Sentences with phrase «use calligraphy»

Use a calligraphy pen or a fancy font to create small labels.

Song's silk paintings use calligraphy techniques that are translated into more abstract patterns.

Men traditionally use calligraphy to transcribe holy texts, while the henna ink Essaydi uses is a common feminine adornment.

We did not use calligraphy on our invites because my husbands mom has gorgeous handwriting so we just had her do that but I think it owuld be so cool to learn!

I totally took a short cut and used calligraphy pens when I learned for my wedding invites.

I used the smallest dotter to make the seeds and I used the calligraphy tip to write the words.

When my sister was getting married, I had the brillant idea of hand - addressing 300 invitations using calligraphy.

Not exact matches

And when you see Silvia's unique artworks of pictorial calligraphy using Bangali alphabets, you can totally see the same kind of graceful movements.Model — Silvia Reshmeen.

I chose a favorite calligraphy - inspired font called Asterism for the front of the card and decided to use hot pink text to match the grosgrain ribbon.

Restoration Hardware trunk Ivory Bone dominos Thomas Keller's The French Laundry Cookbook Dogs Ginger Jar pitcher used as a vase (vintage, similar here) Dana Gibson planter Faux python tray Japanese calligraphy brushes (found, similar here) Lizard magnifying glass (also available in alligator) A Passion for Blue and White Allegra Hicks An Eye for Design Coral and pearl catchall (sold out, similar choices HERE) Studio Ten 25 agate box c / o

Korean arts include traditions in calligraphy, music, painting and pottery, often marked by the use of natural forms, surface decoration and bold colors or sounds.

The cabin uses many cues inspired by traditional Japanese design, from calligraphy brushes to Andon lamps.

Entertaining andLearn Japanese using carefully structured lessons that guide the player through vocabulary and calligraphy exercises.

The theme of landscape, flatness, the technique of staining, bands, calligraphy and articulate use of color have been streams of consistent interest in this continuing series of my work.

This work can be interpreted in the simplest, most direct manner — as a stereotyped image of China's food culture and painting traditions, but at the same time, its multiple references to various Chinese social and historical backgrounds make interpretation much more difficult: the use of objects to express morality in Chinese landscaping, satirical poetry mocking ostentatious refinement, and the imitation of handwritten menus to capture a scene of civil life... Viewers unfamiliar with the specific context can easily find themselves lost in the smokescreen of mysterious Oriental poetic calligraphy and bonsai art.

Chung's Untitled 005, a large painting of acrylic and frottage on hanji paper (traditionally used in Korean calligraphy) collaged onto canvas, stands over 1.5 meters tall and 1.2 meters wide.

Being in a classroom environment allowed me to be around all kinds of diverse young artists with many different interests, and also to discover artists I had not studied before who were using writing — linguistic abstract gestural expressionism, such as calligraphy — in their contemporary works of art.

In contrast, Mark Tobey used black and white to evoke the lyrical brushwork of Japanese calligraphy, in the form of a serenely organic ink painting.

Transcending and merging their cultures» printmaking traditions, these artists too moved «beyond East» and «beyond West, «Japanese pictorial traditions, including expressive sumi - e brush painting and Zen calligraphy, the use of un-sized supports, and ukiyo - e printing, inspired artists such as Sam Francis, Helen Frankenthaler, Willem de Kooning, Joan Mitchell, and Robert Motherwell and influenced their development as Abstract Expressionists, American ceramists Gertrud and Otto Natzler, Glenn Nelson, and William Wyman looked to Zen - inspired ceramics.

Nature is a recurring theme in Cui Fei's drawings, prints, photographs, and installations that evoke Chinese calligraphy through the use of twigs and thorns.

The compliment of sharing a space with Matisse's Dance 1 (1909) goes to the Iranian Charles Hossein Zenderoudi's K+L +32 + H +4 Mon père et moi (1962), a felt - tip semi-abstract portrait that uses motifs from Tehran bazaars, Shiite iconography, and sacred calligraphy.

In addition to exploring the symbolic and formal potential of traditional Arabic calligraphy, he incorporated the Africanized arabesque script used by his father for transcribing verses of the Qu» ran, as well as the traditional crafts and ornamentation found in his homeland.

The Warehouse Gallery September 16 — November 6, 2010 Nature is a recurring theme in Cui Fei's drawings, prints, photographs, and installations that evoke Chinese calligraphy through the use of twigs and thorns.

Across mediums, her work makes use of personal narrative, site - specificity, quotidian details, language, drawings, calligraphy, cut - outs, and references to artist, music, and people.

Farhat uses the characters of various texts to invent calligraphy - like abstract forms out of cast resin.

