Yar's Revenge brings the legendary title to new artistic heights with an anime - inspired art style and narrative that expands
upon the original story.
Once again, with their own world, their own version of the Keyblade, and story arcs that build
upon their original stories.
Not exact matches
but on the third day using his Power of Resurrection rose from the dead to claim his seat next to God in heaven, I mean next to himself since he was also God and then told the masses that he died for their sins, though oddly enough being God he could have simply absolved them of their sins and he really didn't die because he lives and is coming back to judge man based
upon the
original sins... but not sure if that would work since man can clearly kill a God with wood and nails... I know, I know confusing and likely to be labeled heresy... but debates about nomenclature and religion... i mean
story telling... just don't mix.
But the emphasis is not
upon these others, despite the interpretation of the
story in the tradition, it is
upon the
original guests and their ultimate failure to accept the invitation.
When Christians relay their
stories as if their
original «conversion» moments didn't actually count, just because there was a more powerful turning point that happened later along the road that makes for a better
story, the truth is being infringed
upon.
Indeed (to turn to the second question) it has been proposed that the
story of Ruth came into existence chiefly as a genealogical narrative — to preserve or comment
upon the ancestry of King David: Ruth is David's great - grandmother (4:17; it is the fuller genealogical table of 4:18 - 22 that appears alien and secondary to the
original story).
This might include raw
story notes published on an open and participatory media platform, interview materials, any data collected, contact information for
original sources (dependent
upon permission granted by the source), and more.
The
story, about a man who is kidnapped and held captive for two decades and seeks revenge
upon his sudden release, is very similar to the
original, but just different enough to keep fans guessing; Lee has suggested that his film has an even darker ending than Park's.
Based on the W. Somerset Maugham short
story «Miss Thompson,» later changed to «Rain,» Columbia's production starring Rita Hayworth is the third time the
story was adapted for the screen (Gloria Swanson was able to get a version (Sadie Thompson) produced in 1928, although the Hays Office had seriously crippled the
story's
original intent, and Joan Crawford appeared in a «pre-code» Rain in 1932, which holds up extremely well, although it was panned
upon initial release.)
On top of this, the
story expands
upon the mythology that the
original HZD built, making it a bigger world with more worthwhile content to live within.
The
story itself is too well known for the production to be
original, but I think that possibly the filmmakers wanted to create a rendition of the
story for those not familiar with the
original book or movies and who have a clean slate to work
upon.
Since both films well pre-date the preservationist era of film - as - art - and - heritage — Greed was released in 1925, The Magnificent Ambersons in 1942 — they have suffered the further indignity of being unreconstructible; studios back in those days didn't hang on to excised footage for the sake of future director's cuts on DVD, so the reels
upon reels of nitrate film trimmed from the
original versions were — depending on which movie you're talking about and which
story you believe — burned, thrown in the garbage, dumped into the Pacific, or simply left to decompose in the vaults.»
In fact, the title and compressed
story reminds of a Lifetime
Original television docudrama rather than an investigative powerhouse that wishes to build
upon its predecessors.
• Wizards on Deck with Hannah Montana • The Search for Santa Paws Recent Disney Channel
Original Movies: Geek Charming (with Shake It Up) • Lemonade Mouth Written by Erik Patterson and Jessica Scott: A Cinderella
Story: Once
Upon a Song New: The Princess Diaries & The Princess Diaries 2: Royal Engagement • Spider - Man • The Secret World of Arrietty Prom • Footloose • Clueless • 10 Things I Hate About You • The Twilight Saga: Eclipse • Prom Night • Monte Carlo • Fred: The Movie
This handsome, large - format volume combines archival photographs,
original acrylic paintings, and a powerful first - person narrative to present the devastating
story of the painful changes in life forced
upon the Lakota people.
But the point of fan fiction is that the characters from one literary world are so well - loved that the readers take it
upon themselves to begin to write new
story lines for the characters, presumably because they could not get enough from the
original author's own creations.
And a part of the reason why is because the
original stories upon which our anthologies are based are themselves absurd.
While Van Helsing may not be at the top of most people's lists for characters to base a game
upon, there's no denying that he does have some great potential for an action - RPG, as the many adapations of Bram Stoker's Dracula novel have often portrayed him as more of a professional vampire hunter than the doctor that he actually was in the
original story.
Although its sequel would expand
upon Portal's central premise in more expansive fashion, the
original provided the perfect blueprint for how to create a tightly - focused game with innovative design and a whip - smart, incredibly funny
story.
The LEGO Star Wars series began in March 2005 with the release of LEGO Star Wars: The Video Game on PS2 based
upon the
story of the prequel trilogy, while a sequel was released on PS2 and PSP in September 2006 which told the
story of the
original trilogy followed by LEGO Star Wars: The Complete Saga on PS3 in May 2007 that bundled the first two LEGO Star Wars games together, although LEGO Star Wars would return in March 2011 with a tie - in to the animated film and television series The Clone Wars on PS3 and PSP, but does LEGO Star Wars: The Force Awakens set a new level of quality for the LEGO Star Wars series and Star Wars focused gaming?
