Sentences with phrase «used in feature film»

At Disney, one of the more fun jobs was figuring out how to translate talent deal compensation constructs used in feature film and TV for platform games and online.

Her paintings were used in the feature film 9 Months and the ABC TV show The Benefactor.

Not exact matches

There's an uncomfortable scene featuring where sex robots dot the landscape of an outlaw bar, which could have been used to add a level of lust to the film and draw in the lowest common denominator to the audience.

In May, I wrote a blog that used Game Theory - the branch of economics invented by John Nash, the Nobel prize winner featured in the film The Beautiful Mind - to explore the likely outcome of the Brexit negotiationIn May, I wrote a blog that used Game Theory - the branch of economics invented by John Nash, the Nobel prize winner featured in the film The Beautiful Mind - to explore the likely outcome of the Brexit negotiationin the film The Beautiful Mind - to explore the likely outcome of the Brexit negotiations.

The line was used by Han Solo and Luke Skywalker in the first Star Wars film - and has featured as a running gag since.

If you want to use your 4K camera for action - packed scenes, zoom is an unnecessary feature, but zoom comes in handy for filming athletic events, people, and nature scenes.

For example, a May 2015 study in the journal Pediatrics involved more than 5,000 15 - year - olds in the U.K. and measured their exposure to films featuring alcohol use.

Similar to film used in photography, photoresist, also just called resist, is used to lay down the patterns of ever - shrinking lines and features on a chip.

It's the first feature - length narrative film shot in a single take (on digital video, using a specially designed disc instead of tape).

It's a film that you expect to open in limited release and expand, but after a Sundance premiere, Focus Features is actually debuting it wide today, the Friday that used to launch the summer movie season (which the moving of Avengers: Infinity War kicked off a week early this year).

Bassett uses lots of filtering and camera tricks to try and hide the budget of the film and it hurts the horror and ruins what little suspense is featured in the film.

With looks that allow him to either play soft - skinned pretty boys or greasy - haired white trash refuse, Sarsgaard has used his malleable features and brooding charisma to great effect in such films as Kimberly Peirce's Boys Don't Cry.A graduate of St. Louis» Washington University, where he was a co-founder of the improvisational group Mama's Pot Roast, Sarsgaard studied at the Actors» Studio in New York.

«There's Always Vanilla Film Locations» (11 mins., 1080p) has «Romero historian» Lawrence DeVincentz talking over a slideshow of contemporary photographs of locations used for scenes in the film (some of them featuring him or his buddy Spooky Daz Sargeant in the frame matching the pose of the original actors) with authentic production stills occasionally appearing in an inset.

As explained in one of the film's special features, Director Derek Cianfrance tried to use natural lighting whenever possible.

New York Times bestselling children's author Tony DiTerlizzi (The Spiderwick Chronicles) details the precedent - setting augmented reality used in his new Simon & Schuster novel The Search for Wondla; LAIKA president / CEO Travis Knight (lead animator on the Oscar - nominated stop - motion movie Coraline) explains how his studio will continue to take bold chances in the animated feature film world; and graphic novelist and Comic - Con special guest Douglas TenNapel (Earthworm Jim) describes exactly how a blank page comes to be inhabited with his compelling imagery.

You could argue that Ezra Edelman's eight - hour documentary, using the rise and fall of O.J. Simpson to examine race in America, is more a TV miniseries than a feature film.

Chadha and co-screenwriter Paul Mayeda Berges offer a wry, low - key feature - length commentary with some fairly interesting / entertaining recollections, including the thinking behind the somewhat ballsy use of a corporeal David Beckham in the epilogue, the unblinking national reaction to the Sikh rituals depicted in the film, and Chadha's desire to exploit her male cast members by getting their shirts off as often as possible.

Dosunmu said other distributors courted the feature early on, but eventually went with Paladin for its theatrical release, noting: «People aren't used to seeing Michelle in this way, but Paladin was brilliant in letting the audience get a sense of the film instead of simply pushing it out in a way that doesn't make sense.»

