Sentences with phrase «used in video production»

The company says that these are perfect for use in video production work, while one of the provided sample images shows a 31 - inch panel being used to display an x-ray image.

Not exact matches

«How To» Video Aids HEPA Vac Users «In - House Production Provides Instructions to Remove Lead» County Executive Anthony Picente said Oneida County residents who get the free loan of a HEPA Vacuum through the Lead Primary Prevention program to remove lead dust from their homes now have a new aid to assist them in the proper set - up, use and cleaning of the fine particulate cleanerIn - House Production Provides Instructions to Remove Lead» County Executive Anthony Picente said Oneida County residents who get the free loan of a HEPA Vacuum through the Lead Primary Prevention program to remove lead dust from their homes now have a new aid to assist them in the proper set - up, use and cleaning of the fine particulate cleanerin the proper set - up, use and cleaning of the fine particulate cleaners.

Johnson said the idea is to train the students in film production that relies on computer technology to improve on current uses like motion - capture to create movies like «Avatar» and video games like «Tron.»

Zooplankton species population dynamics, trophic interactions, production rates, seasonal species succession, biological / physical interactions controlling species distributions, mathematical modeling, field sampling, in situ optical imaging and automated analysis of mesoplankton using video and holography.

There's also a 7 - minute featurette on the Theremin used in the score, an 8 - minute featurette about turning Martin Landau into Bela Lugosi, the 13 - minute Pie Plates Over Hollywood, about the film's production design, a sexy music video starring Burton's then - wife Lisa Marie (who plays Vampira), 8 minutes of great deleted scenes, and a theatrical trailer.

• Limited Edition collection of the complete Blood Bath • High Definition Blu - ray (1080p) presentation of four versions of the film: Operation Titian, Portrait in Terror, Blood Bath and Track of the Vampire • Brand new 2K restorations of Portrait in Terror, Blood Bath and Track of the Vampire from original film materials • Brand new reconstruction of Operation Titian using original film materials and standard definition inserts • Optional English subtitles for the deaf and hard of hearing on all four versions • The Trouble with Titian Revisited — a brand new visual essay in which Tim Lucas returns to (and updates) his three - part Video Watchdog feature to examine the convoluted production history of Blood Bath and its multiple versions • Bathing in Blood with Sid Haig — a new interview with the actor, recorded exclusively for this release • Archive interview with producer - director Jack Hill • Stills gallery • Double - sided fold - out poster featuring original and newly commissioned artworks • Reversible sleeve featuring original and newly commissioned artwork by Dan Mumford • Limited edition booklet containing new writing on the film and its cast by Anthony Nield, Vic Pratt, Cullen Gallagher and Peter Beckman

Special Features include: an «Entertainment Tonight» segment in which Paul McCartney tells a spectacularly shallow anecdote about his Oscar - nominated title song; the clip - laced video for «Afrika Shox» by Leftfield / Afrika Bambaataa; eight still galleries introduced by Vanilla Sky's on - set photographer Neal Preston, who used to accompany Crowe on his ROLLING STONE assignments; Vanilla Sky's (unreleased) teaser and theatrical trailers, in 5.1; and a long listing of the Paramount DVD's production credits.

Also includes five deleted scenes, the short featurettes «Making Bela» (with Landau and make - up artist Rick Baker), «Pie Plates Over Hollywood» (production designer Tom Duffield creates the world of «Ed Wood»), and «The Theremin» (on the unique electronic instrument used in the score) and a Tim Burton - directed music video.

Blogger Ron Peck shares ways to use Animoto and other video - production tools in the classroom.

I am using the «Basic video production rubric» as my template, although I am still in the process of modifying it for our needs.

Agencies and companies specializing in video production have sprouted up to guide organizations in the strategic use of videos as well.

In the second year of the program, the same group of girls tried their hand at video game production, blogging, and virtual reality, developing educational games for younger children around the world using Python, an object - oriented programming language.

Showing a digital media production in the classroom that uses voice, music, sounds, pictures, video, and narrative may initially capture students» attention and pique their interest, but incorporating authentic storytelling into the curriculum yields benefits beyond entertainment.

