Sentences with phrase «use of the feature film»

This scheme also makes use of the feature film All Good Things which is based on the real - life events documented in The Jinx.

Not exact matches

There's an uncomfortable scene featuring where sex robots dot the landscape of an outlaw bar, which could have been used to add a level of lust to the film and draw in the lowest common denominator to the audience.

Beyond Mr Graham's public appearances, he reached untold millions through his pioneering use of prime - time telecasts, network radio, daily newspaper columns, evangelistic feature films and satellite TV broadcasts.

The product features on the recently celebrated Ekoplaza plastic free aisle, along with a number of other solutions from Bio4Pack using NatureFlex films.

Another key sustainability feature is the use of a 12 - count tray and shrink film cover instead of traditional corrugated cardboard cases and partitions.

Fast set - up is via a simple - to - use colour touch screen and quick release features allow easy changeovers of film and sealing tools.

In May, I wrote a blog that used Game Theory - the branch of economics invented by John Nash, the Nobel prize winner featured in the film The Beautiful Mind - to explore the likely outcome of the Brexit negotiations.

Similar to film used in photography, photoresist, also just called resist, is used to lay down the patterns of ever - shrinking lines and features on a chip.

As a result of using Skywalker Ranch (used for movies) to do sound recordings, the game's 5.1 mix is superior to many feature films.

It's the first feature - length narrative film shot in a single take (on digital video, using a specially designed disc instead of tape).

Making elegant use of the austere landscape and the rugged features of star Jérémie Renier, the film shows how these doggedly practical and nonspiritual men cope with the eerie events, the cause of which is hinted at but never fully explained.

Synopsis: Irish filmmaker Simon Fitzmaurice refuses to let a diagnosis of Motor Neuron Disease stop him from directing a feature film using only his eyes to... [MORE]

It's a film that you expect to open in limited release and expand, but after a Sundance premiere, Focus Features is actually debuting it wide today, the Friday that used to launch the summer movie season (which the moving of Avengers: Infinity War kicked off a week early this year).

Is it a real film, or a feature that uses the porn milieu to turn out a piece of softcore titillation that's halfway between porn and actual drama?

Bassett uses lots of filtering and camera tricks to try and hide the budget of the film and it hurts the horror and ruins what little suspense is featured in the film.

With looks that allow him to either play soft - skinned pretty boys or greasy - haired white trash refuse, Sarsgaard has used his malleable features and brooding charisma to great effect in such films as Kimberly Peirce's Boys Don't Cry.A graduate of St. Louis» Washington University, where he was a co-founder of the improvisational group Mama's Pot Roast, Sarsgaard studied at the Actors» Studio in New York.

«There's Always Vanilla Film Locations» (11 mins., 1080p) has «Romero historian» Lawrence DeVincentz talking over a slideshow of contemporary photographs of locations used for scenes in the film (some of them featuring him or his buddy Spooky Daz Sargeant in the frame matching the pose of the original actors) with authentic production stills occasionally appearing in an inset.

As explained in one of the film's special features, Director Derek Cianfrance tried to use natural lighting whenever possible.

Intent to Destroy uses a historic feature film production as a springboard to explore the violent history of the Armenian Genocide and legacy of Turkish suppression and denial over the past century.

You could argue that Ezra Edelman's eight - hour documentary, using the rise and fall of O.J. Simpson to examine race in America, is more a TV miniseries than a feature film.

The score features terrific use of drums and percussion, and the film provides the best yet description of marriage: tolerate until it hurts.

Chadha and co-screenwriter Paul Mayeda Berges offer a wry, low - key feature - length commentary with some fairly interesting / entertaining recollections, including the thinking behind the somewhat ballsy use of a corporeal David Beckham in the epilogue, the unblinking national reaction to the Sikh rituals depicted in the film, and Chadha's desire to exploit her male cast members by getting their shirts off as often as possible.

