On display is an installation of paintings that re-purpose materials used during the process of painting, a group of dark paintings that utilize paint sludge, and a series of paintings that are based upon film stills
used in studio settings.
Extending these ideas, Kantor investigates the manner in which color is used and interpreted through another series of paintings included here, based upon film stills
used in the studio setting.
Not exact matches
She
used some old lines («
in your world every problem is caused by immigrants») but also deployed humour, saying «Nigel, you're obviously
setting out to win friends and influence people» after he attacked the
studio audience (twice).
The Linkyo Heavy - Duty Sharpener is designed for high - volume
use in settings like a classroom, art
studio, or busy office.
Handmade
in their
studio in London, made
using 2 identical chains to 16inches and 18inches scattered with 2 and 3 mm solid gold dots
set on the lightest and most delicate diamond curb cut chain designed to move delicately with your body and soft that you won't take it off.
Back
in London, Feurer sold his Land Rover and
used the money to
set himself up with proper equipment and a
studio.
New York Times bestselling children's author Tony DiTerlizzi (The Spiderwick Chronicles) details the precedent -
setting augmented reality
used in his new Simon & Schuster novel The Search for Wondla; LAIKA president / CEO Travis Knight (lead animator on the Oscar - nominated stop - motion movie Coraline) explains how his
studio will continue to take bold chances
in the animated feature film world; and graphic novelist and Comic - Con special guest Douglas TenNapel (Earthworm Jim) describes exactly how a blank page comes to be inhabited with his compelling imagery.
That's disappointing, but there's plenty to ease the pain: The
studio is
using the two reboots to kick off its own line of 4K Ultra HD offerings (more on that below), the original series and The Next Generation are being re-issued on Blu - ray
in new box
sets (more on that next week), and the Director's Cut of Star Trek II: The Wrath of Khan is making its format debut (more on that right here).
For instance, we
set up open
studios in the rented building and outfitted them with mobile, flexible -
use furniture.
If you're going to
use the equipment again, or you live
in a remote place,
setting up a home
studio is easier than you think, and recommended.
Our talented team of
in - house
studio artists will
use guidelines
set forth by Reader's Digest along with your own ideas and creative direction to produce images that can help strengthen both your book's message and marketability.
Our talented team of
in - house
studio artists will
use guidelines
set forth by Simon & Schuster along with your own ideas and creative direction to produce images that can help strengthen both your book's message and marketability.
- Crooked Tree Cottage, located
in Umhlanga Rocks offers bed and breakfast & self catering accommodation
set in the heart of Umhlanga Durban, Kwazulu Natal close to Umhlanga Village beaches; Durban CBD and ICC are about 15 minutes drive, close to the M4 & the N2 highways - 3 - roomed cottage and a
studio suite for
use as bed and breakfast or self catering - the cottage has a well - equipped kitchen and a spacious dining and lounge area; barbecue facilities available - all rooms en - suite with air conditioner, TV, DSTV, DVD player, wireless Internet access, hairdryer, tea / coffee making facilities - full English or continental breakfast - 3 Star Bed and Breakfast / Self Catering Establishment.
Precursor Games, the
studio set up by a bunch of ex-Silicon Knights developers, has revealed that it bought assets and equipment from the flaming husk of Silicon Knights to
use in its new game: Shadow of the Eternals.
Kite & Lightning, the
studio behind some of VR's earliest experiences, is one of 13 developers receiving a portion of over $ 200,000
in «Unreal Dev Grants», a program
set up by Epic Games to showcase and provide financial support to projects
using Unreal Engine 4.
According to Remedy, Project 7, which will make
use of
studio's own Northlight Engine, will be a cinematic third - person action game
set in a new Remedy - created universe.
The title, developed by San Francisco - based
studio Campo Santo, is
set in the Wyoming wilderness and
uses a heavily stylized visual aesthetic courtesy of graphic designer and illustrator Olly Moss, who led art direction for the project as a member of the Campo Santo team.
She also constantly changed her vantage point and now
uses the entire world as her
studio: sketching furtively to disguise her work from curious human subjects; working from a kayak
in the Piscataqua River; or
setting up on top of buildings
in Kittery, Maine.
Others left the picture intact, yet
used obvious
studio -
set environments,
in addition to costume and make - up, to reveal the construction of their photographic subjects.
Three years ago, I
used punchy reds inspired by the rituals and festivals I experienced
in India, and a year ago, I rode the pink wave of the RCA
studios and the domestic
setting of my Villa Lena residency
in Italy.
For more than a century, photographers have dealt with the spaces of their
studios in strikingly diverse and inventive ways: from
using composed theatrical tableaux (
in photographs by Julia Margaret Cameron or Cindy Sherman) to putting their subjects against neutral backdrops (Richard Avedon, Robert Mapplethorpe); from the construction of architectural
sets within the
studio (Francis Bruguière, Thomas Demand) to chemical procedures conducted within the darkroom (Walead Beshty, Christian Marclay); and from precise recordings of motion (Eadweard Muybridge, Harold Edgerton) to playful, amateurish experimentation (Roman Signer, Peter Fischli and David Weiss).
Her works are the results of extensive and carefully constructed installations, which she assembles
in the
studio by
using «props» like glass, mirrors, acrylic and metal elements, meticulously
set up, solely for the camera.
