Sentences with phrase «use of photography which»

This exhibition focuses on Penalva's use of photography which is often shown accompanied with a narrative text as if components of a story, or the given reason for the works existence.

Not exact matches

The U.S. Department of Transportation and the Federal Aviation Administration, which oversee drones in the national airspace, released rules in Aug. 2016 for how businesses can use drones for tasks like aerial photography or to monitor farms.

Once the travelling and photography was over, the task of deciding which shots to use for the project began.

Yes the toppings do sort of steal the photography show don't they Someone commented about using a Japanese sweet potato since those «taste like cake» which is kind of true and makes the whole thing make a lot more sense.

Adidas Originals posted a photo from the video ad on Instagram, noting that Bystrom, who has 228,000 Instagram followers of her own, is «known for her photography, which questions femininity and gender standards using so - called «girly» aesthetics.»

White Hot Tee — c / o Cents of Style Makeup — Classy Cosmetics / / Hair — Emma's Parlour / / Photography: Anastasia Strate I love screen print tees, they have become such a wardrobe staple and I was excited to work with Cents of Style recently to create looks using this screen print tee and another (which you -LSB-...]

We are the UK's coolest (and only dedicated) photography business offering a unique portrait photography service providing single people with a set of gorgeous, good quality photos capturing them looking happy, relaxed and attractive which can be used to create a stand - out dating profile.

Shot on grainy 16 mm film («Drinking Buddies» was shot digitally), the look of the film (lensed by Ben Richardson of «Beast of the Southern Wild» fame) is definitely a step backwards, and it appears as if the filmmakers only used available light, which doesn't make for the most flattering photography.

The large - format photography used for the film results in a bit of odd distortion, but also incredible levels of detail, which is wonderfully conveyed in the pristine transfer.

Wally Pfister's (Memento) lensing evokes the harshness and beauty of the Alaskan wilderness and, during one addition of which I was fond, uses underwater photography in a way that's haunting and compelling.

Teaming up once more with Fantastic Mr Fox's director of photography Tristan Oliver (whose credits include Aardman's The Curse of the Were - Rabbit and Laika's ParaNorman), Anderson conjures shelters made from multicoloured bottles and used sake cans in which our fantastically empathetic canines take refuge.

King of Jazz (John Murray Anderson, Pál Fejös, 1930) This newly restored two - colour Technicolor treat is a revelatory combination of Art Deco surrealist set - pieces, acrobatic choreography and démodé trick photography bouncing off extremely dated but charmingly goofy humour and jazz which could scarcely be any more trad (notwithstanding that Gershwin's glorious «Rhapsody in Blue», written for the «King of Jazz» himself, bandleader Paul Whiteman, and used prominently in the film, was a pointer to certain new directions).

There are some wonderful combinations of photography with quotations from a vast range of cultures and inspiring people which I have used in the past — mostly from Argus.

I have used this with my A level class when they first started the coruse and it really improved their outcome quality and enabled them to see which areas of photography are their strength.

The first few weeks of any urban investigation are also dedicated to building the students» interviewing skills through role - playing and mini-lessons and to creating art projects that develop the students» videography or photography skills, which they use to document the interviews.

If you wish to photograph pupils for official school use, you should ensure that pupils (and / or parents) are comfortable with the photography and are aware of the contexts in which such photographs could be used.

The drone is a Bebop 2 by Parrot which features a 14 megapixel camera that can be used for both photography and video, 25 minutes of flight time - it is controlled through the Parrot Skycontroller 2 remote and also offers a first - person view function in the headset provided.

The concept, which signified the restart of relations between Ford and Shelby nearly four decades after the demise of the GT350 and GT500 Mustangs, was initially used for advertising, press photography, and public display, before later going on to serve as a test bed for optional upgrades.

Starting NOW all the photos that I'll be sharing on my pet photography blog I'm going to try and explain each shot and which type of camera gear and camera settings I used to get the shot and make it happen.

The first descent to its bottom took place on July 5th 1968, when topographic mapping and aerial photography were performed, to produce a map of the site which is still being used today.

