Björn Meyer - Ebrecht's painting's
use modernist architecture and design as a starting point, using basic geometric form as an alphabet with which to render these utilitarian and utopian forms into idiosyncratic compositions.
In the Dutch Pavilion, this argument is taken up more directly in two films by Wendelien van Oldenborgh that
use modernist architecture as a framework to think about inclusivity and erasure in postwar, postcolonial Dutch society (Prologue: Squat / Anti-Squat, 2016, and Cinema Olanda, 2017).
Not exact matches
So he does exactly that,
using countless features taking place (or shot) in Los Angeles to show the development of the city, as well as how decisions on and off the screen impact each other (one of my favourite parts: when Andersen explains how the city's
modernist architecture was devalued by having the movies always associate the look with antagonists).
The types of school buildings that can be described as «historic» are similarly wide - ranging — from several hundred year old buildings that remain in
use as schools to
modernist architecture built in the post war period.
While Meckseper's earlier vitrine works commented on contemporary consumer culture
using the shop window as an example and focus point for civic unrest and protest in our late capitalist society, her current works allude to the political dimension of early
modernist display
architecture and design between World War I and II in Weimar Germany.
[67] Many aspects of
modernist design still persist within the mainstream of contemporary
architecture, though previous dogmatism has given way to a more playful
use of decoration, historical quotation, and spatial drama.
Inspired by
Modernist architecture, Cubism and the Arts and Crafts movement, Bohl's work is well known for its highly effective and quasi-theatrical
use of space.
In Ingram's work, which includes a large - scale architectural installation, photographs, prints and paintings, construction materials themselves are
used as tools for humorous investigations of
modernist art and
architecture.
Using clay and concrete, Adrián Villar Rojas's sculptures and installations draw on the history of Minimalist sculpture and
Modernist architecture, creating works that refer back to classical antiquity and forward towards a future archaeology.
Known for his
use of saturated color and
Modernist abstraction, this work is from an iconic series «Gardone,» which deviates from Förg's less - figurative mark making and captures Bauhaus
architecture.