Sentences with phrase «used both of these arts simultaneously»

For years I have used both of these arts simultaneously in my work.

Not exact matches

Those who use Minus's book to teach the next generation how Rauschenbusch brought many in a previous generation, most of a denomination and much of ecumenical Protestantism to embrace «Social Christianity» may, want to translate his material into that kind of revealing art Which simultaneously embraces evocative parable and systematic clarification.

The other effort, called Multi-beam MIMO, led by Sayeed, will develop a network using a state - of - the - art millimeter - wave prototype technology for simultaneously steering multiple signal beams.

These methods rely on reacting millions of molecules simultaneously in a single vessel and analysing those molecules in parallel on a single chip using a state - of - the - art optical detection instrument.

It first hit the US on the Nintendo DS in 2008, and was praised for its unique art style, accurate portrayal of Japanese youth culture, and an interesting dual - screen battle system that had you controlling two characters simultaneously, one using the touch screen and one using the d - pad and buttons...

The Archive Project, Visual AIDS Artist Registry, and web galleries are ways we use art to remind the world that AIDS is not over, while simultaneously supporting artists living with HIV, and preserving the legacy of artists who were living with HIV.

Diaz elevates the self - referential sign to art object through the use of postmodern humor, while simultaneously poking fun at American culture, where bigger ALWAYS equals better.

This ventriloquism manifests itself in the artist's ability to take the basic, intrinsic and intended use of a material by its manufacturer, as defined by the requirements of a society and transform these into art - works that function on several levels simultaneously, without relinquishing its original, newly found or potential, future identity.

The Art Center first exhibited her work in 1987 as part of a three - person exhibition also organized by Richard Born who then described her tapestries as «simultaneously utilitarian objects and works of independent beauty intended both for use and appreciation at the same time.»

Her works make use of an idiosyncratic visual lexicon, the directness of cartoonish figures, and a flattened perspective, but simultaneously betray a deep awareness of art history and painterly conventions.

Wright uses paint, drawing, gilding and stained glass to shape delicate, suggestive, site - specific installations that simultaneously revel in tradition — recreating the lost arts of fresco and Renaissance perspective — and express the throwaway modern moment.

Simultaneously converting and re-converting a digital and a physical, a real and an ephemeral, a high art and a consumer product, the presentation questions the very stability of the lines of divisions, yet sketching the ground plans of something that can be reactivated and used as evidence.

Featuring over forty works dating from 1965 to the present, the installation simultaneously chronicles Kosuth's fifty year investigation into the role of language and meaning in art, and his consistent use of neon.

In light of this, the works simultaneously speak to ecology and land ‐ use; incongruous representations of the sublime; and inherited assumptions of the landscape from advertising, art history and broader visual culture.

His uses of symbolism influenced by ancient mythologies and religions and his treatment of iconography of objects make his art simultaneously ancient and modern.

Pushing beyond the post-war emphasis on materiality, Seung - taek's work uses «notions of negation» and nods to such disparate influences as Korean shamanic rites and land art in the West simultaneously, as his gallery states.

The exhibition's curator Richard D Marshall describes how, alongside these emotional elements, Pierson simultaneously focuses on the more formal aspects of art and «frequently and deliberately undermines the strong emotional and narrative content of his subjects by using unexpected configurations and by obliterating legibility in an ongoing quest to reconcile representation and abstraction».

The contrast between their black and yellow skin tones echoes that between the dark - and fair - haired subjects in Courbet's painting, while Thomas's deliberate use of French in her title simultaneously pays tribute to a lineage of Western art history and revises that tradition.

These works make use of an idiosyncratic visual lexicon, the directness of cartoonish figures, and a flattened perspective, but simultaneously betray a deep awareness of art history and painterly conventions.