Do
you use location shots or found images?
Not exact matches
from where i'm sitting, conor's strengths: - long and athletic - great power in his hands and feet - throws with speed & accuracy -
uses all 8 points of contact (and
uses them all in multiple ways)-
uses good footwork to circle away from power
shots and to control pace /
location of fight - has shown good to great TD defense (until tired)- has good chin (tested several times and the proof appears to be in the pudding, as they say)- displays good head movement which allows him to absorb fewer strikes while within range - excellent counter puncher (able to get in and out fast
using his karate style stance)- has shown better conditioning at lw than fw or ww - has incredible fight iq (lone exception in the ufc was against nate in first fight when he was clearly fatigued)
There are so many landscape areas that allows for you figure out the best
locations to
shoot for an iconic
shot and what settings you should
use when you get to that
location.
Knowledge of the
shooting angle could also be
used to pinpoint a sniper's
location, and to determine the identity of the shooter in military investigations involving «friendly fire» incidents, when video footage or eyewitnesses are unavailable.
I can't wait to continue with taking tons of photos in LA, I'm sure that it will be so inspiring to create photo
shoots in a completely different
location and climate than what I'm
used to.
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Being a photographer I'm always on a look out for great
locations, backgrounds that I can
use for my
shoot.
A step above most blogs, for sure... love the
use of ambient lighting, and your
locations are nice too, not sure who
shoots for you but they're doing a great job:) I love your style too, minimal yet standout.
We
shoot so much in Miami that sometimes we feel like we are on a merry go round and are constantly
using the same
locations.
After much debating and
using whatever leverage I had, I somehow got Andrew to appear at the our
shooting location, which was about an hour and thirty minutes away from where we live.
The one time I tried to
use the DSLR in New Orleans, I found the perfect
location and the perfect lighting and there was a crowd of about 100 junior high kids that came down the street as soon as we started
shooting.
So we could
use the cute old town hall of my hometown as
location for an outfit
shooting.
Commentary 3 — The Picture - Director of Photography Darius Khondji, Prodcution Designer Arthur Max, Editor Richard Francis - Bruce, Richard Dyer and David Fincher talk about the look of the film itself, the color processes
used on the print, the
locations scouted for the various
shots, the detail
used in the studio backlot constructions, the style David wanted to achieve and succeeded in doing, the clothing, the grittiness, the absolute black Fincher always wanted in Alien 3 but could achieve until now and more.
Shot on
location with handheld cameras, La Promesse
used a stripped - down, realistic visual style to illuminate the harsh conditions of immigrants forced to work illegally, within an intensely personal story of a teenager who is forced to choose between morality and family ties when one of his father's exploited immigrant employees dies.
The film was
shot on
location, at the prison of the same name,
using the prisoners as extras, and they speak their own argot, probably making subtitles necessary even for Spanish speakers.
While it would be easy to
shoot an entire film like this on a sound stage and
use visual effects to complete the scenery, director Baltasar Kormakur (2 Guns, Contraband) wanted the cast to experience the elements firsthand by
shooting on
location in Nepal on the foothills of Everest, as well as the Italian Alps.
One
location during the
shoot offered a slithering surprise, especially for the Germans who were not
used to seeing what desert environs have to offer.
But the truth is that the film is beautifully
shot, making good
use of
location shooting in Houston and capturing Winona Ryder's Gen - X goddess status better than any film ever would.
Returned to her hometown in Maine to
shoot Like the Water, which she co-wrote, in 2011;
used her father's house and camp as
shooting locations.
Shot on
location in Greece, I give first time director Phyllida Lloyd credit for making
use of the gorgeous locale.
The film is
shot in Eastwood's normal economical fashion, making fine
use of its three different
locations and real recent events.
The soundtrack preserves the careful mixing of diegetic and non-diegetic effects, most notably in how urban street sounds, particularly of traffic, are
used to bridge studio -
shot footage with
location shooting.
(Liman and cinematographer Roman Vasyanov,
shooting on Super 16 mm film, took care of principal photography in 14 days,
using the western edge of California's Mojave Desert as a stand - in
location.)
It's a beautiful
location that is
used nicely, and the video shows how they worked to get the
shots they needed without causing any harm to the environment.
But, coming from Boorman, it is gorgeous and strange,
shot on the lush hills of Ireland (some of the same
locations were
used in Excalibur).
The film was
shot entirely on
location using non-actors, with many of them playing parts similar to who they were in real life.
Rosi
uses the same montage style from the «baptism murder» sequence in Coppola's film, cutting from a lavish dinner held in Luciano's honour to scenes of bosses being
shot to death in various
locations, mostly in Peckinpah-esque slow - motion.
