Sentences with phrase «use original music»

The audio is less impressive than the visuals because for some reason despite having the licenses for things like Back to the Future they don't seem to be able to use the original music, which is a real shame.

Not exact matches

«Now if you flip on the television you definitely see about 50 % of the spots [using] licensed music from bands you either know or bands that are emerging,» as opposed to original compositions.

... The general idea,» went the original prospectus, «is tohave a comfortable clubhouse for the use of members and their families, asimple restaurant, bedrooms, bowling alley, lawn tennis grounds and so on; alsoto have race meetings and, occasionally, music in the afternoon.»

The original observation, that 10 minutes of classical music made college students briefly perform better on a paper - folding task, was twisted so out of context that the governor of Georgia used tax money to buy a classical music CD for every baby born in the state.

«We send our messages on an adjacent band that no one is using — so we can piggyback on your favorite news or music channel without disturbing the original transmission.»

His original music for singing bowls and gongs, released under the name Xumantra, has touched the lives of tens of thousands of fans around the world, and is in use by yoga practitioners, alternative health practitioners, meditators, and spiritual seekers everywhere.

The soundtrack for Django Unchained makes use of music from a number of spaghetti westerns in a mix with a few original songs and a splendid mash - up featuring James Brown and 2Pac but everything flows together and genuinely feels of a piece.

While you don't want to focus on a film's score / soundtrack, Tarantino also uses music from his favorite films and repurposes them in clever ways to make the point that he's not just a serious film buff — he's an original filmmaker.

The full nature of his brilliance is difficult to get across because Ridley couldn't get the right from the Hendrix estate to use any of his original music.

«We started by going back to the original sheet music used for the recording sessions, tracked the edits made to these cues as heard in their final state in the film, and then re - edited / re-orchestrated the sheet music to reflect the changes and account for the live orchestral forces.

Everyone's favourite characters, much of the surreal narration (delivered with perfect dryness by Stephen Fry), and the original's distinctive theme music, are all present and accounted for — and in an age where CGI has become the slick new medium for special visual effects, an inordinate amount of physical modelling and creature puppetry have been used to give the film a refreshingly organic retro look, as though the crew from the original TV series had been lured back to their old tools by a much bigger budget.

Running February 19 thru March 10, along with a separate shorts program of short films and trailers, the Music Box will be showing 14 features — some of them in prints from their original theatrical runs — that run the gamut from Oscar - winning classics to cult oddities to contemporary uses of the format.

Blu - ray adds «The Music of Coco»; «Paths to Pixar: Coco»; «Welcome to the Fiesta»; «How to Draw a Skeleton»; «A Thousand Pictures a Day» travelogue through Mexico, visiting families, artisans, cemeteries, and small villages during the Día de los Muertos holiday; «Mi Familia»; «Land of Our Ancestors» in which Pixar artists lovingly construct layer upon layer of architecture from many eras of Mexican history, bringing the Land of the Dead to life; «Fashion Through the Ages»; «The Real Guitar»; «How to Make Papel Picado»; «Un Poco Coco» montage of original animated pieces used to promote «Coco»; «Coco» trailers.

The original mono mix hasn't aged as well — it's shrilling in the highs, and dialogue levels are a bit rough in spots — but similar to Fox» Son of Fury and the Castile DVDs, Newman's score has been isolated on a separate track, and as a special bonus, contains the true stereo remixes used for the 2000 soundtrack CD from Film Score Monthly, plus additional score and source cues from a surviving music & effects mix not used for the CD.

Though the film uses the pop - styled first half of Hancock's «Main Titles» for the original English language mono mix, Antonioni, or perhaps an executive, chose to substitute Hancock's livelier «End Title» music in place of the more subdued variation, which was slightly edited and placed over the film's End Credits.