This study examined teacher - learners» use of video production in their K - 12 classrooms and connections between students» content learning and teacher - learners» practice.

Integrating video production facilitated connections to content, student motivation and engagement, the use of alternative assessment, and shifts in teacher identity.

Yet, as the reflections of the 17 teacher - learners examined in this study suggested, video production used as an instructional strategy and integrated in classrooms in robust and rigorous ways promotes content learning.

Using our in - house media experts and production capabilities, we can capture, narrate and produce a wide range of rich media - including videos, audio and photography - to enhance your blended learning programmes.

Many learning professionals have likely participated in the production of a training video and probably even been a part of the design and development of an eLearning course, however many may have not been a part of a solution using both video and eLearning that changes behavior leading to measurable results.

KidsVid Help teachers and students use video production in class support project - based learning.

Our video producers have especially taken to the Ridgeline, using the truck as a production vehicle thanks to its ability to securely hold all of our sensitive camera equipment in its cabin, bed and in - bed trunk.

Gamma specifies the steepness of the gray scale and the amount of Picture Contrast, which by industry standards should have values between 2.2 and 2.5, with the value 2.2 used in professional video production studios.

I'm going to be reading in a normal house or outside in the sunshine: a video using special studio production lights would be useless to show me how the device is going to perform for me under normal conditions of use.

If you want to use audio (music and / or narration), keep in mind these will add to the complexity of the video (and production time).

If you have an interest and skill in social media networking, graphic design, production, web or app development, copywriting, photography, videography, or online marketing, Young at Heart could use your talents for the creation of print / web marketing collateral (flyers, posters, ads, merchandise, web banners / mini-sites, dog profile descriptions, photos, videos), and social media networking (writing / posting to our Twitter, Facebook, blog).

Qualification requirements: People who passionate about video production of games Direction of video, people with experience of drawing storyboards Experience in using video editing tool Those familiar with the production of movies and animation

There has been talks about a video game tie in which seemingly is still on track as Barlog is involved in production of the movie and possibly in charge of managing the incorporation of the video game using the Mad Max license.

SideFX passed by our office to make two videos of how we use Houdini in our production process!

Here he used his passion for gaming and storytelling in productions ranging from a documentary, interactive live action video to full blown games.

EZTV was a pioneer in independent desktop video production, microcinema, self - distribution, artist - based curating, public practice, multimedia live performance and the use of video projection in exhibition settings.

His work explores the symbiotic relationship between humanity and technology using an arsenal of software - based tools traditionally used in the production of video games, special effects, and motion graphics.

Her work in video, drawing, and painting centers on themes of embodiment and desire as they operate in a social context, using the body as material as well as vessel for the production of artwork.

Themes will examine artists using video as a personal / political tool, the cinematic in video production, the sculptural, language, narrative and non-narrative.

Continuing to build fantastical worlds in his adult work, Hartung combines stop - motion animation and self - produced videos with found footage and cheap consumer technologies; all of his production sets are built in his studio using found objects.

Puppets used in the 2010 production of «Or You Could Kiss Me» by the Handspring Puppet Company, with a video excerpt of the performance screening in the background.

In her peculiar, dreamlike video works they use their bodies as means of production creating what the artist calls «a spiritual kind of Marxism.»

The Digital Media Studio Practicum offers practical experience in the areas of video production and post-production, audio, animation, interactive media, computational media, and digital fabrication for use in artistic practice.

Using a «poor» do - it - yourself laptop technique and HD video, and experimenting with cutting - edge digital production and editing practices, Atkins» works salvage the anxiety and autism of the present, recreating a dimension caught in the folds of reality between corporality and absence.

In 1974, he began working with video, using it as an integral component of his performances, as well as for the documentation of his works and in the production of conceptual TV «commercials.&raquIn 1974, he began working with video, using it as an integral component of his performances, as well as for the documentation of his works and in the production of conceptual TV «commercials.&raquin the production of conceptual TV «commercials.»

Working primarily in video since 2000, the artist remained deeply engaged with the politics of image production and reception, using stock footage from Hollywood films, television, and advertising to point to the exhaustion built into much of postwar cultural production.