She often uses subtle references to the cultures and traditions she was exposed to growing up: calligraphy, manga and the flatness of the Japanese pictorial plane contrasted with the gravitas of twentieth century Western modernism.

This show may not offer any big new revelations about the nature of the circle, but it brings together a magnificent, occasionally mad cornucopia of rounded works, from the London Underground sign from Oval station to magical pieces of Zen Buddhist calligraphy, created during a single exhalation of breath; from Marcel Duchamp's Anaemic Cinema, a whirling «psychedelic» animated film from 1925, to Chicago artist Theaster Gates's A Complicated Relationship between Heaven and Earth, in which a stuffed goat on a tricycle, originally used in Masonic ceremonies, runs noisily round a circular railway track.

Organized around the notions of text and texture, the varied works reference modern Arabic and Hebrew calligraphy; some evoke the art of hurufiyah, using the swoops and curves of the Arabic alphabet as painterly gestures.

Often taking the form of bannerlike textiles, his work makes extensive use of calligraphy, so that on the surface it appears to be entirely within the vocabulary of Islamic art.

MUNBANGSAU: FRIENDS OF THE SCHOLAR Apr 24 - May 26, 2018 Private view Wed May 23 6 pm - 8 pm «Munbangsau: Friends of the Scholar» exhibition is on view from 24 April to 26 May 2018, featuring performances, workshops and talks by numerous Korean master craftsmen, as well as display of various tools used by the scholars for calligraphy and painting, and a reconstruction of a traditional Korean scholar's room of the Choson period.

``... [Tobey's] use of Chinese calligraphy become [s] more and more abstract.

Van Chu's photographic artworks carry the spirit of traditional Chinese painting but combined with the use of modern technology, acrylic, water and calligraphy ink, they depict a portrait of the artist himself as an outsider on the American shore.

A highlight of the exhibition is Zhu Jinshi's monumental installation, Boat, which is 12 meters long, made from 8,000 sheets of paper commonly used in Chinese calligraphy and painting.

★ Metropolitan Museum of Art: «Ink Art: Past as Present in Contemporary China» (through April 6) This museum's first survey of recent Chinese art uses the lens of the culture's ancient brush and ink tradition so basic to its landscape painting and calligraphy.

Xieda has spent the exhibitions 20 years studying the history of Chinese written language, specifically focusing on Chinese calligraphy of the fourth century, a period in which the brush came to be used for writing as an alternative to carving characters into wood, bamboo, or stone.

Japanese calligraphy and art, particularly the Japanese use of negative space, had a profound influence on his art.

He usually painted two beams of the cross figure as broad paths with the brush, whose margins are precisely defined using a brushstroke, the edges drawn freehand as in calligraphy.

The artist's expressionistic, gestural brushwork is executed with a control that echoes calligraphy and is grounded by the use of negative space.

His art is influenced by the New York School Abstract Expressionist painters of the 1950's, wireframe diagrams used in industrial design, street art, and shodo — the art of Japanese calligraphy.

Visitors are invited to use the ten metre square, four metre high wooden and plastic pavilion, and can climb the first floor to view eating and calligraphy in the gallery.

- Shifting Mountains and Still Water - An exhibition of some 30 Chinese artists, responding to a range of questions relating to the future of the image in the era of hypermedia, using photography, video, video installations and calligraphy performances.

Studying calligraphy and Japanese art, he was particularly influenced by the Japanese technique of using negative space.

Much favoured by the Dansaekhwa artists, for centuries it has been used not only for painting, crafts and calligraphy but also for clothing and shoes and as a replacement for glass in the windows and doors of traditional houses.

The linear mark - making and layering of Chu's work reflects the dynamic rhythm of his running script calligraphy, and his ink washes are predominately executed in black but are highlighted by the occasional use of red or green.

Inspired by Nicolas de Staël's abstract landscape paintings, Chu abandoned figurative painting and adopted a unique style using bold strokes of colour which evoked Chinese calligraphy.

The figurative subject matter is reminiscent of the rich artistic traditions of Persian miniature painting and calligraphy, while the abstract use of vibrant colours reveals the artist's spiritual inspiration grounded in the millenary tradition of Persian poetry.

Experimenting with the semiautomatic methods used by Gottlieb and many Abstract Expressionists, he created graceful works, such as Tension by Moonlight (1948), that reflect his interest in Japanese calligraphy.

★ Metropolitan Museum of Art: «Ink Art: Past as Present in Contemporary China» (closes on Sunday) This museum's first survey of recent Chinese art uses the lens of the culture's ancient brush and ink tradition so basic to its landscape painting and calligraphy.

I use the term calligraphy loosely because these artists do so much more.

Your resume is no place to use difficult - to - read cursive, handwriting - style, or calligraphy fonts.