Sentences with phrase «use of personal narrative»

While reflecting many of the currents of Postminimal and Conceptual art of the 1970s, Morton's work also looked to a pioneering use of personal narrative, intimacy, humor, and poetic imagination.

Across mediums, her work makes use of personal narrative, site - specificity, quotidian details, language, drawings, calligraphy, cut - outs, and references to artist, music, and people.

Evan Moffitt I've always found one of the most moving elements of your practice to be your use of personal narrative, both your own stories and those of your alter ego, Roberta Breitmore.

Not exact matches

The biblical narratives and related writings are used in the activities comprising the community's common life to help shape and even transform the personal identities of the group's members.

Three kinds of material relating to Jeremiah and his times dominate the hook: (1) prophetic oracles deemed in their freshness and vitality to be authentic, in the sense in which we have used this word before; (2) historical - biographical narratives, conservatively attributed (and rightly, we think) in first origin to Baruch, the prophet's personal scribe (36:4 ff.)

The «Preparation of Communities: Using personal narratives to affect attitudes to disability in Kilifi, Kenya (Pre-Call)» project was set up to promote disability awareness in small communities in a rural part of Kenya, by encouraging a process of reflection and education.

Taking a real - life story that is complicated and unsettling, Steven Spielberg uses all of his technical prowess to propel the narrative but also allows this very human story to touch the audience on a personal level.

(1) Indeed, beginning his fimmaking career in the 1960s, Schroeter has been an important and influential proponent of the New German Cinema, although his personal eccentricities and refusal to use conventional narrative tools in his films have rendered his work somewhat obscure and less marketable than some of his more famous contemporaries such as Rainer Werner Fassbinder, Wim Wenders, Werner Herzog and Volker Schlöndorff.

When I teach language arts, I love using collaborative writing to explain concepts like figurative language or to demonstrate how to start writing different types of pieces (like an essay or a suspenseful personal narrative).

To help the students personally connect to writing, Mount Desert uses the Reading and Writing Project (RWP) from Lucy Calkins of Teachers College at Columbia University, which focuses on writing narrative from a personal and emotional perspective and places a strong emphasis on reading topics matched to the students» reading and comprehension ability.

This lesson's «key points are accurately and appropriately derived from the objective,» «SWBAT generate and organize supporting details of a personal narrative by using the prewriting strategies of brainstorming and using graphic organizers» because they cover the entire objective, meet the cognitive demand of the objective, and are concise.

The objective is «SWBAT generate and organize supporting details of a personal narrative by using the prewriting strategies of brainstorming and using graphic organizers.»

After a discussion about significant themes in the personal narratives in Making It Home, students can write found poems in which they use words from a selection of text and rearrange and edit them in poetic form, capturing the essence of the narrator's experience.

Using the glossaries at the end of each book about Iraq, teachers and students can create a «Word Wall» of vocabulary drawn from the personal narratives about refugee experiences.

While the events must be real and the facts true, creative nonfiction conveys your message through the use of literary techniques such as characterization, plot, setting, dialogue, narrative, and personal reflection.

Unlike in other kinds of essays, in narrative one you can freely use the first or second person singular, which is much easier way to convey personal experiences and observations.

Using photography, text, sculptures, tools, and objects of the vernacular, she has developed a syntax that is driven by personal narrative.

Works by Nayland Blake, Adrian Piper, and Kara Walker use personal narrative to explore miscegenation and the construction of race.

In his multimedia work, Attia, currently based in Berlin and Algeria, mines personal and collective archives to unearth and contextualize suppressed narratives, while using the acts of repairing or fixing as metaphors.

Drawing upon his recent explorations in narrative structure which combine documentary footage, personal account and fictional story construction, Jugdeo will use the Artist Lab Residency as a starting point towards the development of a scripted web series, made in collaboration with local performers.

As the Huffington Post affirms: «Packer uses portraiture to combine personal experience with the overarching narratives of art history, heightening contradiction and sadness in her style.»

Jennifer Packer, born in Philadelphia in 1984 and living in New York, is a painter who uses portraiture to explore deeply personal experiences as well as the grand, convoluted narratives of history.

Connection, Reflection is an exhibition curated by Nikki Pressley that features emerging artists based in Los Angeles using a range of media and approaches to explore ideas surrounding the reality and generation of personal and cultural narratives.

Often using unconventional narrative structures to address dislocation, personal politics, social issues, and memory, his films and art projects have won him international acclaim, including the Knight of the Order of Arts and Literature from Thailand's Ministry of Culture, the Slipatorn Award, and the Fine Prize from the 55th Carnegie International.

Using photography, text, sculpture and methods, tools and objects of the vernacular, she has developed a syntax that is driven by personal narrative.

Tris Vonna - Michell is known for his use of slideshows to tell narratives which explore personal histories.

