Sentences with phrase «use of triptych»

Not exact matches

For my money, though, a simple triptych might be the best use of these faces.

A unique aspect of their pottery is the focus on the native environment... the plants, geology, and wildlife that are reflected in the themes and materials used in their work, like the heron urns, leaf imprint pots and landscape triptychs.

It's hard to believe that an independently run alternative venue would host this show: a rather formalist set of triptychs made by a twenty - three year old white man, who used his material, charcoal, as a euphemism for blackness.

Elaine Wynn, the new owner of the $ 142 million triptych is eligible to avoid as much as $ 11 million in use taxes in her home state of Nevada.

The 1951 three - panel White Painting is believed to have been painted over almost immediately as Untitled [matte black triptych](ca. 1951, fig. 2).6 In fact, there is no exhibition history or any other evidence to indicate that White Painting [three panel] was extant between 1951 and 1968; 7 in those years, most of the original White Paintings had slipped out of existence, their canvases used as the supports for other pieces.8 Though artists throughout history have created new works on used canvases, Rauschenberg did so with an unusual frequency and ease, particularly in the early 1950s.9 Looking back at that period some ten years later, he commented, «Today I wouldn't do that....

This type of composition in three parts, and the use of gold - leaf decoration, recalls medieval and Renaissance triptych altarpieces.

Impressively, Beckmann was able to make the utmost use of this radical (and late) relocation and was able to bring about significant transformations in his painting — producing among other works his triptych masterpiece «The Argonauts» — while also teaching at the art schools of St Louis, Missouri, and at the Brooklyn Museum in New York, where he also found time to mount a retrospective of prints and drawings.

In the monumentally scaled triptych Lolita's House, Plaster Pink (2018), the artist uses a number of visual devices to draw the viewer's eye across the canvas while also mimicking the way in which memory evolves over time.

Politics are addressed in a large triptych titled The Blindfolded, 2002, in which Dumas has made use of images disseminated by the news media of Palestinian hostages.

But his experience working in film editing, of cutting celluloid and «putting together the various frames of film... was later to influence his use of «close - ups and «long shots» in the triptychs and hanging pieces.

In 2016, in response to this fluidity, and to capture the evolution, of Scrollbar Composition (2000), at the Whitechapel gallery's exhibition The Electronic Superhighway, conservator Dragan Espenschied, the others at Rhizome and I decided to exhibit a triptych, in which each panel used a different operating system to show the work — Windows 95, Mac OS X 10.6 (also known as the aqua interface) and Mac OS X 10.10.

His largest print to date measuring over 5ft by 8ft, Poured Triptych Etching: Ambassadors (After Holbein), 2017, is an abstract interpretation of the colours used in Holbein's famous painting, The Ambassadors, 1533.

I've noticed in some of the literature, that people have tried to read some religious meaning into these diptychs, triptychs, you know, because that was a form that was used...

Francis Bacon himself had used the photograph in painting the triptych «Three Studies of Lucian Freud» 1969, which last year become the most expensive artwork ever sold at an auction after fetching $ 142m.

It presents a triptych of red and white brick walls whose cement interstices have been masked with cut - out newsprint: ephemeral life lived in the cracks, or perhaps a reversal of Jasper Johns's use of newsprint in his early paintings.

Noting the highly simple techniques that Lalic has used in this series and other works (such as Lead Triptych 1987, private collection), the art historian Nicholas de Ville has argued that «the more minimal the vocabulary an artist chooses... the more significant becomes the physical stuff of paint».

Another way to do this was to join together separate large - scale prints to form a triptych, which he did in Overpass (1988), using three prints of an identical photographic image.

Aguilar's now iconic triptych, Three Eagles Flying (1990), set the stage for her future work by using her nude body as an overt and courageous rebellion against the colonization of Latinx identities — racial, gendered, cultural and sexual.

Finally the film, the last part of the artwork's triptych, will be made using images from both the polar trip and the Central Park performances and will be shown as part of next year's Whitney Biennial.

Representative of his ability to conjure evocative space — Miró's famed triptych Blue I, II, II (1961), portrays a floating world using only blue, orange, and black.

These single, triptych, and five - part pieces delve into the hyper - religious aspect of southern living that was amplified and used to justify slavery as a humane practice.

One of Richard Aldrich's paintings has a certain redolence of the Philip Guston of the early»60s; Matt Connors is showing a twelve - foot - tall triptych of red, yellow and blue monochromes that can't fail to remind you of Ellsworth Kelly and Barnett Newman; Nicole Eisenman's stylized heads have discreet echoes of Paul Klee and Alexej von Jawlensky as well as of the»80s neo-Expressionists themselves; Mark Grotjahn's densely layered concatenations of shimmering, thickly textured lines recall Joseph Stella's Americanized Futurism as reinterpreted by way of Richard Pousette - Dart's hypnotic tactility; Amy Sillman sometimes uses still life as an armature for abstraction in ways that would not have seemed alien to Hans Hofmann; Rashid Johnson and Julie Mehretu draw very different conclusions from Cy Twombly — in Johnson's case, an influence productively united with that of the matterism of»50s Europeans like Antoni Tàpies and Alberto Burri.

This desire for expansion is also conveyed through Mitchell's use of the diptych and triptych format.

In the artist's triptych titled «Negative Value» Polke used pigments that when burnished would change hue depending on the position of the viewer, the works were titled after stars that are difficult to tell apart and highlight the artist's interest in the esoteric — causing the artist to be incorrectly described as an alchemist.