, shone upon the human scene.

The parables disclose with what pleasure and tolerance he surveyed the broad scene of human activity: the merchant seeking pearls; the farmer sowing his fields; the real - estate man trying to buy a piece of land in which he had secret reason to believe a treasure lay buried; the dishonest secretary, who had been given notice, making friends against the evil day among his employer's debtors by reducing their obligations; the five young women sleeping with lamps burning while the bridegroom tarried and unable to attend the marriage because their sisters who had had foresight enough to bring additional oil refused to lend them any; the rich man whose guests for dinner all made excuses; the man comfortably in bed with his children who gets up at midnight to help his importunate neighbor only because he despairs of getting rid of him otherwise; the king who is out to capture a city; the man who built his house upon the sand and lost it in the first storm of wind and rain; the queer employer who pays all of his men the same wage whether they have worked the whole day or a single hour; the great lord who going to a distant land entrusts his property to his three servants and judges them by the success of their investments when he returns; the shepherd whose sheep falls into a ditch; the woman with ten pieces of silver who, losing one, lights the candle and sweeps diligently till she finds it, and makes the finding of it the occasion of a celebration in which all of her neighbors are invited to share — and how long such a list might be!

Before faith there goes a movement of infinity, and only then, necopinate, by virtue of the absurd, faith enters upon the scene.

Shafts of divine light, of truths not discoverable by «scientific» means, have broken through upon the human scene through poets, philosophers and sages, as well as through the founders of various religions.

Upon arrival and check - in at the downtown luxury hotel — whose expansive lobby is decked out in holiday cheer — you'll receive a Joffrey Nutcracker gift bag filled with keepsakes: a commemorative program detailing the new version of the show (now in its second season), with behind - the - scenes peeks at set designs, dance rehearsals, costumes and more; a hand painted, wooden nutcracker doll; and, perhaps coolest of all, a real pointe shoe that was worn and signed by one of the dancers in the show.

In another development, the Invisible Forces of Nana Akuffo Addo nearly lynched on Aboagye a loyalist of Alan Kyeremanteng at the funeral grounds.Aboagye's crime is that he has been offered a contract by the new administration.The Invisible Forces acting upon the orders of one of Nana's henchmen who attended the funeral, pounced on Aboagye and gave him some slaps but was saved by the security operatives of Former President Kufour who rushed to the scene to intervene and whisked him away.

Another lawyer, who came to the crime scene upon hearing gunshots and was wounded by a bullet, ended the rampage when he grabbed a pistol from a hardware store and killed the shooter.

Newspaper personals may have been looked upon as a last resort by Americans up until Internet dating came on to the scene, but in fact large numbers of BBW people who could not meet others in any other way — such as through their jobs — were making use of this pre-Internet service.

Performing with her new band, Jones burst upon the pop music scene with her auspicious debut album, Come Away With Me, released by Blue Note Records in 2002.

Almost every scene, whether indoors by candlelight or upon the open ocean, seems awkwardly dark; competent 3 - D effects don't compensate for this distraction.

Nothing is glamorised or lingered upon, instead the scene is powered by a manic, intense energy making for a terrifying experience.

It is more than the creatures; more than the idea; and it builds upon a fabulous energy that just isn't suppressed by scenes we know are bound to be coming.

If you play through each character's campaign, towards the end you will be gifted with a cut scene in which your character will stumble upon their rival (another character in the game), and it results in some rather humorous and entertaining viewing; Jak and Ratchet's confrontation is helped by the banter between Daxter and Clank, and Sackboy and Big Daddy's standoff is fuelled by some surprisingly well executed charm.

The dominance of European cinema was in part moderated by Crime Scene, an especially creative and popular program, incorporating recent award - winners such as Polisse (Maïwenn, 2011) and Once Upon a Time in Anatolia (Nuri Bilge Ceylan, 2011) with the Brazilian hit Elite Squad: The Enemy Within (José Padilha, 2010) and the Congolese gangster film Viva Riva!

The alternative for Dominik would be to allow the interludes that focus upon Jesse to unfold silently, without any vivid affectation, permitting his audience to deduce the rationale for these scenes by themselves.

Based on a 1979 film starring Alan Arkin and Peter Falk in the roles of put - upon father - of - the - bride and crazed father - of - the - groom, respectively, the remake doesn't have a single scene as classic as the «serpentine» gag of the first but compensates with the sort of instant familiarity afforded by veteran personalities in comfortable roles.

Rather than build upon clues, the movie passes time by shooting endless scenes of palm trees at night set to the beats of different techno songs.

The film's standout scene sees a trio of Kakure Kirishitan crucified on the cold black pumice ocean shore, bore down upon by the spitting wrath of a rising tide.