Reflecting on the embedded and latent meanings around light, nature, the frontier, borders, race, gender and power in influential American landscape paintings of the 19th century, she uses materials collected from her everyday life, including holiday - themed tablecloths, discarded medical records, nature calendars, plastic bags and paint, to craft imaginary landscapes that are grounded in accumulation, personal narrative and historical critique.

Using as her starting point the Mohammed Khaïr - Eddine surrealist text Agadir, centered on the 1967 earthquake that devastated the Moroccan city, Barrada weaves together personal narratives and political histories to examine how a city and its people might approach the process of reinvention after a disaster.

A ghostly yet solid memory of the piece of furniture, Whiteread's subjects are inspired by both public and personal narratives, driven by «an autobiographical impulse, using something familiar, to do with my childhood» (R. Whiteread, quoted in Rachel Whiteread, exh.

«For this original performance, Jonah Bokaer uses movement to explore the timely subject of human migration around the Mediterranean Basin, a narrative of personal significance to the artist, who is of Tunisian heritage,» said Andrea Grover, Century Arts Foundation Curator of Special Projects at the Parrish, and curator of Platform.

Both the list poem and the use of color serve the creation of a sensory space for the visitor to consider their own relationship to place as it collides into personal desires, grander narratives, and aching bodies.

Declaring «the personal is political,» feminist artists critiqued the objectification of women through the agency of performance art, often using their own bodies but also incorporating narrative strategies, autobiography, and role reversal.

Presenting a diverse range of artists from the UK, as well as Finland, Latvia, Norway, Japan, USA, Canada and Australia, the works on show will demonstrate the ways in which the narrative heritage of tapestry is used to engage with political, aesthetic and personal issues that are relevant today.

These themes are portrayed using personal sources, playing on people's characteristics, putting them in surreal narratives and showing the theatricality of the situation.»

Many of these works are studies of the basic nature of objects which are combined with the artist's personal narratives and references including variations of the form of the French curve, the use of the top hat in «Blowing Hats» 2011 and the clock in «Clock with Primary Parts», 2011 which hangs on a wall but doesn't tell time, acting as an invisible indicator of that which we can not control, yet measures our days.

Many of his portraits have explored the idea of using personal possessions as signifiers of a subject's identity and narrative, usually expressing these symbols of selfhood without reference to the subject's face.

While the aforementioned affinities are obvious, there is contained and mediated anger and violence in these paintings; anger deflected by the use of a more playful or pop palette, which also helps create a deeply personal narrative for Norton himself.

Using the aesthetics and narrative form of soap opera, Linzy's work addresses themes such as personal relationships, gender, sex and the contemporary art world.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

Here we see the assertions of personal preferences and most vividly, the parallels in style and approach: a laissez - faire attitude towards medium, a propensity for using found materials, an equal interest in the common - place as source material and an injection of personal experience and narrative - which remained a common thread for most the group throughout their careers - are clear.

A primary motif of these paintings is his brightly coloured, paisley patterns merging with abstract designs and motifs borrowed from art history, literature and Steven's personal symbolism used to create strange surreal and unsettling narratives.

Of the work, McGinness writes, «The drawings use the iconic visual language of signage, but instead of communicating blunt pedestrian information, they depict surreal personal narratives that provoke and invite investigation.&raquOf the work, McGinness writes, «The drawings use the iconic visual language of signage, but instead of communicating blunt pedestrian information, they depict surreal personal narratives that provoke and invite investigation.&raquof signage, but instead of communicating blunt pedestrian information, they depict surreal personal narratives that provoke and invite investigation.&raquof communicating blunt pedestrian information, they depict surreal personal narratives that provoke and invite investigation.»

Wa Lehulere uses a wide range of mediums to craft historical narratives of his native country that are at once collective and personal.

Using the tools of a DJ, Robleto samples, cuts, mixes and spins together narratives, materials, and personal experience to create intimate, hand - made objects that are infused with romantic pleasure.

Brooklyn - based artist Amy Khoshbin creates hybrid works using performance, video, and interactive media to explore the production and transmission of narratives both personal and cultural.

Daniel John Gadd's work references and extends generations of great abstraction from DeKooning to Diebenkorn, to Stella, Tuttle and Ryman by combining the handling of ABEX, shaped formats, and the use of collage and embedding those formal elements with a deeply personal narrative and content.

Harlan Mack uses as a vehicle the narrative of speculative fiction to express his thoughts, ideas, and personal experience.

These women are bound together by their choice to use personal and inherited experiences in narrative sculptures resulting in emotional work that contrasts to much of the prevailing abstract and technological trends traditionally embraced by museums and galleries.

Crewe's use of the Victorian novel — which acts as both the linchpin to the exhibition and a starting point for considering current trans narratives — is one that feels tender and personal while at the same time, acknowledging the limits and precarious position of an artist's reorganisation of a now historical text.

Using black and white to symbolize this juncture in reality, Solomon presents his observations through symbolism and use of archival material, which provides personal and political narratives beyond his locale.