In these new works, Kydd forgoes his former still - life setup, opting for a looser experimentation in the studio setting while still using the language of commercial photograph
In these new works, Kydd forgoes his former still - life setup, opting for a looser experimentation
in the studio setting while still using the language of commercial photograph
in the
studio setting while still
using the language of commercial photography.
«Origin of the Universe» includes four installations that re-create the photography
sets she
uses in her
studio, as well as a documentary she made about her mother (a frequent model for her work), and 50 of her collages hung salon - style.
Drawing on designs from their abstract video works, LoVid will create a
set of patterns for young artists to
use in collage works at the CMA
studios.
With the kiln that was fabricated locally it is a traveling
set up being
used for the past 10 years
in public school, community arts and
studio settings.
«One of the goals behind Vitality and Verve is to spotlight artists who are stepping out of their
studios to paint on a grand scale
using outdoor walls as their canvas as well as urban artists who are beginning to work
in a traditional
studio setting.»
The repeated
use of his
studio as
setting also brings awareness of Freud's physical presence
in it — it seems vital to remember that the sitter and Freud were occupying the same space and that the view we have of the model was Freud's view.
The series seems to travel back to a different time, documenting how the African people
use rather archaic practices,
setting up makeshift
studios in their homes or around the village.
Continuing to build fantastical worlds
in his adult work, Hartung combines stop - motion animation and self - produced videos with found footage and cheap consumer technologies; all of his production
sets are built
in his
studio using found objects.
Holly Arden described his art thus: «Many of them are shot
in studio sets using man - made props to represent natural objects.
Whether painting
in plein air, or working
in the
studio, I
set out each day on a journey to bring the subtle contrast of light and dark onto my canvas through the
use of oil paints with a mixture of brush and knife.
What has not been mentioned is that the «Saul - into - Paul conversion theory», published by Elaine de Kooning
in Art News
in 1958, was not
set in Willem de Kooning's
studio and did not mention a «Bell - Opticon», unlike her account of 1962.13 Additionally, while the 1958 account's introduction dramatised Kline's breakthrough to abstraction as a «transformation of consciousness», or a «revelation» of Biblical proportions, invoking the example of «Saul of Tarsus outside the walls of Damascus when he saw a «great light»», the description of Kline's technical and conceptual breakthrough
in this account nevertheless resembled previous accounts of Kline's development
in its gradualness, uneventfulness and thoughtfulness.14 The breakthrough that Elaine de Kooning first recounted was a product of sustained technical experimentation and logical thought on Kline's part, rather than accident or epiphany: «Still involved,
in 1950, with elements of representation, he began to whip out small brushes of figures, trains, horses, landscapes, buildings,
using only black paint.
Throughout the 20th century, artists have explored their
studio spaces
using photography, from the
use of composed theatrical tableaux (
in photographs by Julia Margaret Cameron or Cindy Sherman) to neutral, blank backdrops (Richard Avedon, Robert Mapplethorpe); from the construction of architectural
sets within the
studio space (Francis Bruguière, Thomas Demand) to chemical procedures conducted within the darkroom (Walead Beshty, Christian Marclay); and from precise recordings of time and motion (Eadweard Muybridge, Dr. Harold E. Edgerton) to amateurish or playful experimentation (Roman Signer, Peter Fischli / David Weiss).
-RSB- performance s p a c e [is different to conventional
studio space
in its approach and
set up, as each
studio artist has a desk and
use of a large communal flux space (3,000 sq foot).
Yet a third room suggests a frozen gesture: a
set of double doors from the artist's
studio, referred to as «panic doors» for the thick cross bar
used to open them
in an emergency, replicated
in sculptural form and installed at the end wall of one of the constructions, visible from both the outside and inside.
Both
set up
studios in the same building, and both supported themselves by doing collages, drawings and paintings for window displays
used by luxury stores such as Tiffany and Bonwit Teller.
The Pictures Generation artist Louise Lawler is
used to showing her work alongside that of other artists —
in fact, her photographs typically consist of work by other artists, coolly depicting name - brand icons of art as they are tastefully displayed
in collectors» homes, museums, and other out - of - the -
studio settings together with furniture, vases, and the other decorative objects of the well - heeled.
She infused a completely new
set of materials: those she concocted and heavily documented
in the laboratory of her
studio — such as tinted polyester resin and polyurethane expanding foam — creating a post-human form of lamps that
used casts made directly from her lips, to every day resources — pantyhose, newspaper clippings, photographs, with straw and resin, grass and foam — resulting
in distinctly radical hybrids of the organic and inorganic.
While there are super high resolution cameras with 50MP + sensors; these are best for specialist
uses in ideal
settings like fashion photography
in a
studio.
However,
in an interview with The Guardian
in 2013, Rockstar's Dan Houser stated that while London provided a great
setting for the game, the
studio would probably refrain from
using London
in the next rendition of GTA.
Because the headset
uses 3D mapping technically borrowed from the HoloLens, there was no need for
setting up external cameras and extra wires — something I seriously appreciated
in my cramped
studio apartment.
Well here
in the Love Shack there really is no room for a space of my own but shortly after moving here we decided to give up the dinning space because we never
used it and I
set up a desk for my
studio for me to create and store my things for sewing, art journaling and for what ever else inspires me at the moment.