Anyone attending Arabian Travel Market consents to such photography and filming without compensation and confirms that the Organisers shall be entitled to use such photographs and videos, which may include photographs and videos of visitors, for the purpose of marketing Arabian Travel Market in future, for exploitation in any and all media, without liability.

His work spans a range of media including photography, painting, sculpture, installation and use of the ready - made to create assemblages from everyday found objects such as books, ceramics, TV sets and other house - hold goods and paraphernalia, which Liu Wei transforms into sculptural objects and installations of eloquent complexity.

Double Take is an exhibition which looks at the theme of appropriation and how it has been explored by different generations of artists using photography.

In 1971, he published his first book of photography, Tulsa, which documented his friends» use of drugs in black and white.

zhúzhalka's approach to photography is encapsulated by the collective's choice of name, which colloquially denotes coal slag that remains after coal has been burned up in an oven and which is then used by households for different purposes.

Drawing upon the descriptive power of photography and the ease with which it can be accessed, duplicated, and recombined, Ethridge orchestrates visual fugues, collapsing distinctions between commercial, conceptual, and personal uses of photography.

Mosse said in an interview with The British Journal of Photography «I wanted to export this technology to a harder situation, to up - end the generic conventions of calcified mass - media narratives and challenge the way we're allowed to represent this forgotten conflict... I wanted to confront this military reconnaissance technology, to use it reflexively in order to question the ways in which war photography is construcPhotography «I wanted to export this technology to a harder situation, to up - end the generic conventions of calcified mass - media narratives and challenge the way we're allowed to represent this forgotten conflict... I wanted to confront this military reconnaissance technology, to use it reflexively in order to question the ways in which war photography is construcphotography is constructed.»

From the first performance pieces created in Cal Arts, the famous Los Angeles art school, to the amazingly rich graphic work, including the spectacular systems in which the artist uses all techniques (video, photography, odd objects...), Mike Kelley's work, scholarly with a tinge of irreverence, spreads out in a striking visual and sound itinerary.

6th floor International Center of Photography (ICP) at Mana: Red Spotted Purple: Roman Vishniac's Science Work ICP at Mana's inaugural artist - in - residence, Claudia Sohrens, was enchanted by Roman Vishniac's mounted prints — which had been used as display boards by scientific societies and research institutes — and she was drawn to the wordplay and poetry of his captions.

, discussing directions in which photographic collections could or should develop, Discussing Provoke, a cross-analysis of the cult Japanese photo magazine, its historical context and its ties to the emergence of performance art in Japan in the 1960s, Photography Beyond the Image, on techniques used to produce photographic works that seek to go beyond the production of an image; Photography & Cinema in Practice, discussing vernacular photography in cinematic production and the role of still photography in the history of art; and The Artist As..., discussing the different roles that artistsPhotography Beyond the Image, on techniques used to produce photographic works that seek to go beyond the production of an image; Photography & Cinema in Practice, discussing vernacular photography in cinematic production and the role of still photography in the history of art; and The Artist As..., discussing the different roles that artistsPhotography & Cinema in Practice, discussing vernacular photography in cinematic production and the role of still photography in the history of art; and The Artist As..., discussing the different roles that artistsphotography in cinematic production and the role of still photography in the history of art; and The Artist As..., discussing the different roles that artistsphotography in the history of art; and The Artist As..., discussing the different roles that artists undertake.

Warhol used all the advanced technology available during his time: photography, video, film without disregarding painting, drawing and silk - screening to express his fascination with the consumerist society, and the cult of celebrity, which were his favorite themes.

The curator Okwui Enwezor's provocative 2008 exhibition at the International Center of Photography «Archive Fever: Uses of the Document in Contemporary Art» (the title of which references philosopher Jacques Derrida's 1995 book, Archive Fever) highlighted numerous examples of artists who employ archival documents in their work.

As with the use of Photoshop and similar programs, this historicizing approach runs counter to the mainstream of photography, which has always put a great emphasis on the representation of the world as it is now, right in front of the photographer's lens.

