Sentences with phrase «used in the cinematography»

The first woman to receive a doctorate in physics from Cambridge University, Dr. Blodgett created non-reflective coatings for eyeglasses and «improved lenses used in cinematography.»

The 3 - D retro - conversion of the material is actually quite striking, given the depth - of - field used in the cinematography, and all of the action and movement the movie features.

4K Display is a term used in cinematography to describe a resolution with 4000 pixels horizontally.

Not exact matches

Malick, best known for directing visually rich dramas such as The Thin Red Line and The Tree of Life, presents breathtaking cinematography, using locales such as Hawaii's lava - oozing Kilauea volcano as stand - ins for the past.

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it is funny in deed but, when their is someone to cover Sandler's movie their most likely gonna never make a film again Oh look see Denis Dugan and Frank Coraci BOOOOOO!!!!!!!!! you suck stop making adam sandler movies here is the problem they are directors who don't care about cinematography or shots of using the camera all they care is comedy!!!!!!! see Tyler Perry yeah their just like this big joke.

A complex espionage thriller that makes impeccable use of a careful pace to stretch the tension to its maximum and an appropriately dark cinematography to recreate the paranoia of the»70s and the Cold War maneuvers, while Gary Oldman underacts in a perfect performance.

All tech and design aspects here are first - rate, notably Patrick Taylor and Kevin Hilliard's ominous score (despite an occasional excess of percussive bombast), and cinematography by Alex Disenhof («The We and I») that makes excellent use of the widescreen format, both on land (the pic was shot in Kenya) and at sea.

The camerawork by New Hollywood DP John A. Alonzo (Chinatown), who shot documentaries with Friedkin when they both worked for David Wolper in the mid-1960s, is a sterling example of late -»80s cinematography (for better and worse), featuring lots of blue and an aggressive use of shadows to add expressionist texture to interiors, along with appropriately bizarre lighting effects in the wooded scenery outdoors.

Though effused with shimmering and luscious black - and - white cinematography courtesy the great master James Wong Howe, the film gets bogged down in the complexities of its own narrative, thanks in large part to its use of extended flashbacks and flashbacks - within - flashbacks.

But like Abrams did on «Star Trek,» Whedon has stepped up his game in a major way: the action is clear and coherent, the pacing is tight (it's 140 minutes long, but flies by) and the technical contributions are top - notch across the board, from the Bond - movie production design of James Chinlund («The Fountain «-RRB- and the razor - sharp cutting of Jeffrey Ford («Public Enemies «-RRB- and Lisa Lassek («Cabin In The Woods») to Seamus McGarvey «s bright cinematography and Alan Silvestri's firmly listenable score (although the latter could, it should be said, use a more distinctive themein a major way: the action is clear and coherent, the pacing is tight (it's 140 minutes long, but flies by) and the technical contributions are top - notch across the board, from the Bond - movie production design of James Chinlund («The Fountain «-RRB- and the razor - sharp cutting of Jeffrey Ford («Public Enemies «-RRB- and Lisa Lassek («Cabin In The Woods») to Seamus McGarvey «s bright cinematography and Alan Silvestri's firmly listenable score (although the latter could, it should be said, use a more distinctive themeIn The Woods») to Seamus McGarvey «s bright cinematography and Alan Silvestri's firmly listenable score (although the latter could, it should be said, use a more distinctive theme).

Use of multiple camera types create a distracting and noticeable change in quality from scene to scene, adding up to messy patchwork cinematography that is off - putting.

This Asian (South Korean / Chinese) film made good use of that figure, with sometimes disturbing, but very well done fight scenes and in general, beautiful cinematography.

There are a few good things about it, the gunfights were gritty and non exaggerated proving that Mann can still do decent gun play that is more accurate opposed to the infinite clip that we are used to seeing in many other movies, the cinematography is also very good and it was really nice to just look at the beautiful landscapes and backgrounds of the locations they filmed in Hong Kong and Jakarta.

Filmed in Monument Valley, Utah, the stunning cinematography by Michael Barrett consciously evokes the classic westerns of John Ford, who used the same locale.

Not really as distinctive as the last film to push the same envelope, Pleasantville, Chocolat still is perfect in its cast of actors and in the use of lush cinematography and music, so much so that it still makes this oft told tale enjoyable.

