Sentences with phrase «use of film cameras»

Heiss, Obourn, and Hoffman (1950) dedicated eight pages to motion picture use, but also included a page on the use of film cameras.

Not exact matches

Instead of selling their own SLRs, which use a mirror and prism mechanism to allow a scene to be viewed by the photographer and recorded on film, Panasonic, Olympus, and others started selling selling smaller cameras that relied just on digital sensors.
Directors and cinematographers who film there don't have to use Red cameras — but they get a lot of handholding (and preferential rates) if they do.
These adventurous feats are filmed using tiny, wearable, high - quality cameras that have gained exposure — particularly because of the rising popularity of video - sharing websites such as YouTube.
To deal with these wobbly videos, Facebook built a new algorithm that Kopf said can automatically improve amateur videos by removing some of the unwanted unsteadiness that is typical when non-professionals film using a camera in their untrained hands.
Through Tribeca Immersive's Storyscapes and Virtual Arcade — two programs that highlight the intersection of film and technology — traditional filmmakers used new methods like 360 - degree cameras and virtual reality devices to bring audiences deep into new worlds.
It was filmed using a custom - built drone equipped with seven GoPro cameras and operated by a licensed drone pilot due to the complicated nature of the shoot, which included dropping 30 feet into a field of sharp agave; long, continuous shots; and stabilization against the wind.
The cameras, installed near schools and hospitals in Beijing, use 32 microphones and an HD camera to film a two - second video and capture the license plate of each honking car.
Remember back when all of the cameras used film?
If technology is to be used to monitor and catch violations of the speed limits, it should be done in such a way that it applies equally to everyone (no cameras with film in one day a month).
While filming, he gave the subjects a stereoscopic view of their backs, using goggles that captured the video from both cameras.
The motion of these markers could be tracked using six infrared cameras filming at 200 frames per second while the player was throwing.
Members of several research centres from Finland and Russia reconstructed the trajectory of the fireball and calculated the location of the fall using the data from three stations of the Finnish Fireball Network and the filming of a security camera from the Kola Peninsula.
Marcus Roper of the University of California, Berkeley, used high - speed cameras, lasers and models to film spore ejections (left image) and calculate the precise speed and motion of each spore (right image) in the crop pathogen Sclerotinia sclerotiorum and other fungi.
Next, to explore the potential role of handshakes in communicating odors, the scientists used covert cameras to film some 280 volunteers before and after they were greeted by an experimenter, who either shook their hand or didn't.
Instead of catching light on film, digital cameras use an array of light - sensitive photodiodes that function much like the photoreceptors in an eye.
If the server decides that there are objects with geographic coordinates that fall within the camera's field of view, it superimposes these objects on the picture from the phone camera, in a fashion similar to the way the director of a science fiction movie might use special effects to add a spacecraft to a filmed scene.
For their local survey, Impey and Bothun used regular photographic film, albeit of a particularly sensitive kind, in a camera with a much wider field of view than a CCD can muster.
Previously described techniques of fundus imaging often proved difficult to repeat, partly because video capture using Apple's built - in camera app in the iPhones can not independently control the focus and the exposure during filming, which results in glare and poor image quality.
At this new exhibition, you are invited to step into Cameron's role as director and film scenes in 3 - D with a camera just like the ones used in the making of the movie.
Mass audience eye transplants being clearly impractical, film director Mike Slee used the next best thing: a sophisticated camera system that portrays the fecund forests of Borneo from a bug's - eye view.
Blanke's team conducted a similar experiment but instead used small vibrators connected to a series of lights taped onto the backs of research subjects while cameras filmed them from behind.
More than 3,500 images were recorded during aerial surveys by the National Survey and Cadastre of Denmark in the late 1970s and early»80s, captured with a camera that used film.
In that case, the COLTRIMS experiments proved that the position of the Danish physicist Niels Bohr in the «Einstein - Bohr debates» 80 years ago was correct and, shortly before that, other physicists from the atomic physics work group used COLTRIMS to «film» the destruction of a molecule by a strong laser pulse — a reaction so fast that it can not be captured by an ordinary camera.
I'm so used to being in front of the camera on a regular basis, whether it's shooting photos for the blog, filming a beauty tutorial or a casual vlog..
Make sure you get hold of a good digital camera or use a traditional film camera and scan the photos in high resolution.
Image detail is nice on the whole, and though the film does occasionally look a little soft, this is an artifact of the anamorphic camera process used, rather than any transfer or compression issues.
