Sentences with phrase «use of old film»

The partnership began when McCall wanted to reengage sound after a turn toward digital projection removed the incidental sound that used to accompany his use of old film projectors, with all their wheezing and whirring.

Not exact matches

The 40 - year - old entertainer said in a court filing late Tuesday that the stacks of cash in the photos are actually prop money, which is specially made for the studio lighting used in filming music videos and photo shoots.

So, while books, films and lectures could be used in confirmation class, they should only supplement the main task of putting young Christians in close proximity with older Christians — «mentors» who invite these younger Christians to look over their shoulders as they both attempt to live as Christians.

I used to do stop motion short films in college, but have been too afraid to do them for the blog (the quality of my old videos werent anything to brag about).

Using the unique bond football created for Dads & Daughters, SSE told stories through a series of short films that included professional footballer, Kelly Smith, and a 12 - year - old girl who uses football to manage her Tourettes.

Remembering robots from film portrayals may help ease some of the anxiety that older adults have about using a robot, according to Penn State researchers.

The WWF said on Thursday that the money from the Leonardo DiCaprio Foundation, set up by the 39 - year - old star of «The Great Gatsby» and the upcoming film «The Wolf of Wall Street,» will be used for an initiative to double the number of tigers in Nepal by 2022 - the next Chinese year of the tiger.

I filmed this right after I moved out of my old apartment and used a few Milani Cosmetics Bella Eyes shades to achieve the makeup look.

Another miracle of the film is how well it keeps up with the characters, using the Battle of Hogwarts to greet old faces and introduce a few new troublemakers (Kelly Macdonald makes a memorable appearance as the ghostly Helena Ravenclaw).

I didn't like the film, and felt it was very mediocre, and this is the perfect example of how a movie that uses old clichéd ideas to create a «new» thriller can turn out, it turns bad.

Old friend Buck Jones came to her rescue and Francis made her final three films with him, including Stone of Silver Creek (1935), in which she used her Broadway musical expertise to play a glamorous saloon chanteuse.

In so doing, the film's conflict symbolizes, as my colleague Vann Newkirk writes, an old argument over «the nature of power and the rightness of its use» that has long «dominated black thought in the United States,» and even beyond.

But then I was slowly drawn into the enclosed space of the film, and felt strangely nostalgic about the old slam door train they used.

I really miss John Barry, after his departure from Bond we had to make do with some adequate scores over several years even from David Arnold, then along came a new Bond in the form of Mr Craig and wow DA really found the formula for Bond and composed two truly magnificent scores if only he could have done Skyfall, that said lets give Thomas Newman a chance see the film with the score then listen to the score as stand alone then we can judge, one thing, I really wish just once they could use John Barry's brilliant 007 theme in a sequence just for old times sake and as a tribute to the man that gave Bond so much.

The result is a stylistic and colorful film (using modern music set to the old time theme, and a frustrating jump in time that often skips over major plot points in favor of lining up the next musical number.

I guess my main complaint, is that if you're a record company trying to resurrect sales of old catalog songs, put out a compilation as a compilation and stop using films as pimps for it.

Using traditional research methods (reading old books) and non-traditional film processes (boiling old books) Gatten's films trace the contours of private lives and public histories, combining philosophy, biography, and poetry with experiments in cinematic forms and narrative structures.

Dushku goes on to outline how Kramer allegedly used his position as the film's stunt coordinator — and, thus, the man responsible for her safety on the set of James Cameron's stunt - heavy action thriller — to threaten and silence the 12 - year - old child he had loudly, publicly nicknamed «Jailbait» in front of his co-workers.

We did a tonne of tests, with cameras and lenses — because we were using old lenses — and did all this work with the post-production colourist who was messing with the footage in New York and trying to establish what we wanted the film to look like.

Everyone's favourite characters, much of the surreal narration (delivered with perfect dryness by Stephen Fry), and the original's distinctive theme music, are all present and accounted for — and in an age where CGI has become the slick new medium for special visual effects, an inordinate amount of physical modelling and creature puppetry have been used to give the film a refreshingly organic retro look, as though the crew from the original TV series had been lured back to their old tools by a much bigger budget.

Tarantino is a massive film buff and historian and uses the idea of the old spaghetti westerns as the backdrop of the story.

It's a measure of the quality of the music in «Whiplash» that we were originally going to earmark the film for our Soundtracks list (coming next week), so sure we were that director Damien Chazelle had mostly used old jazz standards to punctuate his thrilling film.

It's interesting to note that during filming Deakins invented a new type of a combination of lenses, appropriately dubbed «Deakinizers,» which he used to produce the effect of old camera footages in several transitional shots throughout the film.

Like Michael Apted in his 7 - Up docs, Depardon keeps returning to the same people, using his films as a record of their weathering skin, the passing of the years and the out - with - the - old decline of small - farm agriculture.

While the practical locations (largely shot in the area of Jodhpur in Rajasthan) are stunning, and the use of extras over computer - generated enhancements welcomed, the film is slightly let down by scenes where its actors are imposed into old Movietone reels, which you can't help but feel were best left out altogether.

To capture elements of the battles and storms at sea, despite the replica vessels at his command (Surprise was a replica of HMS Rose, bought by 20th Century Fox after filming, it now resides at the Maritime Museum in San Diego; Acheron was constructed for the film from digital scans of the USS Constitution, the oldest floating commissioned vessel in the world), it was necessary for Weir to engage with a greater degree of VFX than he was used to previously.

campaign being led by director Nina Paley, whose Sita Sings The Blues (my # 2 movie of 2008) remains undistributed because she never cleared the rights for the 80 + year old songs she used in her film.

