The painting Rust Red Hills is a perfect example of O'Keeffe's unique
use of abstraction and stylization.
Marking a point of transition in the artist's oeuvre, these paintings illustrate Williams's
use of abstraction as a tool to mask visceral components with elegant shapes and contours.
Gallery 1 explores
the use of abstraction in art and Gallery 2 explores socio - political issues.
Her work successfully embraces indigenous traditions and themes current in international contemporary art such as
her use of abstraction, colour and form.
Investigating the two artists» paintings and sculpture of this significant decade, the presentation examines their formal and material experimentations, and
their use of abstraction to convey artistic, social, and political commentary.
Through
the use of abstraction, these artists consider current influences and method making strategies in creating highly complex and engaging work.
Mark Godfrey gives an overarching view of Tillmans's practice, from the physical materiality of the work, to space and installation, to
his use of abstraction.
This collection forms a concise dialogue centered on the artist's exploration of the fragile boundaries between public and private domains and
his use of abstraction as a vehicle for political critique.
Farouk Hosny's paintings are composed with exquisite balance, enigmatic imagery and dynamic palette; they speak the language of modern world through
the use of abstraction.
Hesse, Chicago and Benglis all featured in Susan L. Stoops» 1996 exhibition «More Than Minimal: Feminism and Abstraction in the»70s», which signalled the returns to be gained from thinking about
the use of abstraction to explore gender as both subject and social context.
Their use of abstraction and figuration, and, in Caro's case, welded and painted steel, shaped and reflected the development of modernity in the 20th century.
This special presentation by Victoria Miro in Schloss Sihlberg, Zürich considers the work of three artists, Idris Khan, Yayoi Kusama and Conrad Shawcross, focussing on an intersection of their practices through
the use of abstraction and repetition.
Overall, the highly formal presentation is a glimpse into an artist's
use of abstraction through a well - established medium, juxtaposed by a poetic representation through moving image.
When considering Mark Grotjahn's distinctively expressive and mysteriously compelling
uses of abstraction, standard rules do not apply.
Not exact matches
The sixth level
of abstraction displays the categories
of «forces» or «factors» traditionally
used by historians to indicate their disciplinary perspective: economic, political, technological, aesthetic, psychological, social, or cultural.
But the purpose
of the hierarchy is precisely to formalize the process
of abstraction used by historians, so that they can avoid the logical inconsistencies that often corrupt their narrative explanations and meet the criticism that has been (I think justly) leveled at them.
First, institutions and
abstractions are personalized by the
use of expressions
of feeling and thinking.
By analyzing the levels
of abstraction used in different accounts
of the same event, we can bring them into correlation, and construct a synthetic model
of the event.
In his book Being and Having, Marcel
uses a series
of polarities to delineate two basic modes
of relating to the world: being and having; participation and objectification; mystery and problem; presence and object; I - Thou relationships and I - It relationships; thought which stands in the presence
of, and thought which proceeds by interrogation; concrete thinking and
abstraction; secondary reflection and primary reflection.55 Marcel recognizes that both modes
of relating to the world are necessary, but he feels the contemporary person is increasingly becoming a slave to the possessive orientation.
King
of the Jews, Son
of David are
used of Jesus, we can keep them at a high enough level
of abstraction that they need not disrupt our settled, complacent gentile Christian identities.
Man can
use his intellect properly, he can overcome the tendency to mistake
abstractions for concrete reality, and so he can avoid the fallacy
of misplaced concreteness.
This irreversibility is the appearance, it is an
abstraction, It is irreversible because whatever symbol you
use to represent the p resent time, it needs the earlier time as a part
of it.
The overall situation in matters
of abstraction is triadic (to
use the term favored by C. S. Peirce).
I am not talking about the corny jokes or funny introductions many preachers
use as a lead - in for 30 minutes
of platitudes and
abstractions, but honest truth from a person who believes what they are saying and has seen how it plays out in everyday life.
That is why comparative theology (to
use the term that is now gaining currency) should always be grounded in a comparative phenomenology
of religion; otherwise it will be a rather sterile encounter
of abstractions.
Several different approaches are currently being
used to explore the linguistic abilities
of primates, two
of which will be briefly described.8 Premack's work, because it involves a language board, has facilitated the understanding
of the abilities
of chimps to grasp
abstractions and logical relations, whereas Patterson's work
uses Ameslan and has been especially fruitful in exploring creative language
use.
And Whitehead's reopening
of the theme
used this concept only in passing, as an arbitrarily chosen case - study
of the difference between scientific
abstractions and adequate common - sense.