According to the trade paper, Portman, who only has a small cameo in The Darjeeling Limited, insisted that Fox not use her image in the advertising for the feature film, but said that she was pleased with the short and happy to promote it at the Apple store.

Feature film adaptation of Shakespeare's Scottish play about General Macbeth whose ambitious wife urges him to use wicked means in order to gain power of the throne over the sitting king, Duncan.

The film was critically acclaimed and was recognized for its largely black and white color scheme which featured intermittent colored objects, akin to the same techniques used by Steven Spielberg in Schindler's List.

Running February 19 thru March 10, along with a separate shorts program of short films and trailers, the Music Box will be showing 14 features — some of them in prints from their original theatrical runs — that run the gamut from Oscar - winning classics to cult oddities to contemporary uses of the format.

Trying to turn all this reporting into a coherent two - hour - long feature film is like using the ground meat from dozens of cows to produce a single burger (one of the many dangerous industry practices Schlosser assails in the book).

Very much a kitchen - sink drama — the family kitchen is the dramatic hub for much of the film — shot in a more or less documentary style and featuring terrific performances by nonprofessionals, the film takes a no - frills dramatic approach that could be roughly located on a Cassavetes - Dardennes spectrum, and uses it to intensely revealing and moving effect.

Scholars in Europe began to embrace the term in 1955, when Raymond Borde and Étienne Chaumeton, in their book Panorama du film noir américain, used it more broadly to describe the wave of American crime films after World War II that, among many other attributes, featured insulted, beaten heroes driven by desperation to acts of violence.

The final story, written by 2000AD editor Matt Smith and approved by Dredd's co-creator John Wagner and «DREDD» screenwriter Alex Garland, will feature the interior art will be by Henry Flint — a longtime 2000AD artist so associated with the character, his surname is used for one of the cell blocks in the film.

Did you know that the Halloween: H20 mask featured in the film wasn't the only one used?

Lloyd and his crew honed and perfected their «thrill» filming techniques in this film, and put them to astonishing use in the 1923 classic feature Safety Last!Never Weaken (1921) Directed by Fred C. Newmeyer.

There's also an alternate opening scene, a costume - test montage, and one very short special feature on the use of animals in the film that's only notable for Kenneth Branagh's apparent diplomacy regarding furry creatures.

Since it is the one scare tactic featured most prominently in horror films today, it seems to be the litmus test audiences use to determine whether or not a horror film is actually scary.

Disney Interactive has used the opening of the film Maleficent to announce that the titular character played by Angelie Jolie would be joining the cast of characters featured in Disney Infinity 2.0.

You should know that the film features an ensemble cast that is used in the same vein as the film, Spotlight.

MG: On the Blu - ray, in the feature «Building the Bots,» director Shawn Levy talks about how Steven Spielberg emphasized that the use of practical effects was important to the film's success.

The latest episode of Observations on Film Art, an exclusive Criterion Channel program that explores elements of cinema as used by great auteurs, features professor Kristin Thompson highlighting one device that has earned the film its permanent spot in the cinematic canon: Renoir's characteristically subtle yet elaborate staging.

The DVD features audio commentary from Falco, Mendelsohn and the film's two producers; deleted scenes with Mendelsohn's commentary; and a wonderful short, filmed in the same locations, that Mendelsohn obviously used as a stylistic blueprint for «Judy Berlin.»

The feature films nominated for Best Film this year are «Frank» which gives an insight into the weird and wonderful world of the enigmatic musician; the gritty urban family drama of «Glassland»; the raw, moving and honest «I Used to Live Here»; the feel good true - life story of «Noble»; the poignant and sensitive exploration of mental health in «Patrick's Day», and the beautiful Irish animated fantasy «Song of the Sea»; Three of the Best Films also get nominations for Best Director; Lenny Abrahamson for «Frank»; Gerard Barrett «Glassland» and Terry McMahon for «Patrick's Day», with John Carney also in that category for the musical drama «Begin Again».

The release includes most of the same extras from the deluxe DVD, as well as a new interview with composer Jon Brion, a new piece featuring behind - the - scenes footage of a recording session for the film's soundtrack, and a new conversation between curators Michael Connor and Lia Gangitano about the art of Jeremy Blake, used in the film.

