Sentences with phrase «upon the working memory»

Reduce the amount of redundancy in eLearning course design in order to reduce the amount of unnecessary repetition - induced load that is put upon the working memory.

In tasks or lessons that require problem solving skills, avoid using activities that require a «means - ends» approach, as this will place a load upon the working memory.

Not exact matches

In memory, in conscience, in remorse, in work at a calling, in the solitude, the Eternal still impinges upon the individual and awakens him to a consciousness both of himself and of his responsibility and of his worth to the Eternal.

If this feat of memory seems almost incredible to the modern student, dependent upon his notebook and pen, let him recall that this was the work of specialists whose primary business it was to cultivate their memories, and who had a profound sense of the importance of transmitting, without error, the sacred text.

So a few years down the road when they are in college, suddenly meeting work that is way beyond them, they can call upon that memory of having tried something that felt like an impossible challenge and having overcome it, and it will convince them that they can do it again.

The memtransistor builds upon work published in 2015, in which Hersam, Sangwan, and their collaborators used single - layer molybdenum disulfide (MoS2) to create a three - terminal, gate - tunable memristor for fast, reliable digital memory storage.

This work expands upon previous research which has shown that after being hospitalized, older adults are at high risk for memory and other cognitive problems, including both transient (temporary) delirium and long - term changes in cognition, including dementia.

The work builds upon findings published last year by the researchers, who showed a 2 - bit magnonic holographic memory device can recognize the internal magnetic memory states via spin wave superposition.

Researchers discovered that older adults naturally tap into this strategy to bolster memory when remembering becomes difficult, building upon their work in identifying the connection between what we see and how we remember.

You can reduce the amount of load that is being placed upon the learners» working memory by integrating the various sources of information, rather than giving them the various sources individually.

The curriculum map I produced showed the importance of students having high fluency with specific number related topics, such that the topics do not consume working memory resources when students were later learning GCSE Maths concepts dependent upon these.

So the trick for trainers and instructional designers: providing instruction in such a way that learning in working memory can be moved to long - term memory where it will, we hope, be called upon as needed, possibly in a not - very - conscious way.

Behind the hood, the Pocket Edge comes equipped with a 4 GB internal memory though its only 3 GB that is usable, which again can be worked upon further by way of the micro SD card slot.

Inspired by the Pulitzer's monumental Ellsworth Kelly wall sculpture, Blue Black, Ligon will expand Kelly's exploration of the two colors with a diverse selection of more than forty works spanning almost a century and touching upon notions of language, identity, and memory.

It continues with works from the world's leading innovators in the arts, as they break through thresholds of space, memory, sound, and genre — from Philippe Parreno who, in his largest exhibition in the U.S. to date, transforms the presentation of visual art into an evolving sensory journey; to Wayne McGregor, Olafur Eliasson, and Jamie xx as they create a new contemporary ballet; to avant - garde performance artist Laurie Anderson who, through a site - specific installation in the Armory's drill hall, will expand upon her work with storytelling and technology to create a site - specific environment that serves as a meditation on time, identity, surveillance and freedom; and finally to Igor Levit and Marina Abramović as they interpret Bach's renowned Goldberg Variations, to create a concentrated durational performance that reflects upon music, time, space, emptiness, and luminosity.

DC Moore Gallery will bring together important early works from the 1960s and 1970s by renowned African American artist and historian, David Driskell (b. 1931), who draws upon personal experience, memory and aspects of American and African culture to create multifaceted paintings and collages.

Acting as an extension of the artist's body, each work draws upon adolescent memories — those of maps, legs clad in 90s neon, and the cover of Beck's Midnite Vultures — and propels moments frozen in time into contemporary discourse to create a new narrative.

► Acknowledging the distance between utopias and social realities, Not Here, Not Anywhere presents twenty works by the visual artist Domènec that reflect upon the political strategies of historical memory and social empowerment.

