Allen and Albert Hughes» gritty
urban drama bested «The Fugitive,» «Jurassic Park,» «Philadelphia» and «Schindler's List» — «Schindler's List»!
Not exact matches
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Kemp launched into print modeling as
well, appearing in a widely seen campaign for The Gap, then segued into acting with parts in Stephen Sommers» Victorian - era supernatural thriller Van Helsing (2004) and Renny Harlin's lurid psychological thriller Mindhunters (2005), opposite Val Kilmer and LL Cool J. Kemp deftly merged his ballroom finesse and his dramatic evocations with prominent billing in Jon M. Chu's dance - themed
urban drama Step Up 2 the Streets (2008); he played Blake Collins, the proprietor of a dance school who finds his chief proclivity — an utter contempt for street dancing — upstaged by the arrival of a brash and talented young newcomer at his school.
Otto Preminger directs with a sharp clarity, remaining just slightly removed from the
drama, the
better to watch all sides and take stock of the characters, the conflicts and the courtroom tactics, and doesn't get much
better than Stewart and Scott sparring with witnesses: the cagey country lawyer hiding his endgame behind a folksy manner versus the smart, sarcastic, thoroughly
urban legal eagle who makes a show of his intelligence and showmanship.
Yet another
urban action
drama,
better than some, worse than most, this stars Bruce Willis as a disillusioned middle - aged detective whose latent sense of justice is triggered when he is asked to accompany a witness (Mos Def) to the courthouse and finds that his fellow corrupt cops want to kill the guy.
Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an
urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a
drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female
best friends, starring Elisabeth Moss.
Dublin based
Dramas also feature strongly with the political
drama «Charlie» being nominated as
well as the final season of gritty
urban drama «Love / Hate».
The feature films nominated for
Best Film this year are «Frank» which gives an insight into the weird and wonderful world of the enigmatic musician; the gritty
urban family
drama of «Glassland»; the raw, moving and honest «I Used to Live Here»; the feel
good true - life story of «Noble»; the poignant and sensitive exploration of mental health in «Patrick's Day», and the beautiful Irish animated fantasy «Song of the Sea»; Three of the
Best Films also get nominations for
Best Director; Lenny Abrahamson for «Frank»; Gerard Barrett «Glassland» and Terry McMahon for «Patrick's Day», with John Carney also in that category for the musical
drama «Begin Again».
With an
urban - slum setting similar to Danny Boyle's Oscar - winning phenomenon Slumdog Millionaire, only without any feel -
good carrot at the end of the string, Pedro Costa's three - hour
drama In Vanda's Room paints a realist picture of the more
With an
urban - slum setting similar to Danny Boyle's Oscar - winning phenomenon Slumdog Millionaire, only without any feel -
good carrot at the end of the string, Pedro Costa's three - hour
drama In Vanda's Room paints a realist picture of the
Benny and Josh Safdie's
Good Time is a gritty
urban crime
drama in which Robert Pattinson's Connie Nikas masterminds a Queens bank robbery — although it is quickly apparent Connie is no master nor does he have much of a mind.
Eran Creevy is the British director who made the very
good urban drama Shifty in 2008, and this is his step up to a big commercial picture — a London crime thriller with plenty of hardware: handguns, machine - pistols, automatic rifles, the lot.
It's interesting to hear him explain his appeal and approach to this film, following a career of directing
urban crime
dramas, as
well as his discussion about changes made for the theatrical cut.
But what made Levy's ascension so highly symbolic was its unique combination of all the elements of
urban school
drama: a mayor whose desire to wrest control from the city's elected school board was long voiced; a city fed up with failure on a grand scale and in the long term; a competition between city hall and school leadership to pass the blame; and the realization, finally, that a system the size of a Fortune 500 company might be
better led by someone with the skills of a Fortune 500 executive.
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