Sentences with phrase «use traditional gallery»

Not exact matches

Finally, a poster art gallery lets you look at five alternate one - sheet designs created for the film but not used for traditional marketing.

There's a new touch - screen control option for the crazy people who felt like the game wasn't hard enough using traditional controls and there's a GPS - based art gallery.

Traditional modes are all present and correct, with story, missions, galleries and a robust online feature set, and considering that KoF XIV doesn't use any of the previous games» assets, its roster of 50 characters (15 of which are brand new designs) is a welcome surprise.

This is an element Resident Evils 1 through 4 understood perfectly, using traditional zombies effectively as opposed to infected foreign cultures that shared more in common with a shooting gallery.

For this project we encourage you to consider: how can we use and encounter art directly, outside of traditional gallery spaces or studios, as a means to communicate ideas and issues in our everyday lives?

The exhibition shows the range of materials and processes employed by artists today — appropriation, traditional studio practice, spatial interventions, digital production, collaboration and the use of chance and found objects, and offers an indication of what audiences may encounter in art galleries in the coming years.

This gallery space is used to display a large array of Art works from students, faculty and visiting artist ranging from traditional 2d paintings and prints to Multi Media interactive installations.

Her use of commercial slatwall panels as an artistic medium for both Crow and Corvette (2011), the latter installed among three works in the «Collective Conversations» gallery, is a departure from traditional materials of painting and sculpture, but a clear reference to Minimalist and Modernist aesthetics.

At the opening reception of his latest exhibit, The World of Line, Ink, and Nude by Chang - Woo Seok, now on display at the Korean Cultural Center Washington DC through June 8, the artist demonstrated his very personal technique, making use of his prosthetic limbs to grasp a brush and his torso movement to paint across a room - sized canvas of traditional Korean paper, spread across the gallery floor.

The works gathered at Alison Jacques Gallery predate this statement, ranging from 1951 to 1959, but even at this stage, when Clark used traditional materials like paint, gouache and graphite, her works evince the spirit of experimentation that would infuse her later participatory and sensorial collaborations.

The artists» on - going interest in and use of traditional techniques, including trompe l'oeil and decorative painting, would allow for meaningful connections and relationships to be made with the historical holdings and extensive archive of the Scottish National Gallery.

It might be seen as a reiteration of the traditional gallery format, but, similar to what each participating artist has done with Warhol's vision in his or her use of the Polaroid's dimensions, there is an important conceptual twist to it.

A group of works that deal with challenges to traditional social roles, especially those related to gender, will be on display at the Queens Museum of Art, and works that explore contemporary uses of traditional Asian media will be shown at New York University's Grey Art Gallery.

Continuing the tradition of the previous exhibits (Roux at the Houston Museum of African American Culture, Stir at Gallery M Squared, Mojo at Prairie View A&M University, and bās at Art League Houston), each artist used the word «sugar» to explore its historical, cultural and personal connotations while confronting the boundaries of experimental and traditional printmaking techniques.

The sculpture, which pays homage to traditional Chinese woodworking through its use of huanghuali (a type of rosewood) and its mortise - and - tenon construction, was purchased for $ 400,000 from the Friedman Benda gallery in New York.

The always - impressive collection of student art, exhibited in the Arvada Center's 6,000 square foot Main Gallery, includes works in traditional disciplines as well as pieces created using new technologies.

Currently on view in two large galleries, stark works in sand colors, geometrics, in brown felt material, in bright neon, the exhibition displays art from the collection of Bridgehampton resident Leonard Ruggio, whose passion is minimalism, a midcentury movement that challenges our notions of the types of materials can be used in art, and in fact our traditional notions of beauty.

Currently on view at Bedford Gallery, Walnut Creek is «Larger than Life,» a group exhibition that explores how contemporary artists have begun to use new materials and technologies to reshape the traditional scale of...

In addition, as a Creative Partner of the Main Line Art Center's «Panorama 2016: Image - Based Art in the 21st Century», a project celebrating the photographic image and digital media, the 3rd Street Gallery Annex presents Remix: Integrating Art and Technology, an exhibit highlighting the work of those members who use photographic and / or digital art technologies or who blend traditional processes with photographic / digital media.

«We were inspired by galleries that were making creative use of unconventional space in cities outside the traditional «art capitals», such as the recently - closed Appendix gallery in Portland, as well as Young World in Detroit,» says Clough and Carroll in an email interview with AFC.

Though McGee views graffiti as a vital method of communication, one that keeps him in touch with a larger, more diverse audience than can be reached through the traditional spaces of galleries or museums, he makes fine use of traditional exhibition spaces, using them not only to communicate a subcultural point of view to gallery goers but also to point out ways in which space can be reclaimed.

This follows her participation in the gallery's fifth themed group exhibition «Around Drawing», which gathered artists who clearly use traditional drawing methods to forge their artistic language, and artists — who although not traditional draughtsmen, have produced works which can be closely related to a vision of what does, in fact, constitute a drawing.

Prints from two recent series, on view at Howard Greenberg Gallery in New York until December 12, are highly textured, made on traditional papers using a series of digital and analog techniques that include painting with liquid emulsion.

Having achieved a sharp, bold aesthetic that is all his own, Kelly has recently used his talents to expand beyond his traditional choice of mediums, designing the façade for Matthew Marks gallery in LA, and even his first ever tattoo, for Whitney curator Carter Foster.

Globally famous as the first artist of any note to step completely outside the traditional commercial and institutional gallery system to manage her own career using the self - publishing and social networking tools of Web 2.0, Hazel Dooney has emerged not only as one of the most intriguing artists under 35 working in multiple media but also one of the most outspoken and controversial.

As a little backdrop on her history, the gallery notes, «After gaining notoriety for her use of enamel, a high - gloss paint often applied to house exteriors, she shifted her focus to oil in 2001, in order to experiment with a more traditional artistic method.