The exhibition explores the development and evolution of Frank's characteristic style — including his use of low light, pioneering focal strategies, and unconventional cropping — which revolutionized contemporary photography and understanding of the photographer's relationship with the larger world.

Other works in the exhibition include Jorge Pardo's handcrafted wooden palette and modernist designed furniture that question the nature of the aesthetic experience; pioneering conceptual artist Joseph Kosuth's discourse on aesthetics in neon, An Object Self - Defined, 1966; Rachel Lachowicz's 1992 row of urinals cast in red lipstick, which delivers a feminist critique of Duchamp's readymade; Richard Pettibone's paintings of photographs of Fountain; Richard Phillips» recent paintings based on Gerhard Richter's highly valued work; Miami artist Tom Scicluna's neon sign, «Interest in Aesthetics,» a critique of the use of aesthetics in Fort Lauderdale's ordinance on homelessness; the French collaborative Claire Fontaine's lightbox highlighting Duchamp's critical comments about art juries; Corey Arcangel's video Apple Garage Band Auto Tune Demonstration, 2007, which tweaks the concept of aesthetics in the digital age; Bernd and Hilla Becher's photographs, Four Water Towers, 1980, that reveal the potential for aesthetic choices within the same typological structures; and works by Elad Lassry and Steven Baldi, who explore the aesthetic history of photography.

Prior to that, Fogle was a curator at the Walker Art Center in Minneapolis from 1994 to 2005, where he initiated a series of exhibitions with emerging artists as well as a number of group exhibitions, including: Andy Warhol / Supernova: Stars, Deaths, and Disasters, 1962 — 1964 (2005); The Last Picture Show: Artists Using Photography 1960 — 1982 (2003) which traveled to the Hammer; Painting at the Edge of the World (2001); and solo exhibitions with Catherine Opie and Julie Mehretu.

«Works like Aerospace Folktales altered the way in which documentary photography was conceptualized and used in contemporary art, and the work continues to be an urgent model for representing the political and social realities of our world.»

To demonstrate the potential of medium - format photography, which uses a roll of film larger than 35 mm, the organizers selected a work by James Steele.

Using animation photography Kim makes templates of three - dimensional human figures, which he then embellishes with bright tattoo designs.

Her ambitious project Androgyny, which has been exhibited in both commercial gallery and university settings, uses still photography, video and installation to bring distinct aspects of gender identity to the viewer.

Brătescu's multidisciplinary practice - which includes collage, drawing, video, textiles, performance, installation, photography, graphic design, and printmaking - is characterized by a playful, experimental approach and frequent use of role - playing and self - portraiture.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

They work in a variety of media such as painting, drawing, photography and video and often use digital and reproducible techniques — like the work Butch queen 4 - 3 (2005) which can be manifested in different ways, sizes and locations.

Working across the mediums of painting, sculpture, drawing and photography, Wilson examines the ways in which art has been used to present and reinforce these structures over time.

Taking inspiration from the 19th - century genre of spirit photography, these hauntingly beautiful works on paper use a variety of printmaking techniques as the medium through which to capture manifestations of the self — what master printer and SCAD Atlanta printmaking chair Robert Brown describes as «loose interpretations of the meta - real.»

He took people and their actions with everyday objects in unusual positions, which they would only be able to hold for a short period of time, and locked them into position using photography.

In this talk, the artist will discuss the different ways in which he works, from his early paintings in the 1990s to his use of costume, photography and per...

Further, in an age when cameras are incessantly used, this exhibition — which has been organized by Roxana Marcoci of the Modern; Matthew S. Witkovsky of the Art Institute of Chicago, where it was first seen; and Mark Godfrey of the Tate Modern, in London — can also read as a swan song for old - time photography in all its fastidious gorgeousness and endless minutiae, as art, craft, science and commerce.

The exhibition at the Walther Collection, which took place from the beginning of May 2015 until the fall of 2016, investigated the production and use of serial portraiture, conceptual structures, vernacular imagery, and time - based performance in photography from the 1880s to the present, bringing together works from international artists.

Best known as a sculptor, Long uses a variety of media in his work which includes photography, drawing, painting, print making, installation, and personal performance.