The film plays Daniel cleverly, pitching him initially as a solitary figure in his cold -
seeming apartment; but a single artfully placed glimpse of a dinner party shows that he isn't the archetypal lonely man of
urban drama, but someone who chooses for himself when he gets to spend time apart from others.
At times the spectacle
seems distracting from the human story, at other times his determination to ground the action in human terms (with all the mortal dangers involved) becomes alarmingly intense, less a superhero action movie than a grim
urban tragedy (Berg's on - the - job directorial training on the medical
drama Chicago Hope comes in handy here).