They began with slightly bland, but enjoyable enough, backing from the late Michael Kamen (who was reportedly forced to tone - down his original theme - driven score on the scoring stage); a large step down came for the second instalment, boosted by the use of Henry Mancini's theme from Lifeforce but weakened by everything else in the music; John Powell's popular score for the third film was a step back in the right direction, a step negated by Harry Gregson - Williams's forgettable Wolverine.

A music video for Debby Ryan's cover of The Go - Gos» «We Got the Beat» (3:32) uses only a bit of movie footage, favoring original visuals of Ryan and other teens rocking out with graffiti.

Best Movie — Capri Hollywood Film Awards Best Original Screenplay — National Board of Review Best Actor for Samuel L. Jackson — Capri Hollywood Film Awards Best Supporting Actress for Jennifer Jason Leigh — National Board of Review Best Supporting Actress for Jennifer Jason Leigh — San Diego Film Critics Best Supporting Actress for Jennifer Jason Leigh — Capri Hollywood Film Awards Best Score — Las Vegas Film Critics Best Score — Chicago Film Critics Best Score — Austin Film Critics Best Score — Capri Hollywood Film Awards Best Score — Central Ohio Film Critics Best Score — Golden Globe Awards Best Score — Alliance of Women Film Journalists Best Score — Critics» Choice Award Best Original Music — BAFTA Awards Best Use of Music in a Film — San Diego Film Critics

A number of bonus features from Spider - Man 2's original DVD are not included here: another Spidey Sense graphic subtitle trivia track, Train's «Ordinary» music video, four making - of webisodes, the 15 - minute «Interwoven: The Women of Spider - Man», «Enter the Web» (multi-angle B - roll from the filming of four sequences), a gallery of Alex Ross» paintings of scenes from the original film used in the opening credits, a trailer for and making - of featurette on Activision's Spider - Man 2 video game, and, least importantly, DVD - ROM content supposedly consisting of weblinks and an S - M 3 countdown which I couldn't even get to work (trying to use InterActual these days is a disaster).

Gulliver's Travels Songs List (in order of use): Kiss - «Rock and Roll All Nite», Walkerman - «Listen to Mama», John Williams - «The Imperial March», James Horner - «Rose's Theme», Taylor Graves - «Kiss», Guns N» Roses - «Sweet Child O'Mine», Mike Doughty -» (I Keep On) Rising Up», Edwin Starr, Jack Black, and Cast - «War» Gulliver's Travels: Original Motion Picture Soundtrack - Music by Henry Jackman: Buy CD from Amazon.com

Emmanuel Lubezki's cinematography is the true star of «The Revenant» with Ryuichi Sakamoto's original score the most effective use of music in film this year.

If you want to do this, use a site like keepvid.com to download some sinister music - I used the little girls song from «The Ring» and a series of songs from the original QUAKE video game soundtrack (one is literally just a whisper getting louder and louder).

In addition to original interviews, the book makes adroit use of the author's knowledge of the music scene, Sinatra in particular, along with sourced materials in previous works.

With the original Note 10.1, the only apps capable of being used in a multitasking capacity were the Alarm, Calculator, Email widget, Music Player, S Note, S Planner, Task Manager and World Clock.

This is why the game used licensed music rather than an original composition.

The combination of the stellar musical score, which uses much of the music from the original movie (remastered of course) and the sound effects — from the grunts and growls of the Alien to the creaks and groans of an aging space station in the process of being decommissioned and moth - balled — create an experience that many fans have been longing for from the Alien franchise for decades.

