Sentences with phrase «use bigger paintings»

For smaller gifts, use a small piece of paper that a child has decorated with crayon, marker or paint or use bigger paintings or drawings for larger gifts.

Not exact matches

Board members, of course, aren't talking, but have been swayed apparently by the picture that Michael Ferro and Justin Dearborn paint for them, a picture of untapped riches in the L.A. Times branding and use of «big data», sources of big money that have eluded everyone else.

The biggest mistake that most atheists make is painting with the broadest of brushes: rather than use words like «some» or «many» or «most» re Christians, most atheists simply paint the entirety of U.S. Christianity as a monolithic group that supports everything the so - called «Christian right» (which, like the Moral Majority before it, is neither) lobbies for.

It's kinda like painting a wall with a tiny artist brush instead of big roller like you use».

Williams is a tough shot blocker and a beast in the paint, using his big 240 - pound frame to consistently get to the foul line.

When I was born, my big brother went into such a state of denial that he used to paint pictures that consisted of solid lines of black paint.

Ashrith enjoyed painting mango and the fun was a chance to explore glitter.Some tips for glitter choices.In this project, I have two types glitter, one is tiny dots glitter sprinkled and other is glitter glue.Like most Moms, not a big fan of glitter, Scared of mess, you can always use glitter glue.

Democrats are spending big to paint Enyart's GOP challenger as unhinged, using footage of state Rep. Mike Bost in a tirade on the state House floor to try and make him unpalatable to voters.

I was very tempted to use that but it was too big, it would have dominated the painting.

This might be the message they use to try to fight back - try to make people feel «secure» under the care of Labour's supposedly benevolent Big State, and paint a bleak picture of life without it.

The researchers are using «big data» concepts and techniques to discover and design new nanomaterials — a priority area under the White House's Materials Genome Initiative — using a methodology that will revolutionize materials design, impacting a broad range of products that affect our daily lives, from drugs and agricultural chemicals such as pesticides or herbicides to fuel additives, paints and varnishes, and even personal care products such as shampoo.

But odds are low that you paint this part of the «big picture» if you fail to even use the word «ketogenic».

I just had a big Friendsgiving dinner last weekend and also used gold chargers layered with napkins (some of which I hand painted!).

(I'm a paint color junkie, so switching it up wasn't a big deal and I'll probably use my Rosemary Gallery on a piece -LSB-...]

After I added highlights to the letters with the FolkArt's Multi-Surface silver paint, I headed inside to watch over Big Boy as he used the Mod Melts and Mod Molds to create candy pieces for the outside of our candy bucket pumpkin.

Using chalk paint I have found the first coat looks pretty horrible, the second coat a big improvement, and by the third coat the color and coverage are gorgeous.

Using the same paint color and finish (White Dove OC - 17; benjaminmoore.com) for the walls, ceiling, and shelving made the built - ins disappear and helped the room as a whole look bigger.

Big enough to get a feel for using the paint, small enough not to feel overwhelmed.

We usually use old baby food jars or a paint tray I had but they weren't big enough for the cookie cutter to fit in.

I've only used GF milk paint on one piece and honestly I wasn't a big fan of it.

Jan, I have tried many products to use over chalk paint, several waxes then I switched to polycrylic top coats and have tried several, the best I've ever used is Polyvine Decorator's Varnish Dead Flat Finish — it DOES NOT yellow, I just used over two big pieces of furniture painted in Pure White and Off White and absolutely no yellowing.

I've never used chalk paint before and just purchased AS graphite and black wax to redo 12 dining chairs so I am thinking I have made a big mistake.

It is when you make Chalk paint with Plaster of Paris or Non-Sanded grout that I have found the paint mix can turn into a big hard clump when you use a paint with a primer in it.

With infrequent profanities and several scenes that involve sexual dialogue along with some partial, painted nudity, the film's biggest content issues are the frequent depiction of alcohol and cigarette use.

In this project students work in groups and outline their body shapes on a big piece of paper and then using magazines, sequins, patterns and paint and drawings students then collage into the body shape.

Then, you work with an architect to draw up the plans: where the doors and windows are placed, how big the garage will be, the type of wood that will be used for the kitchen cabinets, the specific tile chosen for the bathroom, and the color of paint for the outside of the house.

«Indeed the biggest threat to teacher recruitment is that the teaching unions and others, use every opportunity to talk down teaching as a profession, continually painting a negative picture of England's schools.

A spokesperson said: «Indeed the biggest threat to teacher recruitment is that the teaching unions and others, use every opportunity to talk down teaching as a profession, continually painting a negative picture of England's schools.

Especially Japan was a big market to obtain real Diablo SV - R cars and register them for road use, one even made it to the United States, the Diablo SV - R number 24/32 was painted in true United States colors and later received a complete Diablo VT 6.0 front which made it road legal, even in the US!

Also painted gloss black is the front spoiler, which is effectively a big splitter like those used in racing.