The disc expands upon the last release's 2 1/2 - minute making - of piece with a 9 - minute featurette titled «Making the Deuce», but drops a storyboard - to - scene comparison and (for no good reason) the theatrical trailer, while adding seven deleted scenes (no play - all option provided), several «fly on the set» shorts, which let the cameras roll in between scenes (again, no play - all option provided), and a «video diary» made up of on - set footage taken by the director himself.

Once «Only the Brave» takes a turn that makes its characters more vivid, it becomes clear that that the genuine life - and - death stakes of a firefighter's life will intrude upon the story; what starts out as old - fashioned and rah - rah becomes, by the final scenes, genuinely devastating and intensely poignant.

It wants to feature CBGB as a living personality populated by rotating ranks of legends, but it consistently sticks to Krystal, a man who happened upon a scene while envisioning a country and bluegrass club on the Bowery.

«Once Upon a Scene» (7:47) gives us a sampling of deleted scenes with animated story sketches and commentary by story supervisor Brian Larsen.

The scenes set on Themyscira, including a sensational German assault put down by an army of determined Amazons, are magnificent, and for as brief as they sadly are the imprint they leave upon the picture can not be undervalued.

Duplass» grouchy exterior is compensated for by his easy charm, while Blunt's improv skills build upon the Elmo scene in The Five Year Engagement beautifully.

Rounding out the special features: eight deleted scenes, two of them supplemented by optional Anderson commentary in which he basically justifies all of these elisions in noting of one that it asked more questions than it answered; The Machinist's trailer; and previews for Mean Creek, Enduring Love, Suspect Zero, and Schultze Gets the Blues, each of which cues up automatically in a block upon insertion of the disc.

Starring the actor who goes by the moniker Childish Gambino in his Grammy - winning musical career and an increasingly widely versed cast of Lakeith Stanfield, Zazie Beetz and Brian Tyree Henry, the 11 - episode second season that premieres March 1 continues with its gaze upon the periphery of the American Dream and the hip hop scene of the ATL, which provided the foundation for the first season that debuted in September 2016.

With nowhere to go — the train totters upon a towering trestle, derailed by a mini-avalanche — the scene is set for a handsomely old - fashioned whodunit full of larger - than - life characterisation, deep - buried secrets and devilish deduction.

These days he's been especially enamored by the indie development scene, particularly its ability to expand upon the medium while drawing inspiration from gaming's more retro roots.

Dave, who's since retired from the superhero business, is feeling a bit underappreciated and decides to team up with Mindy, who's still acting out upon the impulses instilled in her by physically and psychologically abusive father (Remember, this is the «real world,» where shooting one's daughter in the chest would most decidedly be abuse; Mindy does the same thing to Dave in the movie's opening scene).

The lesson follows a step - by - step learning journey, in which students learn through: - Defining and exemplifying the key dramatic devices; - Relating key dramatic devices to the themes of confusion and deception; - Reading and comprehending the predominant plot events in Act II Scene I. - Completing an essay style response in which they consider how dramatic devices help to create Shakespeare's intended effects upon audiences.

This detailed and high quality unit includes: * 18 lesson plans (with 13 differentiation strategies) * 95 slide PowerPoint presentation (divided into lessons) * All resources and worksheets (9 sheets) * Homework project (7 tasks) that includes both reading and writing skills * A copy of the key scene, with original version on the left and space for students to «translate» into modern English on the right * End - of - unit reading / writing exam * End - of - unit exam mark scheme (suitable for KS3 Levels 3 - 6, with GCSE 1 - 9 conversion) Unit's lessons include: * Quiz on the life and times of Shakespeare * Group «collective memory» activity on the Globe Theatre * Activities focused upon «translating» Shakespearean language * Storyboarding the play * Reading and translating Act 3 Scene 1 * Analysing characters in the key scene * Structing an essay response * Designing costumes for Puck and Titania * Designing a set for the key scene * Spelling tests on key vocabulary (differentiated by writing level) * SPaG starter activities * Crosswords * End - of - unit reading exam (GCSE English Language / Literature style) * End - of - unit writing exam (GCSE English Language style) * Teacher / peer / self assessment opportunscene, with original version on the left and space for students to «translate» into modern English on the right * End - of - unit reading / writing exam * End - of - unit exam mark scheme (suitable for KS3 Levels 3 - 6, with GCSE 1 - 9 conversion) Unit's lessons include: * Quiz on the life and times of Shakespeare * Group «collective memory» activity on the Globe Theatre * Activities focused upon «translating» Shakespearean language * Storyboarding the play * Reading and translating Act 3 Scene 1 * Analysing characters in the key scene * Structing an essay response * Designing costumes for Puck and Titania * Designing a set for the key scene * Spelling tests on key vocabulary (differentiated by writing level) * SPaG starter activities * Crosswords * End - of - unit reading exam (GCSE English Language / Literature style) * End - of - unit writing exam (GCSE English Language style) * Teacher / peer / self assessment opportunScene 1 * Analysing characters in the key scene * Structing an essay response * Designing costumes for Puck and Titania * Designing a set for the key scene * Spelling tests on key vocabulary (differentiated by writing level) * SPaG starter activities * Crosswords * End - of - unit reading exam (GCSE English Language / Literature style) * End - of - unit writing exam (GCSE English Language style) * Teacher / peer / self assessment opportunscene * Structing an essay response * Designing costumes for Puck and Titania * Designing a set for the key scene * Spelling tests on key vocabulary (differentiated by writing level) * SPaG starter activities * Crosswords * End - of - unit reading exam (GCSE English Language / Literature style) * End - of - unit writing exam (GCSE English Language style) * Teacher / peer / self assessment opportunscene * Spelling tests on key vocabulary (differentiated by writing level) * SPaG starter activities * Crosswords * End - of - unit reading exam (GCSE English Language / Literature style) * End - of - unit writing exam (GCSE English Language style) * Teacher / peer / self assessment opportunities

