Sentences with phrase «use traditional canvas»

Through executing what is most important to my practice, I encourage the viewer to focus on the structure, where I use traditional canvas - building techniques.

The Los Angeles - based artist often uses traditional canvas and a variety of unique materials to elevate her work outside of two - dimensional pieces.

Not exact matches

This traditional German version uses a light, spongy six - ingredient cake laced with lemon as the fruit's canvas.

In using white flour and refined sugar, traditional pastry chefs have a fairly neutral canvas on which to layer flavours such as chocolate, coffee, citrus and other fruits.

One thing that can be said for the movie is that something exciting is constantly unfolding on the screen, amplified by beautifully animated scenery that fully realizes the potential of computer use in traditional animation (courtesy of the «deep canvas process» that was cultivated for this film).

Making use of an infinite canvas approach to creating digital comics can be problematic, in that it diminishes some traditional page layout techniques and can be problematic in terms of costing and production nomenclature.

In creating these works, the artists used various techniques including altering the outline of the canvas, building up relief, cutting into the plane, and using materials alternate to traditional canvas as support.

He later invented his Texturologies — abstract paintings which adapted the traditional Tyrolean technique used by plasterers: Dubuffet covered his canvas in layers of tiny droplets of paint, and combined it with materials including collaged elements and sand.

The remainder come from a mix of private and public collections, with the Whitney Museum of American Art lending one highlight: the 1958 canvas «Three Flags» done in encaustic — a traditional, wax - based medium that Mr. Johns used to create an uneven, almost rippling texture, underscoring the handmade nature of his flags.

Furthermore, Morley simultaneously jettisoned his traditional practice of transferring images to the canvas using a grid.

However they use a wider range of colors, and are his first works using shaped canvases (canvases in a shape other than the traditional rectangle or square), often being in L, N, U or T - shapes.

Laurel Sparks works on traditional canvas, but in addition to painting she is using assemblage while letting the material fulfill its duties to communicate with the entire composition.

Many artists today are producing paintings and sculptures that resemble or reference textiles, using traditional materials like paint, canvas, wood, paper and glass.

Using traditional tattoo iconography as well as a free hand drawing style, Dr Lakra brings energy to every page, canvas, or object that he floods with paint and ink.

Originally trained in traditional Japanese Nihonga and Western - style Yoga painting, by the time Shiraga joined Gutai he had begun to experiment with oils, spreading thick impasto across the canvas using his fingers, hands and feet.

In one of the new landscape paintings, traditional pictorial devices used to suggest depth or perspective are playfully challenged by the use of filmic text or explicit engagement with the flatness of the canvas.

From his earliest days as an artist, Rauschenberg avidly explored and invented myriad ways of marking paper and canvas, using traditional tools such as paintbrushes, pencils, and woodcut blocks as well as highly unorthodox methods.

At the opening reception of his latest exhibit, The World of Line, Ink, and Nude by Chang - Woo Seok, now on display at the Korean Cultural Center Washington DC through June 8, the artist demonstrated his very personal technique, making use of his prosthetic limbs to grasp a brush and his torso movement to paint across a room - sized canvas of traditional Korean paper, spread across the gallery floor.

As particular and individual in their use of colour as they are distinctive in composition, James» works interrogate traditional approaches to painting, often actively integrating the physicality of the canvas and stretcher into the composition, as well as incorporating dust, glue or debris into the surface.

In his paintings Moffett extends the traditional two - dimensional frame in a number of ways, including converting the ordinariness of the flat plane into highly textured reliefs, making paintings that are opened up and turned inside out, or presenting intricate illuminations through the use of video projections on the canvas.

Eschewing traditional methods of painting, in one of his critically acclaimed series Estep used an industrial kiln to sterilize soil before he sifted it in careful patterns through a metal screen onto the glue coated canvases, smearing them when he removed the screen.

Employing traditional techniques on very smooth wood and canvas surfaces, Gundersen uses oils to reveal a depth of color and movement, much like harmonic overtones in music.

«One of the goals behind Vitality and Verve is to spotlight artists who are stepping out of their studios to paint on a grand scale using outdoor walls as their canvas as well as urban artists who are beginning to work in a traditional studio setting.»

After having painted in traditional oil on canvas, in the 1970s Holland began using materials that were light and strong but did not require a frame.

Using the traditional «needlepoint» technique, which dates back thousands of years, Hamer creates these «pixel art» pieces by taking photographs of various urban scenes, and then painstakingly transferring them onto a perforated plastic canvas, all by hand.

Ericsson constructs his work using traditional art materials such as canvas, bronze, photography, and clay as well as video, found objects, and artifacts taken from his family archives.

Keogh's graphic canvases made using a traditional sign painting technique that aligns her with artists like James Rosenquist, Patrick Caulfield and Tom Wesselmann.

Conforming to Greenberg's idea, Johns began to use the American flag and the map of the United States as subjects, while Rauschenberg made his canvas for «Bed» from a pieced quilt — a unique bit of traditional Americana.

Although Piper's early and student work made use of traditional fine art media such as paint and canvas (such as The Body Politic, 1983), [3] from the late 1980s he became primarily associated with technically innovative work that explored multi-media elements such as computer software, websites, tape / slide, sound and video within an installation - based practice.

Using experimental colours and an unmistakeable playful approach to the traditional method of painting, Paricio has always set out to solve conceptual problems, to pay homage to great artistic figures of the past and to examine and question the role of the artist through his bright and dynamic canvases, layered with meaning.

Known for his taxidermy - meets bling weaponed sculptural works, Peter Gronquist explores a more contemplative side of his artist mind, using a series of color field paintings to address the role of technology in our lives by thinking outside of the traditional canvas.

Most photorealist painters work directly from photographs or digital computer images - either by using traditional grid techniques, or by projecting colour slide imagery onto the canvas.

In addition to using the traditional framework of oil on canvas, Van Deventer works on stretched silk, a material she describes as «both a traditional painting surface and a fabric that is in between opaque and transparent, in between a fabric for the body and a smooth surface for painting.»

She also shifted away from the traditional, oil - on - gesso - primed canvases used for past fruit paintings, to instead creating her favored motif in chalk over blackboard paint.

He used thin texture paint, a drip and splash technique, leaving large areas of the canvas blank - which led critics to speak of traditional Japanese influences, notably of Haboku, a Japanese style of dripping ink.

In creating these works, the artists used various techniques including altering the outline of the canvas, building up relief, cutting into the plane, and using materials alternate to traditional canvas as support... Shaped canvas works became popular in the 1960s as artists sought to emphasize the potential for paintings to be considered objects.

Always comfortable with disrupting the traditional and expected approach of the unspoiled vistas within landscape painting, the new series is freely in direct opposition given its use of the problematic materials of asphalt emulsion, tar, oil, wax, powdered mineral pigments and shellac on canvas.

In the 1980s he used to paint works on traditional supports such as canvas or board, but he became sickened by the rampant and cynical commercialisation of much painting of the period and even gave up painting altogether for a time.

They stood out for replacing the traditional wooden supports used for canvases with aluminium rods and strings.

The artist's use of spray enamel, metallic, and fluorescent paints alongside traditional oils is exceptional: a canvas dense with earthy greens or pale yellows is electrified with a single swipe of neon pink; in another, metallic gold or silver plays against thickly applied, buttery, and colorful elements, yielding a highly original eye popping effect.

Empire Canvas Works uses bison leather tanned by native Americans either using the traditional smoke method or modern commercial techniques.