«artists of all skill levels can produce countless paintings with their fingertips» This app is exactly the same on the iPad as it is on the iPhone, pretty much, except that it's great to use a bigger screen.

The media used to take Amazon's side, but since Amazon's stock is a bit less attractive, along with the other growth tech stocks, not surprising the media is now frequently shifting from painting Amazon as the little engine who could to the big bad wolf.

- character creation lets you choose skin color, face, eye color and haircut - later in the game you can get glasses, pants, shoes and other stuff - start off by meeting Tom Nook and his posse of Happy Home employees - this includes Lyle the Otter and Digby the Dog, who give advice and help to keep the game moving forward - Lottie the Otter is Lyle's niece and handles the front desk in the game - she welcomes you every time you boot up the game and tells you what to do next - gameplay starts off with placing furniture, but quickly evolves into something more - place a house on the world map and cycle through seasons to see what you like - house can modified with different roofs, doors, colors and more - every animal unlocks new furniture for you to use - completing a lot of requests is vital to getting a lot of content - characters will react to everything that you place and remove in the house - three pieces of furniture must be in or outside of the house and these need to implemented into the final design - if you don't follow this rule, your animal customer will not approve - add wallpaper, carpets, lamps, signs, music covers, paintings and much more - by completing special objectives in the office, which you pay for with Play Coins, you can even expand the feature set - set background sounds, choose curtains, change up furniture, display fossils and get a bigger variety of fish and paintings.

You paint such a big picture just by using that phrase.

I'm a big fan of oil paints and pastels and am currently working on several projects to highlight my commitment to lots of fine detail using these materials.

If you've been reading The Abundant Artist for a while you may know that I'm a big fan of using creative ideas that are not just painting or doing your primary artistic thing.

The big painting of Jupiter was the first painting I worked on using my drawings — an awful thing to have done so soon.

«I'm an academic realist painter, but I'm living in the 21st century, so I'm not going to be painting Roman soldiers invading, or some gothic baroque composition... The highest aspiration of an academic realist painter are these big group figure paintings, and I'm using the hardcore scene as my subject.»

One of Owens's many strengths is her use of scale — the big painting and the internal relationship of shapes to the whole.

I went to the shop and realised that there were hundreds of brushes and so the painting would have been very big — in fact, it wouldn't have fitted in my studio — so then a pragmatic decision was to try to distil the number of brushes I was using to a smaller number.

When I started making collages — and they were so small at first — people used to say: «Oh, these would be great as studies for a big painting.»

Lari Pittman — the artist I profile in this issue — has new paintings that are so big, he had to use the former Regen Projects gallery in West Hollywood for his temporary studio.

I'm revisiting a lot of the ways of working that I have used over my career - at the moment I'm vacillating between making small paintings and big paintings like the ones that I had in this year's Summer Exhibition [Across the Wadi, pictured below].

Lucian Freud amassed the biggest private collection of Auerbach's work and used to ask his advice about unfinished paintings.

He created the image using a combination of big shapes and very skinny lines, almost like a drawing on top of an abstract painting.

