Sentences with phrase «upon while painting»

Not exact matches

Junior Aaliyah Pena, at 6 - foot - 1, will patrol the paint from her post position, while guards Kim Schmelz, a sophomore, and Brittany Nguyen, a freshman, will be called upon to handle the ball and score in support of James and Lee.

Did their parents make them watch Bob Ross videos while they painted the seed mixture upon his molded bust and made to sit and watch his dew grow into an amazing (like his paintings) chia afro?

The «secret,» optional tombs you can so choose to raid - auspiciously denoted with cave paintings and present in most areas - were my favourite parts, throwing back to the pure platforming and environmental manipulation this series was built upon while temporarily removing enemies from the equation.

Others seized upon Moynihan's dramatic phrases, notably «tangle of pathology,» and accused him of painting a poisonously negative picture of black culture while at the same time failing to prescribe antidotes.

While standing at a bus stop around the corner from the famous Painted Ladies, I stumbled upon a large, beautiful mosaic art piece taking up the wall of almost an entire city block.

Instead, she's relied upon a few sharply painted foreground grasses while similar but less - defined grasses, on a pale pastel background, sit behind and effectively surround him, completing the illusion of his outdoor location.

Upon completing his studies, he returned to Cholet in 1948, continuing to paint while running a family - owned toy factory until 1976.

Taylorʼs work continues to delve into and expand upon the language of portraiture and painting, while also pointing to the social and political issues affecting African Americans today.

While Morley's paintings invite the viewer to reflect upon the conflicts that have shaped humanity since time immemorial, they also echo the artist's personal experiences as a child during the Second World War, his cultural affinity with both England and America, and his lifelong fascination with models, from the plastic Air - fix kits of his youth to the paper cut - out varieties.

While the familiar pattern in those works might at first appear to be a ubiquitous fragment of a wall covering, upon closer inspection the painting reveals itself to be spatially ambiguous, as the variations of paint tones push and pull against each other to create a scintillating effect.

In her latest, largely terrific exhibition, Arlene Shechet continues to expand upon the ceramic vessel as a one - stop art medium that combines painting and sculpture while pushing her work in increasingly diverse directions... Read More

Working alongside Color Field painters such as Kenneth Noland and Thomas Downing, Gilliam elaborated upon Color Field processes and aesthetics while subverting Greenbergian notions of the «integrity of the picture plane,» and disrupting the boundaries between the visual world of painting and the tangible world outside it.

Utilizing drawings, paintings, collages, photography, sculpture and participatory installations, Darkeem's practice often incorporates a craftwork sensibility that combines traditional with contemporary aesthetics, while drawing upon cultural and historical memory.

But while my response to certain human elements is as obvious as it is inevitable, I am also pleased to note that upon reflection many persons have found that they were as much concerned with the artistic implications of my paintings as with, what may possibly be, my human compassion.

Russell Tyler's oil paintings draw upon the formalities of hard - edge and analogous color studies while turning them on their side with heavy impasto and presence of the hand.

«Horses, A Series, # 7» emphasizes the angularity of the horses bodies while drawing upon a unique Chinese device practiced in traditional brush painting that allows the viewer to see the subject from a multi-level perspective.

Echoing an earlier series of paintings of the Tyrolean Alps (surrounding Stingel's birthplace in Merano), these works play upon the nostalgic charge of dated photography while retaining a crisp anonymity of content and style.

While Rogers continues to de-stabilize and undermine his paintings through his layers upon layers of veils of watery colorful depth asserting themselves against concentrated solid formations, drips, daps, and splashes, he creates an immediacy found in Abstract Expressionism and a fluidity of action with a definitive brushstroke.

While President Kennedy remains one of the most notorious photographic images to appear in Rauschenberg's silk - screened paintings, it is just one of the many dramatic photographs he purposely juxtaposed against menial imagery in an attempt to reflect media's growing presence and lasting impact upon society.

They seem to be an attempt at extreme synthesis rather than meticulous refinement; a synthesis of personal obsessive renderings of the fragmented body, that had always lay hidden in the «all - over» works, combined with, and intensified by, the technical innovations he had made while working upon the drip - based paintings.»

Livingston asserts that by abandoning the canvas she is able to push the idea of painting as a «flexible» medium that can be expanded upon while still engaging with the traditions that have come before.

By painting layer upon layer of whites and off - whites over silkscreened elements used in previous works — monochrome forms taken from reproductions, enlargements of details of photographs, screens, and polaroids of his own paintings — he accretes the surface of his pressurized paintings while apparently voiding their very substance.

While Wiley's earlier works have drawn comparisons to Barkley L. Hendricks, Jeff Koons and David Salle, this current series calls upon the spirit of Francisco de Goya, specifically, his «Black Paintings,» made toward the end of the artist's life, between 1819 and 1823.

While Maisel's work is rooted in photography's tradition of recording, the monumental scale and presentation of his prints also draw upon the language of abstract painting.

While some have claimed that Philip Guston's paintings reinvent the sublime, the fact that he drew upon Zen and Chinese painting's dissolution of form into nothingness often goes uncredited.

Lying upon her back, she twists in the pose figura serpentinata (a stance termed in Italian painting and sculpture to elicit dynamism in the figure): spiraled on its central axis, her lower body pushes in one direction while her torso turns the opposite way.

While 20th century experiments with the effects of pure color — particularly Color Field painting and abstract expressionism — often relied upon immersive force and the use of large canvases to envelop the viewer's entire body, Amm's work elicits sustained acts of seeing and a more consciously analytical stance.

Opera subsequently builds upon this indexical foundation, adding painted layers that frame and shape the photographic material while also creating foreground / background relationships within each composition.

Over the last 30 years he has drawn upon the painting vocabularies of Velázquez, Tiepolo, Goya and Picasso, while developing a singular language of his own.

Upon viewing the work in his first solo show, «Cold, Hard and Wet,» many people assumed that Ruiz was African - American while his «Beijing» series of paintings led some viewers to suppose he was Asian.

Having used sheets of newspaper to protect the surfaces of the studio while painting the objects, and upon observing the resultant drips and slicks that obscured the newspaper images, Spremberg discovered startling compositions in which the variegated paint both disrupted and distorted the original photograph.

While his monochromatic paintings have been characterized as minimalist, upon close inspection their dynamic surface qualities convey a tactile complexity combining both organic and geometric forms.

«I strive to create a balance between formalistically abstract paintings, while also addressing the impact humans have brought upon their land,» she said.

Taylor's work continues to delve and expand upon the language of portraiture and painting, while also pointing to the social and political issues affecting African Americans today.

Martin's pre-minimalist paintings did so with vertical and horizontal lines and grinds painted upon washes of subdued color, while Tuttle investigated the same concerns in handmade constructions using ordinary materials like wire, tape, thread and cardboard.

I stumbled upon your blog while trying to find the right paint color for our new house.