Heiss, Obourn, and Hoffman (1950) dedicated eight pages to motion picture use, but also included a page on
the use of film cameras.
Not exact matches
Instead
of selling their own SLRs, which
use a mirror and prism mechanism to allow a scene to be viewed by the photographer and recorded on
film, Panasonic, Olympus, and others started selling selling smaller
cameras that relied just on digital sensors.
Directors and cinematographers who
film there don't have to
use Red
cameras — but they get a lot
of handholding (and preferential rates) if they do.
These adventurous feats are
filmed using tiny, wearable, high - quality
cameras that have gained exposure — particularly because
of the rising popularity
of video - sharing websites such as YouTube.
To deal with these wobbly videos, Facebook built a new algorithm that Kopf said can automatically improve amateur videos by removing some
of the unwanted unsteadiness that is typical when non-professionals
film using a
camera in their untrained hands.
Through Tribeca Immersive's Storyscapes and Virtual Arcade — two programs that highlight the intersection
of film and technology — traditional filmmakers
used new methods like 360 - degree
cameras and virtual reality devices to bring audiences deep into new worlds.
It was
filmed using a custom - built drone equipped with seven GoPro
cameras and operated by a licensed drone pilot due to the complicated nature
of the shoot, which included dropping 30 feet into a field
of sharp agave; long, continuous shots; and stabilization against the wind.
The
cameras, installed near schools and hospitals in Beijing,
use 32 microphones and an HD
camera to
film a two - second video and capture the license plate
of each honking car.
Remember back when all
of the
cameras used film?
If technology is to be
used to monitor and catch violations
of the speed limits, it should be done in such a way that it applies equally to everyone (no
cameras with
film in one day a month).
While
filming, he gave the subjects a stereoscopic view
of their backs,
using goggles that captured the video from both
cameras.
The motion
of these markers could be tracked
using six infrared
cameras filming at 200 frames per second while the player was throwing.
Members
of several research centres from Finland and Russia reconstructed the trajectory
of the fireball and calculated the location
of the fall
using the data from three stations
of the Finnish Fireball Network and the
filming of a security
camera from the Kola Peninsula.
Marcus Roper
of the University
of California, Berkeley,
used high - speed
cameras, lasers and models to
film spore ejections (left image) and calculate the precise speed and motion
of each spore (right image) in the crop pathogen Sclerotinia sclerotiorum and other fungi.
Next, to explore the potential role
of handshakes in communicating odors, the scientists
used covert
cameras to
film some 280 volunteers before and after they were greeted by an experimenter, who either shook their hand or didn't.
Instead
of catching light on
film, digital
cameras use an array
of light - sensitive photodiodes that function much like the photoreceptors in an eye.
If the server decides that there are objects with geographic coordinates that fall within the
camera's field
of view, it superimposes these objects on the picture from the phone
camera, in a fashion similar to the way the director
of a science fiction movie might
use special effects to add a spacecraft to a
filmed scene.
For their local survey, Impey and Bothun
used regular photographic
film, albeit
of a particularly sensitive kind, in a
camera with a much wider field
of view than a CCD can muster.
Previously described techniques
of fundus imaging often proved difficult to repeat, partly because video capture
using Apple's built - in
camera app in the iPhones can not independently control the focus and the exposure during
filming, which results in glare and poor image quality.
At this new exhibition, you are invited to step into Cameron's role as director and
film scenes in 3 - D with a
camera just like the ones
used in the making
of the movie.
Mass audience eye transplants being clearly impractical,
film director Mike Slee
used the next best thing: a sophisticated
camera system that portrays the fecund forests
of Borneo from a bug's - eye view.
Blanke's team conducted a similar experiment but instead
used small vibrators connected to a series
of lights taped onto the backs
of research subjects while
cameras filmed them from behind.
More than 3,500 images were recorded during aerial surveys by the National Survey and Cadastre
of Denmark in the late 1970s and early»80s, captured with a
camera that
used film.
In that case, the COLTRIMS experiments proved that the position
of the Danish physicist Niels Bohr in the «Einstein - Bohr debates» 80 years ago was correct and, shortly before that, other physicists from the atomic physics work group
used COLTRIMS to «
film» the destruction
of a molecule by a strong laser pulse — a reaction so fast that it can not be captured by an ordinary
camera.
I'm so
used to being in front
of the
camera on a regular basis, whether it's shooting photos for the blog,
filming a beauty tutorial or a casual vlog..
Make sure you get hold
of a good digital
camera or
use a traditional
film camera and scan the photos in high resolution.
Image detail is nice on the whole, and though the
film does occasionally look a little soft, this is an artifact
of the anamorphic
camera process
used, rather than any transfer or compression issues.
