Sentences with phrase «use deeper pinks»

Pink is my favorite color, but I have to use deeper pinks.

For this look, I used a deep pink Maybelline polish with Nails Inc.'s Princes Arcade for my glitter accents.

Not exact matches

But he figured out that by using the most deep red apples we could find, kept the peel on, cooked on low heat and then blended the sauce, it got a beautiful pink / red color.

Whichever kind of grapefruit you use — pink, white, ruby red, or yellow ---- the hibiscus ensures a lovely deep - pink color.

Add in the deep pink gel color using a toothpick, and stir evenly to combine until desired color is achieved.

The key to getting a deep pink colour and good flavour is to use the petals from a deeply scented dark rose.

Talcott, who is with Texas A&M University, focused on the range of colors — from light pink to rose, red, and deep purple — that can be obtained through use of the pigments in PSPs.

used to wear pink toned nudes and would never reach for a deep beige nude like Velvet Teddy, until this year where I've been embracing all different shades and loving it!

One of my very favorite colors is fuchsia pink (or «hot pink», as it used to be called), the deep - toned version (which actually has a bit of blue in it).

Get this look by using: CoverGirl Flamed Out Shadow Pot in «Red Hot» layered underneath the deep burgundy hue in the CoverGirl Eye Enhancers 4 - Kit called «Drama Eyes» on eyes, and a mix of a pale purple, like CoverGirl Colorlicious Lipstick in «Verve Violet» and a baby pink, like CoverGirl Colorlicious Lipstick in «Yummy Pink» on lips.

She then used a deep purple gel eyeliner smudged into the base to create the lavender shade, layering pink and purple shadows to depth.

You can use any light shade: ivory, pale pink — gold is nice on deep skin.

You can add smokiness to your gaze with deeper tones of brown eye shadow or eyeliner, add a dimension of natural shimmer to skin by using nude toned metallics, or play up the rosiness in your cheeks and lips by using nude pink tones.

On your bottom lip (we used a retractable lip brush for extra precision), line and fill with a deep pink or berry purple matte lipstick.

With its blooming floral pattern in red, strawberry pink and deep green, with off - white and maroon used for flower centres, our refined cotton lace is as soft and smooth as you can imagine.

In one I use a feminine autumn color palette such as deep burgundy, pink, natural wood, and white.

Don't feel obligated to use red — get grungy with a deep violet or bring out your delicate side with a pale pink.

For this look, I used pink on the brow bone, taupe on the lid, bronze in the crease and the deep chocolate to line the upper and lower lash lines.

The print used for the 1.78:1 anamorphic widescreen transfer is free of debris, but it looks worn all the same, with fleshtones on the pink side and an absence of deep blacks.

Each canvas began with a grounding field of fluorescent pink, down which Howard methodically dragged strips of deep Alizarin Crimson oil paint, using a T - square to shape the precise edges.

Trosch uses oil, often applying it in a thick paste the consistency of peanut butter or putty in florid, hothouse colors and pale, pastel hues — pinks, mauve, celadon greens, sunburst yellows, deep blues, and reds.

Early in 1940 we managed to find a small house and for the next three years... I was not able to carve at all... the only sculptures I carried out were some small plaster maquettes for the second «sculpture with colour», and it was not until 1943, when we moved to another house, that I was able to carve this idea... In St Ives I was fortunate enough to have constant contact with artists and writers and craftsmen who lived there, Ben Nicholson my husband, Naum Gabo, Bernard Leach, Adrian Stokes, and there was a steady stream of visitors from London who came for a few days rest, and who contributed in a great measure to the important exchange of ideas and stimulus to creative activity... It was during this time that I gradually discovered the remarkable pagan landscape which lies between St Ives, Penzance and Land's End; a landscape which still has a very deep effect on me, developing all my ideas about the relationship of the human figure in landscape - sculpture in landscape and the essential quality of light in relation to sculpture which induced a new way of piercing the forms to contain colour... The sea, a flat diminishing plane, held within itself the capacity to radiate an infinitude of blues, greys, greens and even pinks of strange hues; the lighthouse and its strange rocky island was an eye; the Island of St Ives an arm, a hand, a face... I used colour and strings in many of the carvings of this time.

You can pair the shade with neutrals and browns, use it as a complement to reds and pinks, coordinate it with deep blues to create a classic maritime look, spruce it up with greens, or use it with yellow - greens for trend - setting appeal, according to Pantone.

I don't use a lot of color — faded blues and greens, red that's almost gone pink here and there, but I love using deep dusty charcoal brown, zinc, etc — and I love a black door!

In one I use a feminine autumn color palette such as deep burgundy, pink, natural wood, and white.

Then you could use gray as an accent color in wood furniture pieces, pillows, have deeper pink curtains and pillows as well or orange if you choose peach.