In this most lavish production the carefully planned colour scheme and the skillful use of the camera make the film one of the most satisfactory colour films yet created.
it is funny in deed but, when their is someone to cover Sandler's movie their most likely gonna never make a film again Oh look see Denis Dugan and Frank Coraci BOOOOOO!!!!!!!!! you suck stop making adam sandler movies here is the problem they are directors who don't care about cinematography or shots of using the camera all they care is comedy!!!!!!! see Tyler Perry yeah their just like this big joke.
Filming with handheld cameras, over-exposing the film, and making extensive use of jump - cuts, Peploe seems to be trying to find the spirit if Jean - Luc Godard in The Triumph of Love.
Another actor blocks the camera's view of her, reminiscent of when strategically placed objects are used to block the sorts of nudity that might cause a film to receive a stricter rating.
As before, Bujalski's preference for nonprofessional actors, his ear for the rhythms of conversation among bright young 20 - somethings and his adept use of a roving, hand - held camera (this time shooting in fuzzy black and white) lend the film an invigorating energy.
Gillespie smartly uses the known and builds upon it with context and some style, using «modern day» Tonya, Jeff and LaVona among others as interview subjects for a documentary of sorts that frames the film, but also has the characters speak into the camera in non-interview segments to help give Tonya some humanity, or at least make sure you have a better idea about all of her story and life coming out and you did going in.
Like Kurosawa did before him, Altman used multiple cameras to film the big crowd scenes; the actors had to remain in character because they had no way of knowing what footage of them might be used.
Bassett uses lots of filtering and camera tricks to try and hide the budget of the film and it hurts the horror and ruins what little suspense is featured in the film.
Aesthetically, the film finds Bertolucci in a transitory mode, caught between his early Godard - influenced abstraction and his later style of lush, operatic camera movements and theatrical use of color and music.
For Faces by a Person Unknown Paolo Gioli re-photographed footage from a turn of the 20th century film he had found in 1972, using the same camera the original footage was likely shot on.
The film is also a bit murky from a visual standpoint, perhaps due to the digital camera work in lighting that intentionally uses the actual lighting of the room rather than staged, and the colors and textures are especially muted during scenes filmed indoors.
Mann would not reach this film's level of stripped - down genre purity for another decade, but the almost pixelated look of his blurred streets looks even further into the director's future, to his radically innovative use of digital cameras in the 21st century.
Look at the camera angles, the editing choices, the use of music — «The Knick» is our most film - like show on television.
Whether it is his choice of lighting or a particular angle in which he films an individual scene, Wright adds to the film using the camera to elevate the performance.
We did a tonne of tests, with cameras and lenses — because we were using old lenses — and did all this work with the post-production colourist who was messing with the footage in New York and trying to establish what we wanted the film to look like.
Juliette Binoche turns in one of the greatest performances of her career while filmmaker Abbas Kiarostami uses artistry and terrific camera work by Luca Bigazzi to illustrate one of the more even tempered films of the year.
It's interesting to note that during filming Deakins invented a new type of a combination of lenses, appropriately dubbed «Deakinizers,» which he used to produce the effect of old camera footages in several transitional shots throughout the film.
Christopher Nolan will shoot part of his sci - fi film «Interstellar» in IMAX; meanwhile, Michael Bay is using IMAX 3D cameras on the «showcase scenes» in «Transformers 4».
After Bendjelloul ran out of film for his 8 mm camera, he used an iPhone app called 8 mm Vintage Camera to shoot the remainder of the movie, which came out incamera, he used an iPhone app called 8 mm Vintage Camera to shoot the remainder of the movie, which came out inCamera to shoot the remainder of the movie, which came out in 2012.
Nolan and cinematographer Hoyte van Hoytema («Interstellar») shot the film using 65 mm and IMAX cameras, and while the big scenes of spectacle are unquestionably sweeping and impressive, it's the smaller moments that stayed with me more, whether it's those cascading leaflets in the opening scene, the terrifying majesty of a fighter plane gliding with its engines off, or a harrowing sequence involving a downed plane that will doubtless be used by English teachers to illustrate what poet Stevie Smith meant when she wrote «Not Waving but Drowning.»
Walt Disney Studios Home Entertainment promises 1941's «Dumbo» has been restored to the color settings most likely approved by Walt Disney himself, using prints held by the Library of Congress (nitrate camera negative) and the film Academy (dye - transfer Technicolor).
Fuller has left aside the bravura, thrilling camera movements that marked some of his earlier films, and settled on (sorry, «settled» is not a word to use when speaking of Fuller) a more Bressonian kind of tightly structured watching and following.
Nolan: One of our greatest resources was IMAX and their relationship with NASA because over the last 30 years, they have the same cameras we used to shoot the film.
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