Here in England, when it comes to film, the national sporting pastime of football (soccer) has been pretty much regulated to cheap, violent hooliganism feature so the unorthodox blend of India and Australia and use of cricket is a refreshing point of view (I also write this before the onslaught of U.S cities being destroyed truly takes hold of summer).

Because the picture boasts production values considerably above those usually found in AA features and, more importantly, because of the use of the new photographic technique, the film is sure to be accorded more important programming than the company's average product, an evaluation already established by initial bookings.

Recalling early David Gordon Green films (particularly in the excellent use of non-actors to authentically portray the working class American heartland), this is the assured 2nd feature from Chloé Zhao.

Both of the most recent Tsui films that I've seen, the kung fu whodunnit Detective Dee and the Mystery of the Phantom Flame and Flying Swords of Dragon Gate, his second remake of the 1967 King Hu film Dragon Gate Inn, which remains after 45 years one of great masterpieces of action cinema from anywhere in the world, feature extensive use of CGI, though both are significantly more grounded in reality than Zu Warriors.

• Limited Edition collection of the complete Blood Bath • High Definition Blu - ray (1080p) presentation of four versions of the film: Operation Titian, Portrait in Terror, Blood Bath and Track of the Vampire • Brand new 2K restorations of Portrait in Terror, Blood Bath and Track of the Vampire from original film materials • Brand new reconstruction of Operation Titian using original film materials and standard definition inserts • Optional English subtitles for the deaf and hard of hearing on all four versions • The Trouble with Titian Revisited — a brand new visual essay in which Tim Lucas returns to (and updates) his three - part Video Watchdog feature to examine the convoluted production history of Blood Bath and its multiple versions • Bathing in Blood with Sid Haig — a new interview with the actor, recorded exclusively for this release • Archive interview with producer - director Jack Hill • Stills gallery • Double - sided fold - out poster featuring original and newly commissioned artworks • Reversible sleeve featuring original and newly commissioned artwork by Dan Mumford • Limited edition booklet containing new writing on the film and its cast by Anthony Nield, Vic Pratt, Cullen Gallagher and Peter Beckman

Meanwhile, Sony has unveiled 007's new wheels for his 24th adventure in the Jaguar C - X75 concept car (which will be used for a chase scene through the streets of Rome alongside an Aston Martin DB10), in addition to the Range Rover Sport SVR and Land Rover Defender Big Foot, which are also set to feature in the film...

Notably, this time the bounty of material is handled with lightness and confidence, minimizing the sense of overload and hectoring that has hampered his other densely populated features — epitomized by the rhetorical uses of an American flag toward the end of Nashville, the pretentious or mock - pretentious uses of music in A Wedding, and an overreliance on 11th - hour violence to goose the dramatic effects of these and many other films, including The Long Goodbye and Short Cuts.

When that design has been used in the past, it has been in Disney taking shorts intended to be episodes of a TV series and patching them into a faux feature film.

Many scenes feature cigarette and tobacco use (accurate for the periods portrayed in this film) along with alcohol consumption, sometimes to the point of intoxication.

From his second feature, 2008's Tony Manero, about a Saturday Night Fever - obsessed killer in»70s Chile, up to his forthcoming film, the poetic Neruda (out in the UK in April), Larraín has made character studies that trust audiences to search the sweep of a film for meaning, using the formal potential of cinema to explore what people are like, rather than saddling an actor with revelatory baggage.

Directors Joe and Anthony Russo plan to use the special cameras for certain action sequences in the upcoming Captain America: Civil War, but Infinity War will mark the first time an entire feature film has been shot on the cameras, not just for Marvel, but anywhere.

Raimi has been immersed in horror films for so long that he (along with his writing partner, brother Ivan) uses them in the movie to tell a feature - length joke that true horror fans will understand... and find hilarious.

We'll likely never see Schrader's original cut (though he secretly reedited the film using work print DVDs into a new feature entitled Dark, clips of which can be seen in his MasterClass lecture), but what's available is a passable espionage thriller featuring a halfway compelling Cage performance.