Dosunmu said other distributors courted the feature early on, but eventually went with Paladin for its theatrical release, noting: «People aren't used to seeing Michelle in this way, but Paladin was brilliant in letting the audience get a sense of the film instead of simply pushing it out in a way that doesn't make sense.»

Feature film adaptation of Shakespeare's Scottish play about General Macbeth whose ambitious wife urges him to use wicked means in order to gain power of the throne over the sitting king, Duncan.

Running February 19 thru March 10, along with a separate shorts program of short films and trailers, the Music Box will be showing 14 features — some of them in prints from their original theatrical runs — that run the gamut from Oscar - winning classics to cult oddities to contemporary uses of the format.

Bonus features include I Was Born, But..., Ozu's 1932 silent comedy with a 2008 score by Donald Sosin; new interview with film scholar David Bordwell; new video essay on Ozu's use of humor by critic David Cairns; a fragment of A Straightforward Boy, a 1929 silent film by Ozu; and a critical essay by Jonathan Rosenbaum.

Trying to turn all this reporting into a coherent two - hour - long feature film is like using the ground meat from dozens of cows to produce a single burger (one of the many dangerous industry practices Schlosser assails in the book).

Very much a kitchen - sink drama — the family kitchen is the dramatic hub for much of the film — shot in a more or less documentary style and featuring terrific performances by nonprofessionals, the film takes a no - frills dramatic approach that could be roughly located on a Cassavetes - Dardennes spectrum, and uses it to intensely revealing and moving effect.

Scholars in Europe began to embrace the term in 1955, when Raymond Borde and Étienne Chaumeton, in their book Panorama du film noir américain, used it more broadly to describe the wave of American crime films after World War II that, among many other attributes, featured insulted, beaten heroes driven by desperation to acts of violence.

This kind of tone used to depict the interconnectedness between sex and crime set by Cool Hair evokes Harmony Korine's polarizing 2012 feature film Spring Breakers starring Vanessa Hudgens and James Franco, but Mr. Orozco - Cubbon delivers this content much more naturally and with the poise and confidence of an experienced filmmaker who already has a well - defined style, knowingly and purposefully playing with the two intertwining dynamics that keep the audience on its toes.

The final story, written by 2000AD editor Matt Smith and approved by Dredd's co-creator John Wagner and «DREDD» screenwriter Alex Garland, will feature the interior art will be by Henry Flint — a longtime 2000AD artist so associated with the character, his surname is used for one of the cell blocks in the film.

There's also an alternate opening scene, a costume - test montage, and one very short special feature on the use of animals in the film that's only notable for Kenneth Branagh's apparent diplomacy regarding furry creatures.

The grand old man of Japanese animation has retired and this film, not a fantasy or mythical adventure but a delicate biographical drama about an idealistic engineer devoted to making «beautiful airplanes» for a country he knows will use them as instruments of war, is his final feature.

Disney Interactive has used the opening of the film Maleficent to announce that the titular character played by Angelie Jolie would be joining the cast of characters featured in Disney Infinity 2.0.

MG: On the Blu - ray, in the feature «Building the Bots,» director Shawn Levy talks about how Steven Spielberg emphasized that the use of practical effects was important to the film's success.

The latest episode of Observations on Film Art, an exclusive Criterion Channel program that explores elements of cinema as used by great auteurs, features professor Kristin Thompson highlighting one device that has earned the film its permanent spot in the cinematic canon: Renoir's characteristically subtle yet elaborate staging.

The feature films nominated for Best Film this year are «Frank» which gives an insight into the weird and wonderful world of the enigmatic musician; the gritty urban family drama of «Glassland»; the raw, moving and honest «I Used to Live Here»; the feel good true - life story of «Noble»; the poignant and sensitive exploration of mental health in «Patrick's Day», and the beautiful Irish animated fantasy «Song of the Sea»; Three of the Best Films also get nominations for Best Director; Lenny Abrahamson for «Frank»; Gerard Barrett «Glassland» and Terry McMahon for «Patrick's Day», with John Carney also in that category for the musical drama «Begin Again».