We already knew that it retains sound effects from the Prime games (like Samus's scream when she Game - Overs) and that it uses remixes of music from all around the series (and notably retains the original song names in the Sound Test even when they describe places like Brinstar or Magmoor, which are not on SR388)-- but it looks like (massive end - game spoilers for Samus Returns)

-- Beautiful original graphics and animation — Parallaxing backgrounds — Unique level design — Huge variety of unique levels, bosses and enemies — Complex gameplay and controls — Unique storyline with twists and surprises — Item Inventory: collect items to be used strategically throughout the game — Completely original 8 - bit soundtrack — Tape Deck feature that allows you to select your favorite music from the game — Ability to revisit and replay levels to further your progress and unlock achievements — Truly innovative Easter Eggs throughout

KEY FEATURES — Stunning hand - painted artwork — Critically - acclaimed original music score — Hours of reactive narration deliver a deep story — Intuitive touch controls created exclusively for iOS — Universal App runs on iPad, iPhone, and iPod touch — Variable difficulty for players of all skill levels — Action - packed combat rewards playing with finesse — 10 + unique upgradeable weapons to be used — 6 powerful Bastion structures to be discovered — «New Game Plus» mode unlocked after finishing the story — Game Center achievements and leaderboards — Sync saved data seamlessly via iCloud

On a side note — all of the DLC from the original game is compatible with Xtreme Legends - such as costumes, music and such, although you can only access the Conquest Mode DLC if you have the original game and use the Remix function to access Conquest Mode.

Each is has their own number of matches, ending art that seems based on the original game, and even uses remixes of the classic music between fights.

Original music from Street Fighter 2 will be used, plus remixed versions of all those tunes.

Unlike Robocop, Batman doesn't make use of any film music so it's all original and that's all for the better.

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

Most of his games have a focus on mechanics that make use of original music in some way.

Paul and his team have been nominated for numerous awards, and recently won Best Original Instrumental at the 2015 GANG Awards, Best Original Soundtrack Album at the 2014 GANG Awards, the Best Interactive Score and Best Use of Licensed Music awards at the 2012 GANG Awards, and the Best Audio — Other Award at the 2011 GANG awards / GDC for work on the Halo Universe.

The animations are new, the music's been remastered and the 3D models have been completely rebuilt, but it's the same level data Naughty Dog used in the original game.

They Bleed Pixels includes a full album's worth of original electronic music by DJ Finish Him (aka Shaun Hatton) composed with synthesizers, unconventional instruments and gadgets often not meant for musical use.

-- GameShadow Innovation in Games Festival, Innovative Use of In - Game Audio (music and sound design; fl0w); nominated — Society of Composers, Inc., Best Original Score (Oleg's Overcoat); winner — ASCAP Morten Gould Young Composer Awards («Wooden Rain»); finalist

The music video uses Street Fighter's font in the title and partially re-creates the original Street Fighter game from the character selection to a fight between two 8 bit Sir Mikes.

Their own complete LBP Theme, using the new LBP2 tools to develop all original story, mini-games, bosses, cutscenes, music, and voices.

The original version of the track which was created using music performed from Youtube musicians from around the globe can be listened to here.

Most music segments in Video Games Live are personally arranged and orchestrated by the original composers and also uses input from the actual game designers & producers and game developers & publishers.

I would use the analogy of music compression with Chains of Olympus, in the sense that the size might be smaller, but the quality remains almost as high as the original.

Compose your own original song using a powerful and easy - to - use music editor.

Versus Evil is also soliciting submissions for the Submit Your Track contest where up and coming hip hop artists can create their own original Afro Samurai inspired music track for use in a future game soundtrack.

Each of M - DRIVE's music tracks and sound effects has been lovingly crafted by composer Snowy Fox using the same synthesis method as the original console's Yamaha sound chip, in the styles of many of the games we grew up loving, holding the idea of an action RPG in mind, but the pack is also open to several different game genres.

Zojoi announced that there will be many references to the original title and music from the original game will be used in the reimagining to give the game its original atmosphere.

This winter's 77th installment was host to all manner of retro game revivals, particularly in the sphere of videogame music: Freelance writer Ryota Musha helped publish a book on the contemporary use of retro game consoles in the creation of original chip music.

Initially released on the Famicom Disk System in 1986, the original game was a difficult and time - consuming project to score given gallant music had to be created using a small number of sounds.