In this most lavish production the carefully planned colour scheme and the skillful
use of the
camera make the
film one
of the most satisfactory colour
films yet created.
it is funny in deed but, when their is someone to cover Sandler's movie their most likely gonna never make a
film again Oh look see Denis Dugan and Frank Coraci BOOOOOO!!!!!!!!! you suck stop making adam sandler movies here is the problem they are directors who don't care about cinematography or shots
of using the
camera all they care is comedy!!!!!!! see Tyler Perry yeah their just like this big joke.
Filming with handheld
cameras, over-exposing the
film, and making extensive
use of jump - cuts, Peploe seems to be trying to find the spirit if Jean - Luc Godard in The Triumph
of Love.
Another actor blocks the
camera's view
of her, reminiscent
of when strategically placed objects are
used to block the sorts
of nudity that might cause a
film to receive a stricter rating.
As before, Bujalski's preference for nonprofessional actors, his ear for the rhythms
of conversation among bright young 20 - somethings and his adept
use of a roving, hand - held
camera (this time shooting in fuzzy black and white) lend the
film an invigorating energy.
Gillespie smartly
uses the known and builds upon it with context and some style,
using «modern day» Tonya, Jeff and LaVona among others as interview subjects for a documentary
of sorts that frames the
film, but also has the characters speak into the
camera in non-interview segments to help give Tonya some humanity, or at least make sure you have a better idea about all
of her story and life coming out and you did going in.
Like Kurosawa did before him, Altman
used multiple
cameras to
film the big crowd scenes; the actors had to remain in character because they had no way
of knowing what footage
of them might be
used.
Bassett
uses lots
of filtering and
camera tricks to try and hide the budget
of the
film and it hurts the horror and ruins what little suspense is featured in the
film.
Aesthetically, the
film finds Bertolucci in a transitory mode, caught between his early Godard - influenced abstraction and his later style
of lush, operatic
camera movements and theatrical
use of color and music.
For Faces by a Person Unknown Paolo Gioli re-photographed footage from a turn
of the 20th century
film he had found in 1972,
using the same
camera the original footage was likely shot on.
The
film is also a bit murky from a visual standpoint, perhaps due to the digital
camera work in lighting that intentionally
uses the actual lighting
of the room rather than staged, and the colors and textures are especially muted during scenes
filmed indoors.
Mann would not reach this
film's level
of stripped - down genre purity for another decade, but the almost pixelated look
of his blurred streets looks even further into the director's future, to his radically innovative
use of digital
cameras in the 21st century.
Look at the
camera angles, the editing choices, the
use of music — «The Knick» is our most
film - like show on television.
Whether it is his choice
of lighting or a particular angle in which he
films an individual scene, Wright adds to the
film using the
camera to elevate the performance.
We did a tonne
of tests, with
cameras and lenses — because we were
using old lenses — and did all this work with the post-production colourist who was messing with the footage in New York and trying to establish what we wanted the
film to look like.
Juliette Binoche turns in one
of the greatest performances
of her career while filmmaker Abbas Kiarostami
uses artistry and terrific
camera work by Luca Bigazzi to illustrate one
of the more even tempered
films of the year.
It's interesting to note that during
filming Deakins invented a new type
of a combination
of lenses, appropriately dubbed «Deakinizers,» which he
used to produce the effect
of old
camera footages in several transitional shots throughout the
film.
Christopher Nolan will shoot part
of his sci - fi
film «Interstellar» in IMAX; meanwhile, Michael Bay is
using IMAX 3D
cameras on the «showcase scenes» in «Transformers 4».
After Bendjelloul ran out
of film for his 8 mm
camera, he used an iPhone app called 8 mm Vintage Camera to shoot the remainder of the movie, which came out in
camera, he
used an iPhone app called 8 mm Vintage
Camera to shoot the remainder of the movie, which came out in
Camera to shoot the remainder
of the movie, which came out in 2012.
Nolan and cinematographer Hoyte van Hoytema («Interstellar») shot the
film using 65 mm and IMAX
cameras, and while the big scenes
of spectacle are unquestionably sweeping and impressive, it's the smaller moments that stayed with me more, whether it's those cascading leaflets in the opening scene, the terrifying majesty
of a fighter plane gliding with its engines off, or a harrowing sequence involving a downed plane that will doubtless be
used by English teachers to illustrate what poet Stevie Smith meant when she wrote «Not Waving but Drowning.»
Walt Disney Studios Home Entertainment promises 1941's «Dumbo» has been restored to the color settings most likely approved by Walt Disney himself,
using prints held by the Library
of Congress (nitrate
camera negative) and the
film Academy (dye - transfer Technicolor).
Fuller has left aside the bravura, thrilling
camera movements that marked some
of his earlier
films, and settled on (sorry, «settled» is not a word to
use when speaking
of Fuller) a more Bressonian kind
of tightly structured watching and following.
Nolan: One
of our greatest resources was IMAX and their relationship with NASA because over the last 30 years, they have the same
cameras we
used to shoot the
film.