Plus, he discusses the approach to
shooting India and Melbourne and the decision to give them a cohesive look,
using the Alexa 65, filming in the real - life
locations from the true story, and so much more.
He never rehearsed a
shot with his cinematographer, and he often
used «stolen» footage of people on the street and
locations.
The vérité style —
using seat of the pants
location shooting, non-actors in the supporting roles — is cleverly subverted to full blown fantasy.
While the practical
locations (largely
shot in the area of Jodhpur in Rajasthan) are stunning, and the
use of extras over computer - generated enhancements welcomed, the film is slightly let down by scenes where its actors are imposed into old Movietone reels, which you can't help but feel were best left out altogether.
The directors also cover their
use of settings, one of them saying of a shopping mall, «We had this
location, and we
shot it as if we stole it,» which says quite a bit about the film's run - and - gun tempo.
Civil War was also partly filmed with IMAX cameras and the movie in general tends to feel big, visually - speaking, in - between its action sequences and many establishing
shots of
locations around the globe (as well as the massive title font that's
used to identify each individual change in
location)- making IMAX the preferable viewing format for Civil War.
There are obvious
shoots at
locations such as the Harris County Civil Court, as well as places
used for local color, drink and food institutions, such as Warren's Inn and Irma's.
He
shot Beasts of the Southern Wild on
location using mostly local actors, and created a poetic fairy tale most seasoned directors couldn't produce.
Watchers on the Wall reports that a large gathering of actors in Seville — near the
shooting location of the ruins of Itálica,
used for the Dragonpit in Thrones» seventh season — suggests another major gathering of characters in store for the final season.
An intimate, necessary story
shot on
location in 18 days, the movie was a reminder of what real Sundance movies
used to look like.
The Happening actually made more than its budget domestically (thank the producers for
using less - popular actors and more spartan
shooting locations, I guess).
Using a cast of largely non-actors and
shot almost entirely on
location, Zhao's film sighs with authenticity.
The hallmarks of his rough - edged,
location -
shot style (gritty textures, slurred motion, blown - out source lights, and oversaturated colors) are analogous to the calculated
use of distortion and feedback in commercial music: the surface static keeps the dance beat and pop melodies from seeming saccharine.
Another regular collaborator of Maclean's, DoP Robbie Ryan (Fish Tank, Catch Me Daddy), makes full
use of the dramatic landscape at his disposal (Slow West was primarily
shot on
location in New Zealand), capturing the natural splendour of the rugged Colorado prairies without resorting to filling the screen with a slideshow of stock vistas.
Though Altman's films compare with Coppola's as chamber music does with grand opera, their work in the 1970s exemplifies what ultimately became the prevailing style of American film direction in that era: maverick resistance to studio - imposed time and budget constraints, insistence on directorial authorship, reliance on
location shooting,
use of improvisational acting, an emphasis on ensemble playing rather than star performances, Fordian gatherings — weddings, church services, parties, dinners — as exponents of group character (both Altman and Coppola had Catholic upbringings), and a revisionist approach to the mythic archetypes of the Hollywood genre film.
Director Henry King brought the Richard Rodgers - Oscar Hammerstein II musical «Carousel» to the screen with all of its heartbreak and whimsy, and
using a combination of fanciful studio sets and
location shots, managed to create a musical that is pure fantasy but has an edge of reality to it.
Shooting on
location in Ghana allows The Dead to remove its characters from the zombie genre's typical holed up
location and
uses the vast, gorgeous African landscape to its tremendous advantage.
That money would have been better spent on
location shoots, instead of letting painfully obvious matte paintings and stagey rear projection stand in for the highways of Southern California and skyline of New York City — which would have been fine, if they were
used for stylistic effect à la Pulp Fiction.
SHHS: On the Kickstarter page you mentioned that this film will be
shot in 33
locations and 68 different sets
using exteriors in Berkshire, UK and interiors built in Spain.
Essentially a jungle - peril drama about a couple on the run, that film
used its Central American
locations and its very modest budget to economical effect — and was astutely sparing with
shots of its titular creatures, eerie rather than frightening phenomena that resembled ethereal stilt - walking jellyfish.
Anderson and Yeoman
shot «Moonrise Kingdom» in various
locations around Narragansett Bay in Rhode Island
using Super 16 mm film, plus Aaton Xterà and A-Minima cameras.
He
shot the film with longtime DP Lee Daniel on
location in Austin, Texas and
used a 16 mm Arriflex camera.
Shot on
location and
using real prisoners as both leads and extras (Only God Forgives» Vithaya Pansringarm the only recognizable Thai professional present), French director Jean - Stéphane Sauvaire (Johnny Mad Dog) has constructed a work of hardcore exploitation in A Prayer Before Dawn.