Sentences with phrase «upper midrange sound»

Switching to our Guardians of the Galaxy Volume 2 4K Blu - ray, we had less trouble with dialogue clarity, and though upper midrange sound was just a tad thin and icy at times, there were plenty of shining moments, with deft clarity in the many zips, pulses, and squeaks of the clan's spaceship and Rocket's multiple gadgets.

Not exact matches

The speaker offers three basic EQ modes, including «pure,» aimed at a flat sound, «warm» for a thicker sound with boosted bass, and «vivid,» which adds zip to upper midrange to push vocals and instruments like acoustic guitar forward.

On the whole, the Bowers & Wilkins Zeppelin Wireless exhibits a reasonably balanced sound, with just a bit of extra oomph in the bass, and an upper midrange response that threatens to get shout - y should the volume dial get pushed too hard.

Sure, the presentation is a little forward due to a slightly hot upper midrange response, but on the whole the sound was never fatiguing and always enthralling.

Shure SRH1440 — None of our panelists liked the sound of these headphones, faulting them for an over-emphasized upper midrange that made voices sound harsh.

The 4.5 - inch driver handles the bulk of vocals and midrange instrumental frequencies, combining with the upper woofer to create a rich, powerful sound that's balanced roundly between warmth and clarity.

Music streaming with Here One is impressive for true wireless earbuds in their price class, offering an accessible sound signature defined by smooth and punchy bass, a boost of warmth in the lower mids, and impressive clarity in the upper midrange which carves out some good detail.

Running the Ella headphones passively sounded good, but music consistently came across slightly thin in the upper bass and midrange.

On such muddy mixes, the speakers occasionally seemed to get a bit overwhelmed in the upper midrange, pushing those frequencies — often including the upper range of vocals — a bit back in the sound profile.

The QC20i earbuds feature the classic Bose sound signature — strong upper bass and highly contoured midrange — making these a poor choice for audio purists.

This condenser microphone is surprisingly well - tuned, as it seems to pick up voices much better than ambient sounds thanks to a slight bump in its upper midrange.

There's a crispy, synthetic touch to the upper midrange, especially present in organic instruments, including snare drum and cymbals, and piano, which sounds especially tinny.

In addition, the upper midrange can sound a bit strident and buzzy at times, especially when rendering lighter recordings of piano and electric guitar.

That said, hefty price or not, it's still a sound bar, and its lighter touch to the upper midrange makes that point known.

While the T1 could never be described as slow, its dynamic agility is less obvious, the boost to the upper midrange balanced against a lift in the lower bass to give subjectively a slightly slower sound.

We also noticed the upper midrange / lower treble lacked a certain amount of zeal, which made the midrange sound a little recessed and veiled.

The vocals (especially female vocals) won't be as forward, however, because the Titan 1 has a very forward upper midrange while RHA sets (and most other enhanced - bass earphones) follow a v - shaped sound with slightly recessed mids.

We noticed in our office testing that turning on ANC resulted in a loss of bass response, and a distinctly pinched - off sound in the upper midrange that came off as nasal.

I personally actually like the S2 better because it's more neutral - the 1MORE has more of a v - shaped sound signature and the Titan 1 has significant upper midrange boost.

The EX1's is not a very common sound tuning with higher - end headphones because a lot of higher - end sets tend to de-emphasize the upper midrange in order to reduce listening fatigue (especially earphones that are deemed stage / musician monitors).

Their slightly recessed upper midrange makes them a good match with aggressive - sounding electronics, and they manage to avoid the K - BĀS's excessive suppression in this region.

They sound good... Legend - R: it is forward, but the upper midrange is more prominent than the treble resulting in less of bright feel.

You can also approximate this sound using the tuning system on the FLC Technology FLC8, but it will usually have the reverse upper midrange vs treble balance compared to the EX1 — i.e. it will have a little more treble than upper midrange.

Similar to the upper midrange, a treble should be slightly warmer in tone to sound accurate.

The scoring of the upper midrange primarily reflects the tone, which should be slightly warm to sound accurate; but also the smoothness and instrument size.

Similar bass - heavy sound, not too much midrange or upper midrange for it to be overbearing.

The midrange is largely free of congestion, though it comes with just a tiny bit of pinch in the upper midrange area, where vocals can sound just a bit smaller than they do through large, over-the-ear headphones.

However, when were able to finally see the final specs, it no longer sounded like it should be classified as a low - midrange device... more an upper mid-range smartphone.

The only real quibble we might offer about the speakers comes back to the smoother sound, especially in the upper midrange, which lacks the kind of presence or energy offered by the UB5.

Offering a particularly brilliant upper register and midrange, the 203 presents a clean and precise touch to dialog and musical instrumentation, as well as complex sound effects like footfall on gravel and the sprinkle of broken glass.