HELEN FRANKENTHALER (B. 1928) Solar Imp screenprint in colors, 2001, on wove paper, signed in pencil, numbered «AP 13/18» (the edition was 126), published by Lincoln Center / List Poster and Print Program, New York, the full sheet, a very minor scuff at
the upper sheet edge, otherwise in very good condition, framed S. 39 1/2 x 30 in.
ADOLPH GOTTLIEB (1903 - 1974) Imaginary Landscape aquatint in colors, 1971, on Fabriano paper, signed and dated in pencil, numbered 36/90, published by Marlborough Graphics, Inc., New York, adhered to the overmat in places at
the upper sheet edges, otherwise generally in good condition, framed Image: 17 5/8 x 23 7/8 x in.
Not exact matches
Place the baking
sheet in the
upper third of the oven and bake for 7 to 10 minutes, until the bottom
edges of the cookies are just starting to brown.
Drop dough by in 2 - tablespoon - sized balls about 2 - inches apart on parchment - lined baking
sheets and bake in the lower and
upper third of the oven until golden around the
edges, but still soft in the center, about 12 - 14 minutes, rotating the baking
sheets halfway through baking.
The B - pillar is a perfect case in point: the body components which have to absorb high forces and transfer these into the body structure in the event of a side impact consist of
sheet - metal shells and an extensive reinforcement which reaches as far as the
upper edge of the belt deflector.
Condition: Full
sheet with deckled
edges, minor wear / crimping within some deckles, floated within the frame, soft (unpressed) creases to
upper margin, pencil annotation to verso, thin spot to verso near
edge.
Condition: Deckled
edges,
sheet affixed to mat at
upper and side
edges, subtle toning and staining, pale fox marks to l.l., c.l., c.r., and l.r., very subtle handling creases to corners.
HELEN FRANKENTHALER Grey Fireworks screenprint in colors, 2000, on wove paper, signed in pencil, numbered 94/108 (there were also 18 artist's proofs), published by the Lincoln Center / List Poster and Print Program, New York, the full
sheet, old hinge remains in places on the reverse, a pale stain at the reverse
upper margin
edge, otherwise in very good condition S. 26 x 46 1/8 in.
HELEN FRANKENTHALER Radius (H. 234) woodcut in colors, 1992 - 93, on White TGL handmade, signed and dated» 93» in pencil, numbered 30/30 (there were also 8 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, the full
sheet, one small area of surface soiling in the
upper left
sheet corner, hinged to the support in places at the reverse of the
sheet edges, otherwise in very good condition, framed S. 28 x 28 in.
soft horizontal crease in the
upper left corner, a very small nick at the lower left
sheet edge, otherwise in very good condition, framed S. 29 3/16 x 20 3/4 in.
Ref: Harrison, 13 Not examined out of frame; float mounted; slight yellowing at
edges of
sheet; slight cockling of paper at
upper right corner; otherwise appears in general good and stable condition.
HELEN FRANKENTHALER Essence Mulberry (H. 57) woodcut in colors, 1977, the colors fresh, on buff Maniai Gampi handmade, signed and dated in pencil, numbered 21/46, published by Tyler Graphics Ltd., Bedford Village, New York, with their blindstamp, the full
sheet printed to three sides, soft rippling throughout (characteristic of this paper) stronger along the
upper edge, several vertical hairline fissures in the center of the image (common to this edition), soft crimping at the extreme lower
edge of the
sheet, otherwise in very good condition S. 39 1/2 x 18 3/4 in.
Each of the «Hill Series,» from 1981, contains a single large five - sided shape in black ink, its
edges nearly parallel with those of the
sheet on which it has been drawn, except that one of its
upper corners has been replaced by a diagonal line, like the slope of a hill.
Each increase in temperature drives the
upper edge of the melt zone farther inland and higher up the ice
sheet.