The sequel will expand
upon the
original by adding in more costumes, an upgraded battle system and a
story that is Double Fine-esque.
Developed by Marvelous Inc. and expanding
upon the extensive Fate universe with an
original story from acclaimed series writer Kinoko Nasu (of Fate / stay night fame), Fate / EXTELLA: The Umbral Star previously released for PlayStation ® 4 and PlayStation ® Vita, features a diverse cast of 16 playable «Servants» — ancient warriors of legend and imagination, always at the beck and call of their Masters — who survived the Holy Grail War that took place on the Moon.
For those unaware about the game (s) or Anime, Fate / EXTELLA expands
upon the extensive Fate universe with an
original story from acclaimed series writer Kinoko Nasu (of Fate / stay night fame).
Furthermore, despite not being the highlight of the game, the single player of the
original Splatoon was very favourably looked
upon by critics, and any attempt to expand this and flesh out the single player
story in the sequel in fine by my books.
Developed by Marvelous Inc. and expanding
upon the extensive Fate universe with an
original story from acclaimed series writer Kinoko Nasu (of Fate / stay night fame), Fate / EXTELLA: The Umbral Star features a diverse cast of «Servants» — ancient warriors of legend and imagination, always at their Masters» orders — who survived the Holy Grail War that took place on the Moon.
Developed by Marvelous Inc. and expanding
upon the extensive Fate universe with an
original story from acclaimed series writer Kinoko Nasu (of Fate / stay night fame), Fate / EXTELLA: The Umbral Star features a diverse cast of 16 playable «Servants» — ancient warriors of legend and imagination, always at the beck and call of their Masters — who survived the Holy Grail War that took place on the Moon.
It's a modern remake of the
original that upgrades it to Super Metroid standards and even expands
upon it by continuing the
story after where it ended on the
original.
Original artworks and commentary by Mark Tansey (b. 1949), whose large scale monochromatic allegories reference the art of photography, a pivotal technology in the reproduction and dissemination of popular images; John Currin (b. 1962), who has referenced the art of Norman Rockwell, and whose provocative figural paintings reflect
upon domestic and social themes that were prevalent, though differently portrayed, in the mid-twentieth century; Vincent Desiderio (b. 1955), whose dark intellectual melodramas re-imagine scenes of crime and adventure from pulp fiction; Lucien Freud (1922 - 2011), the painter of deeply psychological works that examine the relationship of artist and model; and Jamie Wyeth (b. 1946), son of noted painter Andrew Wyeth and grandson of illustrator N.C. Wyeth, whose images convey
stories real and imagined, among other artists, will be featured in the exhibition and its accompanying catalogue.
, you are lying on the floor of your place looking up, a small draft runs through the room, between the door and the window, and all things seem perfectly still, wind only disturbs concrete in imperceptible ways, or it may take millions of years to be noticed and, as the air runs through the space, all your plants move and all is animated and all is alive somehow, and here are the thoughts of all men in all ages and lands, they are not
original with me, and that wind
upon your plants is the common air that bathes the globe, and we have no ambitions of universalism, and I'm glad we don't, but the particles of air bring traces of pollen and are charged with electricity, desert sand, maybe sea water, and these particles were somewhere else before they were dragged here, and their route will not end by the door of this house, and if we tell each other
stories, one can imagine that they might have been bathed by this same air, regrouped and recombined, recharged as a vehicle for sound, swirling as it moves, bringing the sound of a drum, like that Kabuki
story where a fox recognizes the voice of its parents as a girl plays a drum made out of their skin, or any other event, and yet I always felt your work never tells
stories, I tend to think that narrative implies a past tense, even if that past was just five seconds ago, one second ago was already the past, and human memory is irrelevant in geological time, plants and fish know not what tomorrow will bring, neither rocks nor metal do, but we all live here now, and we all need visions and we all need dreams, and as long as your metal sculptures vibrate they are always in the Present, and their past is a material truth alien to narrative, but well, maybe narrative does not imply a past tense at all and they are writing their own
story while they gently move and breathe, and maybe nothing was really still before the wind came in, passing through the window as if through an irrational portal to make those plants dance, but everything was already moving and breathing in near complete silence, and if you're focused enough you can feel the pulse of a concrete wall and you can feel the tectonic movements of the earth, and you can hear the magma flowing under our feet and our bones crackling like a wild fire, and you can see the light of fireflies reflected in polished metal, and there is nothing magical about that, it is just the way things are, and sometimes we have to raise our voice because the music is too loud and let your clothes move to a powerful bass, sound waves and bright lights, powerful like the sun, blinding us if we stare for too long, but isn't it the biggest sign of love, like singing to a corn field, and all acts of kindness that are not pitiful nor utilitarian, that are truly horizontal as everything around us is impregnated with the deadliest violence, vertical and systemic, poisonous, and sometimes you just want to feel the sun burning your skin and look for life in all things declared dead, a kind of vitality that operates like corrosion, strong as the wind near the sea, transforming all things,