Sentences with phrase «us a texture shot»

It's a great perspective / texture shot.

And I wanted to say that I love that you gave us a texture shot.

This is the cool saltwash texture shot I posted on Instagram, where I share all my behind the scenes action.

The artist translates her memories of the land, sea, and sky into hovering presences of light and texture shot through with vibrant, unexpected color.

This is the cool saltwash texture shot I posted on Instagram, where I share all my behind the scenes action.

Not exact matches

But now that my tastes have evolved more and I actually love the texture of oatmeal (especially in this banana bread version), I decided to give the cookies another shot and create my version.

This cake looks amazing, I love the close up shot showing the texture.

Moist and hearty texture meets bright citrus flavor in these European - inspired cakes that are ready for their photo shoot right out of the oven.

:) I love the texture of the surface you shot this dish on.

They have similar textures and I already know that Silk Yogurt Alternative is super creamy so I gave it a shot.

I also added pea shoots too because I had them, and I found that was a very fun texture and flavor addition!

Hi Susan, I was wondering if you had given any walnut lentil loafs a shot and a comparision in texture.

But the spoon shots show off the texture best so who cares.

Ish Factor: Alfalfa shoots are one of the many seeds that can be sprouted to produce delicate, crunchy green fronds that add terrific nutrition, texture and crunch to salads, wraps, sandwiches and stir - frys.

Ketchup seems a nasty «beverage» to guzzle willingly, yet many enthusiastic participants flock to bars weekly to start (or end) the evening with the downing of a shot that none would eagerly sip slowly enough to take in the flavor or texture for a lingering moment on the tongue.

You'd have to play around with the proportions because cocoa powder has a different texture, but I'd say give it a shot!

The bamboo shoots provide a nice texture alongside the shrimp and broccoli for a filling meal.

The egg created the best texture of all, but I will still shoot for making a vegan version.

Looks to me like you nailed the texture of the cake, too (those close up shots are kinda killing me)!!

Using stevia might affect the texture AND flavor, but it's definitely worth a shot!

The hemp seeds may affect the flavor and texture, so you might have to experiment a bit... but it's worth a shot!

The frosting shots are made with coconut milk / cream, which gives them the rich creamy texture.

If they need a little more crunch factor, shoot for 3 - minute intervals in the oven until you reach a desired texture.

The texture and light is amazing, but there are magical pockets in everyone's home and they ooze love and comfort and I just find it so easy to shoot there and clients absolutely LOVE the results.»

For example, the natural wood of the old picture frame accompanying this lino print by Cally Conway brings texture to the product shot, complements the natural subject matter of the print, and reinforces the idea that this print is special — it's one of a kind, not something you can just pick off the shelf at Ikea.

To decipher how cells perform this recognition task, Tsao and postdoc Steven Le Chang generated 2,000 human mug shots with variations in 50 features, including facial roundness, distance between the eyes, and skin tone and texture.

Undo the next morning and tousle, then finish with a few shots of salt spray to create that edgy post-swim texture.

I love how she always shoots in natural light, capturing those perfect color combos and delicate textures.

Mahalo's Vitality Elixir addresses the need for a medium viscosity oil by combining linoleic acid - rich black cumin oil in a base of balanced tamanu (known for its acne - fighting abilities) with shots of kukui and sea buckthorn to get the texture just right.