After several months of mourning had elapsed, I began to yearn for a change of scene, and so I decided to undertake a trip of some description, using a portion of the funds conferred upon me by my maternal grandfather, who had died several years previously, leaving me a lump sum and a small annuity.

In 1855 the explorer David Livingstone stumbled upon the magnificent Victoria Falls which he was to name after the Queen, and described them thus; «scenes so lovely must have been gazed on by angels in their flight».

Immediately upon firing up Rainbow Six: Siege, you're greeted with a cut - scene — narrated by the always captivating, Academy Award - nominated actress, Angela Bassett — that introduces you to a variety of operators, the game's de facto class system.

These days he's been especially enamored by the indie development scene, particularly its ability to expand upon the medium while drawing inspiration from gaming's more retro roots.

Written by Stuart Brown, the video analysis highlights the early influences of Half - Life, such as Quake as well as the affect that Half - Life's release had upon the FPS in genre, including the modding scene as well as Valve's later developments with Team Fortress, Steam and the Source engine.

It is an invitation to enter into a dynamic interaction with the works, to experience them, appreciate their sensuousness, to give them time, to get intimate with them; «Paintings... are also to be meditated upon and to be engaged by the senses; to be felt through the eye» as the late John Hoyland suggested; or in resonance with this, as the blinded Earl of Gloucester, in a scene towards the end of King Lear puts it, to see feelingly.

The assassination of John F. Kennedy in November 1963 provoked artistic reactions on both sides of the Atlantic, as illustrated by Gerald Laing's Lincoln Convertible of 1964 — the seminial depiction of the scene based upon Zapruder's film.

Original artworks and commentary by Mark Tansey (b. 1949), whose large scale monochromatic allegories reference the art of photography, a pivotal technology in the reproduction and dissemination of popular images; John Currin (b. 1962), who has referenced the art of Norman Rockwell, and whose provocative figural paintings reflect upon domestic and social themes that were prevalent, though differently portrayed, in the mid-twentieth century; Vincent Desiderio (b. 1955), whose dark intellectual melodramas re-imagine scenes of crime and adventure from pulp fiction; Lucien Freud (1922 - 2011), the painter of deeply psychological works that examine the relationship of artist and model; and Jamie Wyeth (b. 1946), son of noted painter Andrew Wyeth and grandson of illustrator N.C. Wyeth, whose images convey stories real and imagined, among other artists, will be featured in the exhibition and its accompanying catalogue.

Over eight years in the making, the exhibition follows upon the museum's 2008 exhibition, «The American Scene; Prints from Hopper to Pollock,» also curated by Coppel, but whereas the earlier show with its modestly sized prints could be accommodated in the cabinets of the upper floor Prints and Drawings Gallery, the current exhibition is of another scale entirely — from the 24 running feet of James Rosenquist's F - 111 (1974) to the ten - foot - high tower of Donald Judd's Untitled (Ivory Black, 1988), the show swells and flexes as it winds through the spacious Sainsbury exhibitions gallery on the museum's main floor.

ACT V: Soundtrack and Scene Please join us for the hearing of the soundtrack of An Opera in Five Act composed by Jean Louis Huhta sourced upon the four former acts, within the scenery conceptualised by Anna Berglind.

As with Shonibare's sculptural pieces, the artist's photographic works draw upon the Victorian era, but here the artist manipulates expectations by inserting himself into the scenes.

Formerly hidden by political isolation and frowned upon by its theocratic leaders, Jake Kerridge discovers how Iran's art scene is...

Kara Walker «Presenting Negro Scenes Drawn Upon My Passage Through the South and Reconfigured for the Benefit of Enlightened Audiences Wherever Such May Be Found, By Myself, Missus K.E.B. Walker, Colored «22.

This one, inspired by a scene from a melodramatic European film, married the rouged lips of the model (one of the artist's friends) with the deep red of the bier - like surface she lies upon.

These paintings were frowned upon by the French Academy, who saw scenes simply copying nature as lacking imagination.