As Bultmann
uses them, the former refers to an event so far as it is significant for human existence (e.g., the cross as the salvation - occurrence through which I understand myself as judged and forgiven by God), while the latter refers to an event considered in
abstraction from such significance (e.g., the cross as an incident in the annals
of ancient history).»
Whitehead protests that while one may choose to
use such a notion as a helpful
abstraction, one can treat such absolute time as an actuality equal to all other actualities only at the expense
of coherence.
I don't want to rewrite this article in english, but basically, I came to the following conclusions 1 - that Scriptures ought to be
used in close interaction with daily reality (not out the blue, in
abstraction, or in academic ivory tower) 2 - it ought to be interpreted by what we could call «crucified» christians 3 - and that «crucified» christian should interpret in the context
of a «crucified» community / church (because being in a close knit church is a very good way to actually be «crucified» and sanctified, and because I need insight from others in my interpretations.
Whitehead has called this «the fallacy
of misplaced concreteness,» the tendency to attribute concrete existence only to one particular set
of abstractions, or to
use one type
of analysis to the exclusion
of other modes
of description.
In his early research into the child's world - view, Piaget showed that the thing - concept, as Whitehead criticized it, actually appears rather late in a child's development and represents an
abstraction from earlier and more concrete perceptions (RME) Not until around ten years
of age does the child come to see «things» in reality in the way the adult sees «things» in reality and
uses the thing - concept consciously, that is argumentatively.
Clifford Geertz
uses a similar notion
of «bodied stuff» to distinguish the object
of culture analysis from the
abstractions that form nomothetic observations (The Interpretation
of Cultures, 23).
But as the psychicalist
uses the words, mind, or the psychical, is an infinite variable, coextensive in range with «active singulars,» and what is not an active singular he takes to be an aggregate
of singulars or else an
abstraction there - from.
Whitehead's «method
of extensive
abstraction» is
used not only in his early writings in the philosophy
of natural science but also in his later, more metaphysical, writings to abstract from the complexity
of the relations which comprise the datum
of sense - perception and to isolate by a conceptual analysis those relations which express a uniform metric structure, that is, to «exhibit» a basis
of uniformity in nature.21 It is the sense in which this uniformity is «required» that is the crucial point for further investigation.
My conclusion is that the natural philosopher must strive to become as much mythologist as (to
use Whitehead's phrase) «critic
of abstractions» (SMW 87).
His conclusion is that the natural philosopher must strive to become as much mythologist as (to
use Whitehead's phrase) «critic
of abstractions.»
The destruction
of human life has been euphemized through
using abstractions.
Shunning the
abstraction that plagues this field, they go so far as to make
use of quantitative data.
It is an
abstraction, the frame
of reference
of which, I have noticed in reading some
of the literature, changes depending on who
uses it, what intellectual tendencies he or she represents, what academic discipline he or she comes from, and specially what political persuasion, inclination or group he or she belongs to.
Sin and salvation are theological
abstractions for many persons today, but the power
of reconciliation overcoming estrangement, to
use Tillich's terminology, is still a reality in human existence.
Essential as
abstractions are to the analysis
of the congregation, however, a greater
use of story is today required to round out an understanding
of the local church.
Matternet co-founder Andreas Raptopoulos says the ultimate vision for his company is to build a delivery system that
uses a network
of drones (see «The drone is flying it to you now «-RRB-, with package delivery reaching the same level
of abstraction as the delivery
of email on smartphones.
A third level
of abstraction used terminology somewhere in between those two.
She
uses cookies to illustrate the importance
of abstraction.
From the psychology and neuroscience around play, creativity, dreaming and sleep, we can as easily derive a picture
of human cognition that doesn't recoil from the buzzing, blooming demands
of everyday life, but exults in
using imagination, stories,
abstraction and metaphor to comprehend the world.
Aesthetically, the film finds Bertolucci in a transitory mode, caught between his early Godard - influenced
abstraction and his later style
of lush, operatic camera movements and theatrical
use of color and music.
Students immersed in classroom experiences that let them engage in learning mathematics concepts through problem solving, making and
using abstractions, and developing and applying mathematical theories have greater opportunities for developing mathematical habits
of mind.
The recommendation, exemplified through the worked example
of The Brookings Soft Skills Report Card, is to
use measures
of soft skills that are naturally occurring, easily observed, at low levels
of abstraction, relevant to the expressed mission and instructional goals
of a teacher or school, and useful as feedback at the classroom and parental levels.
This is a project for A-level students starting with looking at Geometric
Abstraction and the
use of the colour «White» in the work
of modern abstract artists.