Sentences with phrase «use king kong»

Using the King Kong example mentioned above and a baby carrier, dress up like a building.

Not exact matches

The list of movie buildings collated by Construction Manager magazine using film critics include such movies as King Kong, Die Hard, The Shining, Get Carter and Blade Runner.

The individual nature of the agents makes the scene much more lifelike than the sims used in multimillion dollar - budget films like Lord of the Rings and King Kong.

King Kong from the ape's point of view (the principle icon of the franchise used to be even a giant gorilla, named George), it proved successful and seemed on just about house console going on the time.

What I found added a bit to the film other than the bog standard Godzilla / King Kong etc etc, same story different character was the relationship between the Rock and the gorilla using sign language and there was a lot of humour between them.

Using old photos and digital animation, he recreates the backdrop for his characters and includes notable objects such as the sunken ships Venture (complete with King Kong's cage) and the ill - fated Titanic.

From King Kong to Pacific Rim, Godzilla and now Jurassic World, giant monsters are all the rage in Hollywood, presumably because they can use all the CGI their black hearts desire.

New UK / European Studio: Bigbig StudiosMost Improved Studio: RebellionMobile Games Studio (sponsored by Nokia Ngage): GameloftHandheld Games Studio: Rockstar LeedsNew Console IP: Buzz (SCEE / Relentless) New PC IP: Fahrenheit (Quantic Dream) Best Use of a Licence: King Kong (Ubisoft) Best Use of Online: Bizarre Creations (Geometry Wars: Retro Evolved) Art and Sound: Criterion (Burnout Revenge / Black) Innovation: SCEE / Relentless (Buzz controllers) Tools Provider: NaturalMotionServices and Outsourcing: Side UKRecruitment Company: OPM ResponsePublishing Hero: SonyIn - House Development Team: CriterionIndependent Development: Traveller's TalesDevelopment Legend: Charles Cecil

From then on Diddy aided Donkey and the other Kongs with shutting down the Blast - o - Matic and getting rid of King K. Rool by collecting red bananas, Banana Bunch Coinss and using his abilities gained from Cranky, as well as his electric guitar from Candy and his popguns from Funky.

The game was named after the de facto villain, a gorilla (which was named after the classic 1933 movie monster King Kong), instead of the player - character Mario (or «Jumpman», as he was named at the time), because designer Shigeru Miyamoto felt Donkey Kong had to be the strongest character in the love triangle displayed on - screen - the game used then - innovative techniques to tell the on - screen story of how the stubborn pet gorilla of «Jumpman» the carpenter steals away his girlfriend, Pauline, and it is up to the hero to save the damsel in distress.

And the characters and setting originally introduced by Rareware and associated with the Donkey Kong Country brand have made fairly regular appearances in games published by Nintendo but, for the most part, are developed by a variety of second - party developers: the Paon Corporation developed the Game Boy Advance puzzle game DK: King of Swing and its Nintendo DS sequel DK: Jungle Climber, as well as the Wii racer Donkey Kong Barrel Blast; Namco, meanwhile, developed all three titles in the Donkey Konga series of GameCube rhythm games that use a unique bongo drum - themed peripheral for input (a peripheral also used as a controller for the Nintendo - developed GameCube platformer Donkey Kong Jungle Beat); and most recently, the «official» return of the side - scrolling gameplay style of Donkey Kong Country was the 2010 Wii title Donkey Kong Country Returns, which was developed by Retro Studios (previously famous for bringing forth the revival of the Metroid franchise with the full Metroid Prime subseries).

In DK: King of Swing Cranky Kong, along with ghost of his wife Wrinkly, teaches Donkey Kong (and thus the player) how to use the game's unique controls.

It was alleged that the former King of Kong had violated Twin Galaxies» rules by using the Multiple Arcade Machine Emulator (MAME) to achieve this and other high scores instead of an original unmodified Donkey Kong arcade board.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

It and the two other works on view — Radio Piece (Hong Kong)(2015), a backward moving shot of Hong Kong's Kowloon district, and KING (after Alfred Wertheimer's 1956 picture of a young man named Elvis Presley)(2015), for which Claerbout has recreated the historical photograph, pixel by pixel, using other images taken throughout Elvis's career — masterfully play on the space between what is real in physical terms and what one can come to perceive as real in the digital realm in which we spend so much of our lives.