Iglesias, F.Meisenberg, B.Ruais, K.Thorne, J.VanDyke / Abrons / 466 Grand / thru 12/20 Kaari Upson / Ramiken Crucible / 389 Grand / thru 12/14 Matt Connolly / Essex Flowers / 365 Grand / thru 1/4 Opening 11/21 Keumnin Lee / Shin / 322 Grand / thru 11/30 Ulf Puder; Bettina Blohm / Straus / 299 Grand / thru 12/12 Amy Lien & Enzo Camacho / 47 Canal / 291 Grand — floor 2 (new location) / thru 12/21 Bright Matter: LAb [au]; Numen / For Use; Joanie Lemercier; Nonotak; François Wunschel / Guepin / 83 Orchard / thru 1/11 Opening 11/21 Kiki Kogelnik / Subal / 131 Bowery / thru 12/19 Brad Troemel / Tomorrow / 106 Eldridge / thru 11/30 (extended) The Contract / Essex Street / 114 Eldridge / thru 1/11 Opening 11/21 Reception 11/22 Foster Mickley / Munch / 245 Broome / thru 12/21 Opening 11/21 Robin Kang; Duhirwe Rushemeza / Tabacaru / 250 Broome / thru 12/9 Michelle Lopez / Preston / 301 Broome / thru 12/21 Alexander Tovborg / Beauchene / 327 Broome / thru 12/21 Mary Ann Aitken; John Maggie; Jonathan Rajewski / Hanley / 327 Broome / thru 12/21 Guglielmo Achille Cavellini / Whitebox / 329 Broome / 11/1 thru 11/30 Yui Kugimiya / Marlborough / 331 Broome (third NYC location) / thru 12/21 Opening 11/20 Lily Ludlow / Canada / 333 Broome / thru 12/14 Ulrike Theusner; Paul Brainard / Lodge / 131 Chrystie / thru 12/14 Cristina Vergano / Woodward / 133 Eldridge / thru 12/21 Nayda Collazo - Llorens / LMAK / 139 Eldridge / thru 11/30 James Hoff / Callicoon / 49 Delancey / thru 12/21 Noam Rappaport / Fuentes / 55 Delancey / thru 12/21 XYZ collective / Brennan & Griffin / 55 Delancey / thru 12/21 Jana Winderen & Marc Fornes / Storefront for Art & Architecture / 97 Kenmare @ Centre / thru 11/21 Maya Bloch / Thierry Goldberg / 103 Norfolk / thru 12/21 Josh Faught / Cooley / 107 Norfolk / thru 12/21 Joseph Montgomery / Gitlen / 122 Norfolk / thru 12/21 My Big Fat Painting curated by Rick Briggs; Fred Gutzeit / Morris / 163 Chrystie / thru 11/23 (extended) Closing Reception 11/20 (7 - 9 PM) Mark Joshua Epstein / Morris project space / 163 Chrystie / thru 12/20 Opening 11/20 (7 - 9 PM) Addie Wagenknecht / Bitforms / 131 Allen (new location) / thru 12/7 David Mramor / James / 143b Orchard / thru 12/7 Angelo Volpe / Krause / 149 Orchard / thru 12/8 Beatrice Scaccia / Cuchifritos / 120 Essex (SE corner of market) / thru 11/30 Tommy Hartung / On Stellar Rays / 1 Rivington / thru 11/30 Valeska Soares / Eleven Rivington / 11 Rivington / thru 11/23 Bill Traylor / Cuningham / 15 Rivington (new location) / thru 12/6 Micki Pellerano / Envoy / 87 Rivington / thru 11/23 Do the Write Thing: Read Between the Lines / Berst / 95 Rivington / thru 12/20 Guglielmo Achille Cavellini / Lynch Tham / 175 Rivington / thru 12/21 Jessica Rankin / Salon 94 / 1 Freeman Alley / thru 12/21 Red, Yellow and Orange: Ford Crull; Debra Drexler; Peggy Cyphers / Van Der Plas / 156 Orchard / / thru 12/31 AS IF: Abigail Donovan; Troy Richards; Robert Straight; Peter Williams / Novella / 164 Orchard / thru 12/6 Raquel Rabinovich / Y / 165 Orchard / thru 12/23 Opening 11/21 Tai Ogawa / Matsumiya / 153 1/2 Stanton / thru 12/31 Magnolia Laurie / Frosch & Portmann / 53 Stanton / thru 11/23 Forces at Play: S.Crider; B.Gardner; M.Keller; J.Mellon; L.Rablin / Molly Krom / 53c Stanton / thru 11/30 Valeska Soares / Eleven Rivington / 195 Chrystie (second location) / thru 11/23 Sara Goldschmied; Eleonora Chiari / Lorello / 195 Chrystie — floor 6 / 11/19 thru 1/25 Reception 12/11 Kader Attia / Lehmann Maupin / 201 Chrystie / thru 12/13 George Horner thru 12/6, Henry Mandell thru 1/10 / Charles / 196 Bowery Lili Reynaud - Dewar thru 1/25; Chris Ofili thru 2/10; etc. / New Museum / 231 - 235 Bowery Takeshi Murata / Salon 94 / 243 Bowery / thru 12/21 Heinz Mack / Sperone Westwater / 257 Bowery / thru 12/13 Notes on Undoing / Garis & Hahn / 263 Bowery / thru 12/20 Opening 11/20 Charles Dunn / Rucker / 141 Attorney / thru 11/26 Serge Alain Nitegeka / Boesky East / 20 Clinton (new, third NYC location) / thru 12/21 Matthew Fischer / Junior Projects / 139 Norfolk / thru 12/21 Pierre St - Jacques / Station Independent / 164 Suffolk / thru 12/14 Aki Sasamoto / JTT / 170a Suffolk / thru 12/14 (Performances 12/12 @ 6 PM) Sara Greenberger Rafferty / Uffner / 170 Suffolk / thru 12/21 Matt Hoyt / Bureau / 178 Norfolk / thru 12/21 Stuart Shils / Harvey / 208 Forsyth / thru 12/21 Opening 11/19 Arianna Carossa / Rooster / 190 Orchard / thru 1/4 Opening 11/25 Greer Lankon / Participant / 253 E Houston / thru 12/21 Henry Flynt / Audio Visual Arts / 34 E 1st / thru 11/23 (extended) Joel Holmberg / American Contemporary / 4 E 2nd / thru 12/19 Early Man / The Hole / 312 Bowery / thru 12/28

«I wanted to use the opportunity to create kind of a love letter to painting itself, to the big masters and the works that we love,» Monreal told W magazine.

Using colors that look like they used to be brighter, José Lerma pushes broad strokes of paint around making a long nose, a big shirt, messy hair.

Doing those paintings was a big help in the transition because I was working from the shape of the piece of marble, a found shape, and as a result, I started using diagonals.

Morag Myerscough's practice is characterised by strong colour and big type, as well as her use of geometric structure, often hand - painted and assembled with an affinity for scale and drama.