The cinematography itself is beautiful, and the film makes good use of a Steadicam, but often it feels like the gaffer was only interested in natural lighting.

Expressive cinematography, brooding sound design, and minimal use of spoken dialogue help create a surreal cinematic examination of the human condition in conflict with death.

Nice Vanity Fair piece about the cinematography of the nominated films: The Hurt Locker «Äôs director of photography, Barry Ackroyd, uses Super-16 cameras to create a raw, documentary feel for his sun - drenched canvas in Kathryn...

Film is a visual medium after all, and great cinematography has the power to transport audiences to a new world, to put audiences in the shoes of a character, or to even relay a theme using visual metaphor.

His use of an emotional score, his stunning cinematography, but most of all the amazing performances he gets out of his actors, are all reasons why I fell in love with Mud quickly.

The black and white cinematography from Oscar Nominated cinematographer Ted D. McCord (The Sound of Music), is exceptional in both its technical aspects and use of framing to tell a story.

It's also a film whose impact derives from something other than its story and characters — specifically, Wyatt Garfield's brilliant cinematography, which uses 35 mm, 16 mm and Super 8 mm film at a time when almost everyone in the entertainment business is shooting digitally; and the final lead performance by Anton Yelchin, who died last year in a freak accident.

Along the way, Jas Shelton's restless cinematography - documentary in style, hovering in place, using quick zooms for emphasis - is the perfect analogue to the Duplasses» vision.

Also, on the plus side the cinematography is done well, and D.O.P. Christopher Ross deserves a lot of credit for how good this film looks, with its bright colours, brilliant shot composition, and breath - taking use of the English Countryside in order to immerse us more in this small seaside town.

At times, Riggen uses a documentary style of cinematography to detail the impact of the situation on those in other parts of Chile as well as around the world.

British film director Steve McQueen's 2008 debut film, Hunger, is notable for many reasons: It is a great film, a great debut film, uses an innovative narrative structure, uses interesting cinematography in concert with its soundtrack, makes the best use of ambient sound to have the best non-musical soundtrack I've heard in a long time (if not ever), is the work of a black artist that is not obsessed with black only topics, and shows a maturity and grace that goes beyond even the first films of directors like David Gordon Green, in George Washington, and Terrence Malick, in Badlands.

The film is stunning in terms of cinematography and the use of color and framing.

The cinematography feels spot on for accuracy for what the camera is catching in action depending on how the kids are using it.

Even its gorgeous cinematography, which won a prize from the Tribeca jury, feels like less than meets the eye; the frequent use of slow motion lingers past haunting until it becomes just plain draggy (not a great quality in an 80 - minute movie).

With wholly magnificent sequences that make sharp use out of natural light (a burning house sequence, a fight in nighttime Shanghai) or utilize precise framing (Bardem's entrance), Skyfall has beautifully stylized cinematography that never rings with pretentiousness; this is camerawork that labors uniquely to present its dynamic environments, with the presentation of story coming first.

That film had no stars and was shot in a shaky - cam home - video style; here, there are no such cinematography tricks, with a much more traditional use of camera.

Terrific cinematography by Tak Fujimoto (The Sixth Sense, Devil in a Blue Dress) and a great score by John Debney (End of Days, Dick), along with solid use of popular music all enhance the look and feel of real football.

Universal's DVD is a decent transfer of the film - the soft focus cinematography yields a less - than sharp transfer, and some of the night shots are slightly grainy, in spite of Schrader's deliberate use of in - camera opticals to preserve image quality.

Emmanuel Lubezki's cinematography is the true star of «The Revenant» with Ryuichi Sakamoto's original score the most effective use of music in film this year.

An easygoing cinematographer with a charming personality and a clear mission — use light, lenses, angles and intuition to aid the director in top - notch storytelling — Jeff has a solid understanding of the technical and artistic aspects of cinematography and believes in mixing creativity with preparation and efficiency.

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Add in the beautiful cinematography, the one - shot camera deal, the way it uses HDR like I've never seen yet, the general extreme level of polish and the replayability and you got yourself a killer.

The perfect use of color is also present in almost every movie you've ever watched, and if you ever awed by a film's cinematography and use of color, then you'll enjoy

Italian fashion photographer Gian Paolo Barbieri is inspired by cinematography, and uses light in striking ways.

The Best Cinematography blogs from thousands of top Cinematography blogs in our index using search and social metrics.