The release includes most of the same extras from the deluxe DVD, as well as a new interview with composer Jon Brion, a new piece featuring behind - the - scenes footage of a recording session for the film's soundtrack, and a new conversation between curators Michael Connor and Lia Gangitano about the art of Jeremy Blake, used in the film.

Here in England, when it comes to film, the national sporting pastime of football (soccer) has been pretty much regulated to cheap, violent hooliganism feature so the unorthodox blend of India and Australia and use of cricket is a refreshing point of view (I also write this before the onslaught of U.S cities being destroyed truly takes hold of summer).

This Youtube channel is entirely temporary, only to gain a small audience and maybe some money I could use to keep it going, but I hope to eventually do the type of thing you do now, the directing, writing, or maybe acting my own feature films.

Because the picture boasts production values considerably above those usually found in AA features and, more importantly, because of the use of the new photographic technique, the film is sure to be accorded more important programming than the company's average product, an evaluation already established by initial bookings.

Recalling early David Gordon Green films (particularly in the excellent use of non-actors to authentically portray the working class American heartland), this is the assured 2nd feature from Chloé Zhao.

Both of the most recent Tsui films that I've seen, the kung fu whodunnit Detective Dee and the Mystery of the Phantom Flame and Flying Swords of Dragon Gate, his second remake of the 1967 King Hu film Dragon Gate Inn, which remains after 45 years one of great masterpieces of action cinema from anywhere in the world, feature extensive use of CGI, though both are significantly more grounded in reality than Zu Warriors.

Making her feature film writing and directing debut, Cherien Dabis has used her family's experiences of hostility during the Gulf War as Palestinian / Jordanian Americans as inspiration for Amreeka (the Arabic name for America).

• Limited Edition collection of the complete Blood Bath • High Definition Blu - ray (1080p) presentation of four versions of the film: Operation Titian, Portrait in Terror, Blood Bath and Track of the Vampire • Brand new 2K restorations of Portrait in Terror, Blood Bath and Track of the Vampire from original film materials • Brand new reconstruction of Operation Titian using original film materials and standard definition inserts • Optional English subtitles for the deaf and hard of hearing on all four versions • The Trouble with Titian Revisited — a brand new visual essay in which Tim Lucas returns to (and updates) his three - part Video Watchdog feature to examine the convoluted production history of Blood Bath and its multiple versions • Bathing in Blood with Sid Haig — a new interview with the actor, recorded exclusively for this release • Archive interview with producer - director Jack Hill • Stills gallery • Double - sided fold - out poster featuring original and newly commissioned artworks • Reversible sleeve featuring original and newly commissioned artwork by Dan Mumford • Limited edition booklet containing new writing on the film and its cast by Anthony Nield, Vic Pratt, Cullen Gallagher and Peter Beckman

Meanwhile, Sony has unveiled 007's new wheels for his 24th adventure in the Jaguar C - X75 concept car (which will be used for a chase scene through the streets of Rome alongside an Aston Martin DB10), in addition to the Range Rover Sport SVR and Land Rover Defender Big Foot, which are also set to feature in the film...

Notably, this time the bounty of material is handled with lightness and confidence, minimizing the sense of overload and hectoring that has hampered his other densely populated features — epitomized by the rhetorical uses of an American flag toward the end of Nashville, the pretentious or mock - pretentious uses of music in A Wedding, and an overreliance on 11th - hour violence to goose the dramatic effects of these and many other films, including The Long Goodbye and Short Cuts.

When that design has been used in the past, it has been in Disney taking shorts intended to be episodes of a TV series and patching them into a faux feature film.

Making her feature film writing and directing debut, Cherien Dabis has used her family's experiences of hostility during the Gulf War as Palestinian / Jordanian Americans as inspiration for

Many scenes feature cigarette and tobacco use (accurate for the periods portrayed in this film) along with alcohol consumption, sometimes to the point of intoxication.