I think that there's a physical force that we see by having our field of vision overwhelmed by this very bright, very shrill yellow color, and at the same time it works upon us in terms of our memory.

Whether working with photography, painting, sculpture, moving image for installation, Khan employs a continual process of creation and erasure, adding layers upon layers, concealing and revealing to explore ideas around time, memory, creativity and spirituality.

Anything but an accomplishment, without a doubt, there might be an even greater achievement behind his memory - infused work: an ageless recollection of items and subjects evoking emotion upon every view, frozen in time.

Artist's Biography Adrian Ghenie (b. 1977, Baia Mare) belongs to a generation that has demonstrated its ability to lucidly reflect upon the difficult and often traumatic underpinningsof local histories.The use of a nuanced examination of how the contemporary is shaped by memory and desire, convulsion and spectacle, plays a central part in his work.

Later, she began exhibiting her copies alongside the actual objects upon which they had been based, as in one of her most iconic three - dimensional works, To Fix the Image in Memory (1977 — 82), for which Celmins made bronze casts of eleven stones she found in New Mexico and painted them so as to be indistinguishable from the originals.

Working in a variety of media, Shalev - Gerz unfolds histories and cultural identities by opening dialogues with individuals, drawing upon their testimonies to elaborate upon their individual and collective memories, desires, opinions and experiences amidst the construction of time.

Young's project, as well as the other three, emphasized architectural place as a touchstone for cultural memory; stressed community involvement in the construction and reception of the work; and reflected upon how a historically black neighborhood has consistently and creatively attended to its own needs despite meager resources and the continued trauma of structured inequality.

These works seize upon photography's fundamental ability to seemingly capture the passing of time and immortalize memories.

, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not original with me, and that wind upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,

His work is currently being exhibited in London's prestigious Victoria and Albert Museum as part of the science fiction - themed exhibition Memory Palace based upon author Hari Kunzru's futuristic vision of a dystopian London, and next on his agenda is a solo exhibition entitled Controlled Spaces in Portland's Breeze Block Gallery in their main space, alongside UK - based Carl Cashman in Gallery 2.

Their selected works demonstrated how MEMORY can be relied upon to recreate, imagine and reconstruct cultural traditions in varied efforts to establish home in distant environments.

Drawing upon works from VMFA's permanent collection as well as the VMFA exhibition The Great War: Printmakers of WWI, this course surveys the ways in which artists have contributed to the memory of military conflict — from ancient epics to World War I.

Also making our list is an artist book launch and a closing reception of a graceful exhibition with work drawing upon memory and poetry to explore meaningful connections.

Expanding upon the ideas he laid out in The United States of Jasper Johns, published in 1996 by Zoland Books, Yau traces the ways that the artist's work conveys a connection to the common experience — a «sense of life» that encompasses thoughts, memory, consumption, excretion, life, death, time and mortality.

His work stems from a personal and socio - political encounter with the built environment and reflects upon land ownership, human - led accelerated entropy and how technology affects our relationship with and memory of landscape.

His work reflects upon numerous dichotomies — beauty versus violence, personal memories versus national histories, digital technology versus art historical reference.

The work is based upon childhood memories and places visited during Hardings» childhood years spent in and around Richmond, North Yorkshire.

Xiao uses the internet as a «massive material bank», the work «Action» draws upon this memory bank of digital information, focusing on the difficulty of understanding the past from the perspective of the present.

In this way, the works are precisely composed citations that speak directly to the viewer's preconceptions, by drawing upon both the artist's personal, and our collective, experience of the built environment as a site of memory that is adept at conveying both political and psychological significance.

Here visitors will take on a journey through familiar imagery and obscure biographical references that mingle, repeat, trade places, and morph into new provocations that invite reflections upon memory, impulse, the stability of knowledge, and what constitutes value in a work of art.

Unfortunately, while fear - learning generally happens early in life, with emotional memories that are powerful and persistent, unlearning fears depends upon brain maturation that happens only later, and requires active work and evidence - based treatment.