The artists featured in the exhibition use non-traditional visual media such as video, performance, and photo - installation to push the limits of art production at a time when the concept of a singular culture was under scrutiny.

The artist uses a variety of media in her production including installations, video, drawing, text, public interventions and photography.

Critical to his practice is a collection process in which he gathers materials and experiences to use in production of his video, installation, performance and photography.

His works are presented at Art Basel in Miami, are used in VH1 and HBO productions and appear in the music videos of Busta Rhymes and RZA.

Throughout her career, Carolee Schneemann has produced moving images on film and video intended as cinema, installation, and used as elements in her Kinetic Theater productions.

Some of his previous roles include: Partnership Director at Plugged In, an organization working in East Palo Alto, California that connects individuals and cultivates minds by creating the opportunity to produce, express, and contribute using technology; International Production Coordinator at Steven Spielberg's Shoah Foundation, which created the largest video archive in the world, containing more than 52,000 interviews conducted in 56 countries around the world; Youth Manager at the Volunteer Center of Sonoma County, which engaged more than 800 teens a year in community service and education about social and environmental issues; and Ghostwriter of the autobiography of a Polish Holocaust survivor who fought as a partisan in the forests of BelaruIn, an organization working in East Palo Alto, California that connects individuals and cultivates minds by creating the opportunity to produce, express, and contribute using technology; International Production Coordinator at Steven Spielberg's Shoah Foundation, which created the largest video archive in the world, containing more than 52,000 interviews conducted in 56 countries around the world; Youth Manager at the Volunteer Center of Sonoma County, which engaged more than 800 teens a year in community service and education about social and environmental issues; and Ghostwriter of the autobiography of a Polish Holocaust survivor who fought as a partisan in the forests of Belaruin East Palo Alto, California that connects individuals and cultivates minds by creating the opportunity to produce, express, and contribute using technology; International Production Coordinator at Steven Spielberg's Shoah Foundation, which created the largest video archive in the world, containing more than 52,000 interviews conducted in 56 countries around the world; Youth Manager at the Volunteer Center of Sonoma County, which engaged more than 800 teens a year in community service and education about social and environmental issues; and Ghostwriter of the autobiography of a Polish Holocaust survivor who fought as a partisan in the forests of Belaruin the world, containing more than 52,000 interviews conducted in 56 countries around the world; Youth Manager at the Volunteer Center of Sonoma County, which engaged more than 800 teens a year in community service and education about social and environmental issues; and Ghostwriter of the autobiography of a Polish Holocaust survivor who fought as a partisan in the forests of Belaruin 56 countries around the world; Youth Manager at the Volunteer Center of Sonoma County, which engaged more than 800 teens a year in community service and education about social and environmental issues; and Ghostwriter of the autobiography of a Polish Holocaust survivor who fought as a partisan in the forests of Belaruin community service and education about social and environmental issues; and Ghostwriter of the autobiography of a Polish Holocaust survivor who fought as a partisan in the forests of Belaruin the forests of Belarus.

When putting together a website, movie, or other publication, create a Video Release to get written permission to use video and audio clips of the people featured in your producVideo Release to get written permission to use video and audio clips of the people featured in your producvideo and audio clips of the people featured in your production.

I mean, professional, sure, I even tend to think a good production quality of the photos, absolutely, good lighting, sure but I think some of the candid photos, some of just the around the office photos, some of the more effective ones, if you got clients who are willing to do it that show you interacting with clients, showing some emotion even because clients are dealing with some really emotional life issues when dealing with a lawyer and so letting some of that show through in the imagery and the pictures and the videos that you use is extremely powerful and Google My Business is definitely a place to be doing that.

If your legal website could use a marketing overhaul or you are interested in our video production services, contact our expert team at [phone], or learn more about our marketing services on our website.

It is tricky because so few law firms have the technical knowledge to produce the videos in - house and using a production company can be pretty spendy.

On the other hand, PDF style guides aren't as useful in a Web and mobile context — you usually see them used for projects like magazines, advertising, video production and / or animation studios.