Many years ago I used something from YSL that was similar to this, almost like the glow shots, had a gel / whipped texture with slight shimmer - I would get asked what foundation I was using by so many and I'd tell them... of course when you like something it goes away - When I saw this in the Chicago Social magazine I wanted to give it a try - Unfortunately YSL is the only place it's sold currently, so I had to go by swatches of YSL shades to guess what I should use - I got B40, I have olive skin - tone, with neutral undertones, in Armani Luminous Silk I am 5.25 - I could have gone to B30, but I like the glow it gives me - The only difference from this foundation to the one I mentioned I used years ago is there no shimmer in this formula - When tested on my hand against the Armani Luminous Silk, the YSL doesn't move as fluidly, however on my face it went on very easy over my Omorovizca Gold Rescue Cream, which is very heavy - I think with less moisture on my face it will look more matte, but I prefer a very dewy finish - It does cover up any imperfections, for me it's maybe an area that is a tad red, and so far as held up well - It's not like I am some outside laborer, I work inside behind a computer so it shouldn't start melting or anything... if so I'm concerned for my well being in general - It does give more coverage than Luminous Silk, so I think most will be happy with that, as well seems to adhere to the face pretty well - I can see this being a pretty big hit for Spring foundations and even the summer - I applied this morning with a brush and it took the lovely blast of 18 * while walking to my office, walked in looking dewy so cheers to All In One Glow for keeping me glowy as I pretend to enjoy working -

We've had the chance to work with her on several wedding inspiration shoots (with the always - fabulous Utah Events by Design), and she is continually impressing us with her gorgeous florals, innovative design, and use of rich textures and edgy elements.

This shoot, photographed by Kate Ignatowski Photography, is a perfect example of using detail + texture in place of punchy tones.

All of the details of this urban wedding shoot are stunning, but what really caught my eye were the gorgeous colors and textures.

Love the shot of your bag against the sweater with the contrasting textures.

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Sydne walked us through her gorgeous West Hollywood home to show us her neutral design palette, the spaces she utilizes for photo and video shoots, and all her use of subtle color and cozy texture.

Details shots are nice too, to show texture and close ups of pattern I think.

Where is the faded texture of the model shot?

The idea behind this styled shoot was to show bridal with a bit of difference... not your traditional white for a gown, neither a veil, but instead a rather classy boho chic head band with gorgeous detailing and a dress oozing glam with the gold and soft dreamy textures & fabrics.

The shots are as tailored and bespoke as any of Bond's suits and show off an impressive array of palettes and textures.

Makes a great time capsule, a shot - on - the - streets glimpse into the texture of a bygone time, place and attitude, but a listless, lightweight odyssey.

With the interesting ways this is shot, the texture and feel of this beautiful film and the use of black and white to bring out Johnson and Howard's performances was perpetually brilliant.

Beautifully shot, like Rohrwacher's other features, on Super-16, this film, with its richly textured images, does indeed feel at times like a retrieved and rather miraculous relic from a lost era of cinema, which is not to say that it isn't of its own moment.

The camerawork by New Hollywood DP John A. Alonzo (Chinatown), who shot documentaries with Friedkin when they both worked for David Wolper in the mid-1960s, is a sterling example of late -»80s cinematography (for better and worse), featuring lots of blue and an aggressive use of shadows to add expressionist texture to interiors, along with appropriately bizarre lighting effects in the wooded scenery outdoors.

And the look and texture of the film are fine; Tamahori and cinematographer Matthew F. Leonetti have created a convincing sense of place (to be sure, they shot their Virginia exteriors in British Columbia, but, hey, that's a place, too).

These real spaces are linked in static shots that are grouped thematically, as sound and subtle movement texture these decaying and calmly depeopled totems to civilization.

District 9 is shot mostly documentary style, giving the film a geographically authentic look and texture to it's South African backdrop.

Also, to Ms. Taymor's credit, she intelligently provides at times inspired touches such as — stop motion action shots, color tinting in brightly exotic desert shades, finely textured black - and - white sequences, shots of Diego in New York to do the Rockefeller commissioned mural against a lively Dadaist collage of the New York setting, Frida's dream of her hubby as King Kong, a puppet show in the hospital (with the help of the gifted Quay brothers animations of skeletons in the post-accident emergency room — the skeletons were copied from one of Frida's paintings).

Daytime sequences look nicely rendered with a degree of depth and good facial and texture detail, but night - time shots look murky at times.

Director Ryan Coogler and cinematographer Rachel Morrison craft breathtaking, on - the - ground shots that give Wakanda's streets a texture and vibrancy that blends old - world hustle and bustle with gleaming accents of the future.