Sentences with phrase «use of the camera giving»

Not exact matches

The move comes after the success of Amazon's in - home delivery service, which used smart locks and a cloud - connected camera to give its couriers access to people's homes to deliver packages even if they aren't in.

And Facebook still isn't able to give accurate usage on the numbers of people using the camera within Facebook.

Phone cameras used to only point outwards; now, front - facing cameras give us the chance to take plenty of photos of... ourselves.

The direction of the camera is remotely controlled giving you ease of use.

«We've dramatically reduced the overuse and abuse of stop - and - frisk, initiated a comprehensive plan to retrain the entire NYPD to reduce the use of excessive force and to work with the community, reduced arrests for minor marijuana possession, and given officers body cameras to improve transparency and accountability,» de Blasio said.

That is not true of football, and it is almost impossible to see how cameras could be used to ascertain whether a penalty should have been given, or if an offside was really offside, without having the game stopping and starting or going back several minutes later to check on the video replay.

As founder Jeffrey Yoo Warren laid out in a crowd - pleasing presentation at the Personal Democracy Forum conference last week, the group helps local activists assemble $ 100 kits that will let them take extremely detailed photographs of a given area using a consumer - grade digital camera hung from a kite or balloon suspended as high as several thousand feet in the air.

The Black Rock shooting and confusion over whether suspect Jose Hernandez - Rossy was armed has given rise to many calls for Buffalo Police to have body cameras, but a range of practical and privacy concerns make their use a lot more complicated than just clipping the the equipment to the outside of...

A digital camera that offers printing capability, the Polaroid Snap gives you the best of both worlds with excellent print quality, slim design, and easy to use features.

It uses a fully stabilized 3 - axis gimbal to maneuver and is capable of 20 minute flights, giving you ample time to get the best shots.The compatible app allows live streaming and complete camera control from your phone or tablet, so don't worry about mastering a separate remote controller.

While filming, he gave the subjects a stereoscopic view of their backs, using goggles that captured the video from both cameras.

The challenges for the next year are to give the robot the autonomy to safely drive between the vineyard lines using stereoscopic vision, integrating a side camera which will provide information about the vegetation status of the plants and possible bunches; and also the coupling of the sensors on the robot.

After the shoe - print impression is entered into a computer using a scanner or a digital camera, the system will search through hundreds of thousands of impressions and give you the nearest matches.

Researchers using data from Hubble's now - retired Wide Field Planetary Camera 2 (WFPC2) have identified two types of blue stragglers in Messier 30: those that form in near head - on collisions with one another and those that are in twin (or binary) systems where the less massive star siphons «life - giving» hydrogen from its more massive companion.

I'm certainly no pro in front of the camera and this clip could have used some serious professional editing, but perhaps the amateur nature of this video gives everyone struggling to cook traditionally in their home some hope.

For every shoot that I am on I gain a better understanding of using natural light, of framing, of giving and understanding direction, of how to get someone to relax in front of the camera and so on.

Princess Eugenie, Queen Elizabeth's granddaughter, knows how to do her makeup for when she's in front of the camera — she uses Bobbi Brown's bronzer to give herself a natural glow.

Another way to bring elements of your personality into the photo, while giving you something to do with your hands (great if you're nervous in front of the camera) is to use a good prop.

Using props is a great way to help the viewer to see more of who you are — in this example it's a mug of coffee but you can use a camera, headphones, a book, skateboard — even a t - shirt with a slogan or band name on it will give clues about your personality and help to tell your story.

Gillespie smartly uses the known and builds upon it with context and some style, using «modern day» Tonya, Jeff and LaVona among others as interview subjects for a documentary of sorts that frames the film, but also has the characters speak into the camera in non-interview segments to help give Tonya some humanity, or at least make sure you have a better idea about all of her story and life coming out and you did going in.

The experience and freedom this gave the director ultimately allowing him to create whatever he envisaged without the restrictions of spiralling budgets or the worry of having missed a shot or used the wrong camera angle was all but absent due to the fact that this could now all be done in post production on computer.

Having used a special state - of - the - art 3D camera rig to create the designs, Chickenfoot gives fans a truly multi-dimensional experience throughout the packaging that also offers a 3D photo of each band member with stats and Q&A s, QR codes for behind the scenes 3D video content from the photo shoot on smartphones and much more.

Based on a true story adapted from H.G. Bissinger's book, «Friday Night Lights: A Town, A Dream and a Team», director and co-screenwriter Peter Berg (Very Bad Things, The Rundown) uses shaky camera work to give the effect of realism, mixed with a stylized delivery of high school football action that takes this simple small - town story and makes it feel important, like Hoosiers for football fans.

Still cameras were used to take segment shots and were sequenced together, giving the effect of seeing two - dimensional slices of a three - dimensional moment.

This, amidst an overabundant use of visual effects that are used to the detriment of the fun of the stunt choreography and unique camera work that has given Matthew Vaughn his claim to fame.

That glow - up gave Coogler and team the opportunity to create as many physical sets as they wanted, as opposed to sets created purely by visual effects — «It was great to have something that grounded everyone,» Morrison said — and make use of as many camera tools as needed.

