Sentences with phrase «upon the working landscape»

Taken over a four year period defined by increased worker insecurity and changing work practices, this body of work is a response to the current recession and its impact upon the working landscape.

Not exact matches

In the 216 years since European occupation and colonization of Australia, huge changes have been wrought upon the landscape, many of them driven by an agriculture that has largely been oriented towards production of commodities — wheat, sheep, beef, dairy, sugar — for export.

Students continue their examination of landscapes and build upon their previous work created in lesson 4 and 5, the collage skyline.

EBook publishing has also changed the landscape and «self - publishing» is no longer looked down upon because, for some, it works.

His recent works — vibrant, symbolic, and frequently mysterious — draw upon the lush landscapes and local traditions of the island of Trinidad, where he has lived since 2005.

While Aho works from his impressions of the landscape, he also draws upon major pillars of art history — such as works by De Kooning and Goya — to define his compositions.

The first time the comedian Steve Martin came across the work of renowned Canadian landscape painter Lawren Harris, he thought he'd stumbled upon an unknown.

Finally, two works entitled Projection Painting I and Projection Painting II both present an animated, fractured landscape behind a large glass surface; upon each landscape, its own video projection plays out across a set of painted, undulating planes.

Landscape has inspired painters, it was the canvas upon which created the most impressive and great works by the artists of Land & Earth Art, an art movement in which landscape and the work of art are inextricably linked.

By the beginning of his professional artistic life in the late 1930s, Pasmore had quickly established himself as an assured painter of lyrical landscapes, figures and still - life studies in a style that drew upon his familiarity with the work and writings of a number of post-impressionist masters such as Pierre Bonnard.

The works are temporary and temporal, performative and sculptural, both architectonic as well as entirely of the landscape; they exist across disciplines and within time; and exist in the becoming, a process contingent upon ephemeral performance as well as the viewing and the presence of the audience.

They remarked upon the overwhelming mix of sensory experience — created by the harmonious integration of learning, landscape and sculpture, and brought to life with works by artists including Julian Opie, Henry Moore and James Turrell.

They remarked upon the mix of sensory experiences, created by the harmonious integration of learning, landscape and sculpture, and brought to life with works by artists including Julian Opie, Henry Moore and James Turrell.

Thomas Scheibitz is a sculptor and painter whose work, though highly abstract, often reveals familiar elements upon closer examination: buildings or landscapes simplified into bold and gestural shapes and colors.

The works are polished but purposefully obscured and draw upon the classical genre of landscape painting.

The work was, in a roundabout way, like a set of dominoes, or a messy landscape upon which a toy train could chug through at any moment.

MOSTYN's location in North Wales, famous for its rural and mountain landscapes, functions as a fitting backdrop to the artefacts, myths and objects upon which Antufiev's work focuses.

The romance and affect of the Los Angeles driving landscape on the artist is clear in the largest work in the exhibition, Echo Park, 2011, a 15 foot long painting sitting upon two small, steel sawhorses.

The work draws upon the traditions of landscape painting and natural science illustration, and incorporates the visual language of maps, diagrams, and artifacts, as a way of exploring our connection — many times via objects — to specific places and occurrences.

Kurland's work draws upon the nineteenth - century landscape tradition of depicting a perfect place.

Her most recent body of work, Portraits and Landscapes, combines the two genres, drawing upon art historical references such as old master paintings.

The Dallas Museum of Art will premiere an exhibition exploring how modern and contemporary artists — from Childe Hassam and Edward Hopper to Willem De Kooning, Gerhard Richter and Catherine Opie — have drawn upon coastal landscapes as a source of inspiration, metaphor and mystery in their work.

Her surreal paintings and mixed media works superimpose colorful geometric masses upon idyllic landscapes.

Momin adds, «By physically moving through and mapping the very landscape that has been so fantasized, dreamed about, and capitalized upon in a breadth of positive and negative ways, the artists had the opportunity to address their work to the idea in a variety of ways — opaque or direct, tangential or political, macro and micro.»

Influenced by the events of the Arab Spring, the artist, who was born in 1970 in Addis - Ababa and works in New York, has again filled huge canvases with skeins upon skeins of architectural plans, city maps, darting lines and free - flowing, undulating attacks of ink that are more powerful than ever, abstractly suggesting wild rivers, treacherous mountains and bombed - out landscapes.

In another work, he takes a diametrically opposed approach, and in a two - dimensional manner, creates an eerily empty green landscape, upon which a yellow gash and the dark shadows underneath, hints at the existence of a deep abyss that lies just beneath the surface.

His work stems from a personal and socio - political encounter with the built environment and reflects upon land ownership, human - led accelerated entropy and how technology affects our relationship with and memory of landscape.

Long a favorite subject matter for painters, urban landscapes can vary greatly depending upon the subject's geographical location, the lighting featured in a work, and how much movement is depicted.

Together, the works of Joel Shapiro and Fernanda Gomes create a new landscape of form and meaning, which insists upon a phenomenological experience of space.

The auction record for a work by George Russell was set in 2007, when his landscape painting, entitled Young Girls Sitting Upon Rocks with a Harbour and Headlands in the Distance, was sold at Whytes, Dublin, for $ 60,000.

The content of the work became more important: the architectural works were mainly formal (though I did finally realize that I was motivated to paint them by my childhood summers at the Jersey shore); with the farm landscapes I was thinking of issues of land use and abuse, the growing of food dependent upon petroleum, beauty amid machines and work.

Drawing is the foundation of his work, initially capturing gestures, form and shapes from the landscape that are then expanded upon in his studio space to create fine art pieces.

Drawing upon his work experience as a maze illustrator and architect, Aiba uses stone clay, epoxy putty, copper line, plastic, resin and various recycled items to create imaginary landscapes around his small trees.

Nowhere in the world is there a landscape more lovely to behold, more comfortable to be in, more artfully worked, more visited and walked across and gazed upon than the countryside of England.

Endeavoring to achieve a sense of place despite the design site's unusual location (perched upon the roof of Serenbe's Textile Lofts), «it was important to establish the feeling of outdoor «rooms» — mimicking the architecture inside the penthouse, but also carrying that sense of containment past the walls and into the open air,» explains landscape architect Lucinda Bray, who worked alongside design partner Tyne Martinez to create a cohesive, but multifaceted scheme along the roof's noticeably sprawling square footage.