The horror - film tropes resurface only intermittently in their later films: a hand bursting out of the ground, recalling the final shot of Carrie, during the prison break in 1987's Raising Arizona (a shot also used in The Evil Dead); the wood chipper that in Fargo (1996) is put to the grisly use that Marty had intended for his incinerator; Anton Chigurh's slasher murders in No Country for Old Men (2007); and, most acutely of all, in Barton Fink (1991), a film about a writer's worst nightmare, writer's block, complete with sweating wallpaper, expanding plumes of blood, and a hellfire climax.

The grand old man of Japanese animation has retired and this film, not a fantasy or mythical adventure but a delicate biographical drama about an idealistic engineer devoted to making «beautiful airplanes» for a country he knows will use them as instruments of war, is his final feature.

Cabin in the Woods is the kind of film you would love if you, like me, were introduced to horror by your older brother — 10 years older — and a well used copy of John Carpenter's The Thing.

A fair overview of each film is covered in several featurettes — using cast members, and a fairly candid Steven Spielberg — but those expecting to see pristine, complete versions of those old TV specials will have to hold onto their VHS and / or Betamax copies.

Other historic displays included the 1935 - era camera used to shoot «Citizen Kane,» animation cells from the first Pinocchio film, historic press cameras from the 1960s and a replica of an old movie makeup station.

The Pixar director's last film centered around an old man grieving for the loss of his beloved wife and then finding a way to move on by flying his house to South America using balloons.

OPENING THIS WEEK Kam's Kapsules: Weekly Previews That Make Choosing a Film Fun by Kam Williams For movies opening September 30, 2011 BIG BUDGET FILMS 50/50 (R for sexuality, drug use and pervasive profanity) Bittersweet dramedy about a 27 year - old writer (Joseph Gordon - Levitt) who learns what's most important in life after being given a 50/50 chance of beating a rare form of spinal cancer.

It tells the chronological account of his career and his amazing stop motion animation and the film that they were in, using a combination of interviews from Harryhausen, photos, old test footage, concept art, original props, film footage, and interviews from other prominent directors, authors, and historians.

I received the impression that Pearl Harbor was made in complete ignorance of the last 100 years of film history, using incredibly hackneyed and old - fashioned devices that might have come from D.W. Griffith himself.

Some of the tributes to the almost 75 year old original film include a gingham dress, the witches crystal ball, a bunch of singing munchkins, the wicked witch's cackle, horses of a different color, fire balls, the poppy field, crows of caution, Glinda's bubble, creepy wicked green skin, a lion and creative use of scarecrows.

One such old - school scene, perhaps the most amazing of the film, involved a fight on a machine used in the production of glue traps used for mice, where Jackie and a couple of bad guys try valiantly to fight each other despite parts of their body sticking in glue.

If at times «The Old Man and the Sea» looks like an animated version of those lame megabudget nature documentaries they used to show at IMAX theaters, that's partly because it is an IMAX film — the first animation to be shown on that huge screen, in fact.

So when this film came in for editing I called him up to ask what the hell the spellings were for the Klingon in the film so I could caption in actual Klingon instead of the lame old [speaking Klingon] used.

He used to be known for edgy 90's romantic comedies like Pretty Woman or The Other Sister, but 81 - year - old Marshall has lost all sense of what makes a good film.

It is a gag that uses several side jokes to roll the humour into one boulder of a punch - line, feeling more like a reinvention of the films of old.

It glosses over a lot of his legal troubles, but there's enough here to suggest a sordid life behind the music, especially in the film's second scene, which sees an older Brown threatening people with a shotgun because one of them dared to use the bathroom in a building he owns.

In expanding his 2014 short film, the 28 - year - old filmmaker used his own family and friends as the ensemble to tell his story without a whiff of self - indulgence.

The color footage used in the film is primarily of Auschwitz in 1955, coming off as a ghost town of ghastliness; the older, black - and - white scenes are the ones inspiring anger and revulsion, showing in rapid succession the rise of the Third Reich, the building of the camps, and the atrocities committed therein.

Happy is primarily set in the house of Jeff (Swanberg, giving himself a much bigger role than his last film) and Kelly (Lynskey, getting to use her native New Zealand accent for once), a working class 30 - something Chicago married couple with an adorable, barely vocal 2 - year - old son named Jude (Jude Swanberg, the director's child).

Old Boy also features some of the best fight scenes ever filmed, as when Dae - su beats the shit out of 20 goons using only a hammer.

Considering how audiences have become more savvy about the art of animation, it's easy to take for granted the technological advances Walt Disney employed for the film, namely the use of a multiplane camera to create an illusion of depth; while addressed in the main documentary, the technique is further explored in a «Tricks of the Trade» excerpt from the old Disneyland television series as well as the 1937 nature - themed short The Old Mill, in which Disney and his crew not only tried out the new multiplane camera but also honed their skills at drawing and animating animaold Disneyland television series as well as the 1937 nature - themed short The Old Mill, in which Disney and his crew not only tried out the new multiplane camera but also honed their skills at drawing and animating animaOld Mill, in which Disney and his crew not only tried out the new multiplane camera but also honed their skills at drawing and animating animals.

,» this one has been reduced to a race between No Country for Old Men and There Will Be Blood, by most accounts the only two films that have (at least should have) a stake on the Best Picture prize, and if I discount The Diving Bell and the Butterfly, in spite of its interest in the ALSKDJFHGZMZNCBVQPOWIUEYRT's of our language, it's because Julian Schnabel's own use of the Caps Lock function behind the camera is the star of that fashion show.

Bell uses every opportunity to show Melamed with his shirt off, though that's not necessarily for eye candy, as Melamed is a massive - bodied, hirsute bear of an older man, though, comically, not without his share of attractive female admirers; he has a hot young 30 - year - old girlfriend set to move in with him at the beginning of the film, which means Carol has to move out.