As with Michael Mann's Public Enemies, the director's use of digital cameras clashes with the historical recreations before giving them new life, a fitting aesthetic revisionism to go along with the constantly redefined parameters of the stories Ruiz conjures from the ether.

Along with D.P. Hoyte Van Hoytema, his adamant choice of shooting the film using IMAX cameras gives it that immersive feel that demands to be experienced on the big screen.

The use of photographs - within - film to freeze characters in a milieu while defining it in modern terms was already a worn idea when George Roy Hill claimed it for Butch Cassidy and the Sundance Kid, and here it's handled with even less integrity, by way of a photographer whose 19th - century camera and anachronistic darkroom give him in a few short hours prints of a quality no photographer achieved before about 1920.

Adler and his cinematographer Gregory Middleton chose to film much of the sequences using full - body shots, the camera moving with the dancers, giving us a chance to see the dancers in action, moving through space.

Director Kathryn Bigelow gives the proceedings a hefty dose of style, using a lot of dreamy slow motion and quick editing, and staging the action scenes with great energy; her most brilliant work here are the on - screen recreations of the SQUID clips, shot in long takes and with appropriately edgy and shaky handheld camera work.

While he's supported by a strong cast of A-listers (Vin Deisel plays fellow soldier Shroom, Kristen Stewart gets a few brief stints on camera as Billy's sister Kathryn), the use of an unknown actor gives the role an authenticity that would likely have been lost on a big name, no matter how capable.

Creating wall - sized portraits of locals as they travel from town to town, the two inquisitive, kindred - spirit directors peer into the day - to - day life of rural and working - class France, the camera listening and learning as old and middle - aged villagers remember how coal miners used to bathe and eat back in the day or goat - cheese makers give their differing opinions on the subject of dehorning.

She said filming scenes while each actor was wearing a working «web cam» camera that was recording the actual first person POV footage used throughout the movie presented all kinds of extra challenges while trying give a believable performance.

She keeps Thirteen moving along at a break - neck pace and her constant use of hand - held camera gives the film that documentary feel.

Clever camerawork using small cameras attached to the racecars give glimpses of what it feels like to drive Formula One cars through S - curves at 170 miles per hour.

To actually give them clues about your space and where you are — talking about what it looks like outside the window for example, what kind of classroom you're in, using the camera to show your remote students the space that they're being videoed into is really helpful, and helping your students right there in the classroom to know how to relate to the students on the screen is helpful too.

A 2010 U.S. Government Accountability Office audit study of for - profits used hidden cameras to reveal fraud in the process of filling out financial - aid forms and deception in the information given to prospective students about available jobs, degree cost, and program duration.

Having mixed devices also gave flexibility for use, teachers were free to split students into groups so that the right mix of devices across the groups was gained, for example, if a science class was conducting an experiment those students with backward facing cameras were distributed across all teams so that someone was available to record or photograph the experiment.

Teachers using a body camera are being advised to switch their cameras to recording mode when «low - level» incidents are taking place, but are also being made aware of the fact that they will need to give notice before doing so.

The camera mirror is a little funky to use in daily driving given that it requires refocusing your eyes on the screen every time you use it, but if you have a big load of cargo or a car full of kids, it allows you to see very clearly what's behind you without having to try and look around passengers or stuff.

The available Around View Monitor uses four cameras to give the driver a simulated top - down view of the EX37 to reduce blind spots when parking.

The available Around View ® Monitor with Moving Object Detection uses four cameras to give you a virtual, composite 360 ° bird's - eye view of your vehicle from above.

REARVIEW CAMERA The rearview camera uses a wide - angle lens to give you a commanding view of the world behind you, projected onto a screen on the rearview mCAMERA The rearview camera uses a wide - angle lens to give you a commanding view of the world behind you, projected onto a screen on the rearview mcamera uses a wide - angle lens to give you a commanding view of the world behind you, projected onto a screen on the rearview mirror.

So you can't use it to creep through traffic like you can with some other luxury vehicles and rounding out the equip driver rate we've got a 360 camera system that gives sort of a bird's eye view of the car and Ford Lincoln's automatic parallel and perpendicular parking system.

The side cameras get installed under your side mirrors to give you a full view of your typical blind spots - automatically activated using your turn signals!

Notable features include driver recognition using sensors and intelligent cameras; an instrument panel able to tilt up and down by 45 degrees in response to vehicle speed to give either a sense of security or a relaxed feel; and a system that recognises the driver's line of sight to allow hands - free operation of controls.

Around View ® Monitor uses four cameras to give you a virtual composite 360 ° bird's - eye view of your vehicle, with selectable split - screen close - ups of the front, rear, and curbside views.

Available Intelligent Around View Monitor uses four cameras to give you a virtual composite 360º birds - eye view of your vehicle, with selectable split - screen close - ups of the front, rear, and curbside views.

Pathfinder's available Intelligent Around View Monitor uses four cameras to give you a virtual composite 360 - degree bird's - eye view of your vehicle with selectable split - screen close - ups of the front, rear, and curbside views, so you can get a better look.