Sentences with phrase «use everyday subjects»

Like her fellow student Reginald Marsh at the Art Students» League, Bishop was determined to use everyday subjects.

Not exact matches

Poor people were not the only ones wearing their babies, rather the artists took an everyday, ubiquitous object (the infant carrier) and obligation (childcare) and used it allegorically: the subject is encumbered with the responsibility for their child (ren).

The majority of their conversations occurred by phone call or text exchange (Manville said Day - Lewis does not use emojis — we asked) and encompassed every subject, from their characters» family history, which they fleshed out, to everyday observations.

Includes: - Locational knowledge - Place knowledge and comparison - Human and Physical geography This resource has been developed with teacher and subject specialist input with an aim to provide a detailed and usable resource for everyday use by teachers.

However, I believe, a more casual everyday use of music can have as much power as explicitly teaching music as it relates to one's subject matter.

Flexible displays are also said to be a whole lot more tougher than usual, since there is no glass to shatter in the first place, and being able to bend makes them more malleable when subjected to the rigors of everyday use.

Using Photoshop to further manipulate and challenge the representative nature of the medium, Samaras's photographs present distorted images of everyday subjects and continue his practice of blurring the boundaries between art and life.

In its specific sense realism refers to a mid nineteenth century artistic movement characterised by subjects painted from everyday life in a naturalistic manner; however the term is also generally used to describe artworks painted in a realistic almost photographic way

The simple shapes and subject matter in this work by Jonas Wood belie the artist's skillful use of color and line in conveying the subtleties of everyday domestic life.

She often uses traditional techniques referencing both high and low culture, often with everyday - life as the central subject matter.

«3 Doig equates many elements of his work - its very big size; its subjects of skiers, horror movies, and drug use alluding to his adolescence in Canada - with losing oneself and the inherent freedom that follows an escape from the blandness of the everyday.4 Movies, arguably the ultimate escapist vehicles, are extremely important for understanding Doig's work.

The expressions of everyday life and vibrantly abstracted forms presented in Pattern Scheme evoke qualities of time, balance, repetition, focus, and design that emerge from the unique styles, subjects, and stories of each artist, connected through their varying use of pattern.

Warhol drew widely from popular culture and everyday subject matter, creating works like his 32 Campbell's Soup Cans (1962), his Brillo pad box sculptures, and portraits of Marilyn Monroe, using the medium of silk - screen printmaking to achieve his characteristic hard edges and flat areas of colour.

As famous for his quips as for his art — he variously mused that «art is what you can get away with» and «everyone will be famous for 15 minutes» — Warhol drew widely from popular culture and everyday subject matter, creating works like his 32 Campbell's Soup Cans (1962), Brillo pad box sculptures, and portraits of Marilyn Monroe, using the medium of silk - screen printmaking to achieve his characteristic hard edges and flat areas of color.

Subject to Change centers around seven artists who use traditional photographic processes to revive lost or discarded everyday objects.

Born in 1983 in the Sabra and Shatila refugee camp in Lebanon, Abdul Rahman Katanani spent his childhood painting, using the realities of the Palestinian refugees» everyday life in the camp as his subject matter.

Toderi tends to make detached recordings of actions that often unfold in an everyday environment; her deliberately elementary use of video as an expressive means emphasizes her desire to concentrate on the subject and the action taking place, distancing herself from pure and simple creative will.

House has in fact already entered the everyday visual currency that shapes the way we see the world, just as much as the famous Carl Andre bricks, or Boy George or Punk - all once the subject of horrified outrage, and all quickly co-opted into mainstream sensibility, to be recycled as knowing, sly jokes, to appear as the inspiration for the imagery of advertising, to be used as seasonings to the blandness of everyday life.

The book connects everyday experience, social critique, and creative expression with classroom learning, and includes color reproductions of artworks; statements in English and Spanish from more than fifty contemporary artists; lesson plans for using art to explore subjects such as American identity, changing definitions of the family, AIDS, discrimination, racism, homophobia, mass media, and public art; and resources, including annotated bibliographies for further study.

Works like Ten Dollar Bill, a lithograph from 1956, illustrates Lichtenstein's early investigation into the use of everyday symbols as subject matter.

Nicole Miller's time - based practice explores the experiences of everyday people as the subject of her work, using film as the medium through which the artist examines the bonds of family, community, and representation.

Most of the sculptures in Nud Nob are actually cast in bronze, which is a significant departure from the soft, everyday materials that Lucas has previously used (and, given the stiff subject matter, an apt one).

Often incorporating toys, knickknacks, souvenirs, and other kitsch materials into her work, Porter uses familiar objects for her subjects and scenes from the everyday, creating unexpected and oftentimes absurd new situations and landscapes.

[50] In the New York Times, Howard Devree discussed her talent for depicting her subjects feelingly, using as her themes «human relationships and the joys and sorrows of everyday life.»

(42 The Washington painter admired in Johns» work his use of everyday subjects, and his rejection of gestural paint handling in favor of harder - edged imagery.

If Mann et al. had simply cobbled together all the proxies available and presented their result as a proposed reconstruction of paleo - temperature, the validity of the reconstruction and the methods used to make it would be the subject of everyday debate, and the generally low opinion of statisticians for the work would perhaps have prompted the field to move to correct the deficiencies.