Sentences with phrase «used oil on paper»

This piece of art was created in 2011 and the painter used oil on paper.

Not exact matches

I wrote a paper on healing over fifteen years ago, and in that paper I dealt with several of the passages that some Christians use today for the practice of using oil to anoint for healing.

- Add the vegetable or peanut oil to a large pot, and heat the oil to 325 degrees; once the oil is hot, begin frying the hushpuppies by dropping scant tablespoonfuls carefully into the hot oil, about 4 hushpuppies per batch; use a slotted spoon (or wire spider) to continually move the hushpuppies around in the hot oil to prevent them from getting too dark on one side, and fry for roughly 2 minutes, or until golden - brown and cooked through in the center; remove the hushpuppies from the oil and place them onto a paper towel - lined baking sheet or bowl to drain; repeat the process until all hushpuppies are fried.

Baking the zucchini chips on lightly oiled parchment paper worked a lot better for me than using Silpat mats... they tended to stick to the Silpats for some reason.

Mine worked with these substitutions - of - necessity: 1 Baked in 5 ″ x 9 ″ glass loaf pan 2 Used parchment paper, not greased pan 3 ran out of coconut oil so it was 3/4 parts coconut oil, 1/4 olive oil 4 Once again, used Trader Joe's almond meal, didn't have blanched alm flour on hand today Yes, as you commented jgentry, it was the perfect blend of almond and coconut flours so as not to be almond flour dry or c - flour swUsed parchment paper, not greased pan 3 ran out of coconut oil so it was 3/4 parts coconut oil, 1/4 olive oil 4 Once again, used Trader Joe's almond meal, didn't have blanched alm flour on hand today Yes, as you commented jgentry, it was the perfect blend of almond and coconut flours so as not to be almond flour dry or c - flour swused Trader Joe's almond meal, didn't have blanched alm flour on hand today Yes, as you commented jgentry, it was the perfect blend of almond and coconut flours so as not to be almond flour dry or c - flour sweet.

Lightly oil a 9x5 - inch loaf pan with coconut oil and line with parchment paper so that it overhangs on the shorter ends (you'll use this to help lift it out of the pan later).

I used to grease my pan by adding a little oil, and then take a paper towel and wipe up all the excess, leaving just thin film on the pan.

When oil is sizzling hot, place all shallots in the pan, separate gently, stirring with a slotted spoon or a skimmer / Keep stirring gently until shallots become golden brown — a couple of minutes at most / Remove immediately, place on paper towels, spread and sprinkle with a little salt / Allow to cool / They will be crispy and ready to eat immediately, or store in an airtight container for several hours and use later in the day.

Using a skimmer or slotted spoon, carefully remove the French fries from the oil and set aside to drain on a dish towel or a brown paper bag.

Once cooked, use a slotted spoon to remove the doughnuts from the oil, placing them first on a paper towel lined plate, then rolling them each in the maple sugar.

Using a slotted spatula carefully remove cakes from oil and place on a paper towel lined plate to absorb excess oil.

1) In a medium - sized bowl, mix almond meal, tapioca flour and coconut flour together 2) Add coconut oil, milk, egg to the dry ingredients and mix until well - combined, then use your tapioca - floured hands to shape the dough into a ball 3) Pre-heat oven to 400 deg Fahrenheit (200 deg Cel) 4) Mix the fresh sliced strawberries with the sugar, and let them sit for 10 — 15 minutes 5) Place the ball of dough on a piece of tapioca - floured parchment paper, and flatten it into a circle by using a tapioca - floured rolling pin until dough is about 1/4 inch thick.

Using hands oiled with olive oil, knead the dough together into a ball and press out into a round on the parchment paper.

Sha: I just made these - followed the recipe almost exactly - I just used olive oil instead of veg and oiled my bowl instead of buttering it and I baked on parchment paper.

Preheat the oven to 350degrees F. Using flavorless oil (or baking spray) grease your bundt pan and leave upside down on paper towel for the excess to drain out.

Place the sliced or chopped squash on the parchment paper lined baking sheet, drizzle with olive oil and season as desired (I just used a little salt)

Next time I may try a bit of coconut oil brushed on the paper (I did use coconut flour to dust it).

Using a baking brush or paper towel, spread 1 tablespoon oil on foil.

Prepare your gas or charcoal grill, making sure to oil the grates, using vegetable oil on a paper towel, held in a pair of long tongs.

When done, wipe away the oil on the baby's palms and fingers using a tissue paper.

Tried them last night, and despite using copious amount of coconut oil cooking spray on the wax, I couldn't separate the plantillas from the wax paper.

From her review, Maguire concludes «the AHA statement that coconut oil is worse for you than butter or beef is not actually what the evidence had stated based on the paper they used.

I doubled the recipe oiled my parchment paper well and used the bottom piece to my broiler pan that I cook bacon on.

I love K&N filters and use them on all my family's cars but... keep your old one around and after a cleaning and oiling I let sit for a few days on filter paper (paper towels would prolly work fine too) and them wick up any excess oil.

In the early»80s, [Anselm Kiefer] began to move away from the more specific references to Germany's troubled history and he began to use other materials — sand, metal, paper, and found objects — on top of his oil paintings.

As far as I can tell he and Johns were the only ones who have done this particular method, where you douse yourself in edible oil — Hammons used butter and cooking oil, I use vegetable oil — and you put yourself on paper, and the paper absorbs the oil.

During the second half of the eighteenth century, the practice of using oil paint on paper while working outdoors became popular among landscape artists.

The first step is painting on a large piece of Mylar, the scale of this piece of paper and he would use an oil stick or a paintbrush to paint an image on the Mylar.

While the content is filled with personal memory, it is also fueled with humor, reverie, whimsy, and the colorful use of oil paint on canvas mixed with paper and meticulous embroidery work.

Abstract - expressionist James Brooks did not make drawings in preparation for paintings but used them as another arena for experimentation, seen here in an untitled oil and gouache on paper.

The following is a gathering of all of the Degas works in the Museum's collection, divided into three categories: paintings, which consist of works on canvas or paper using oil, pastel, essence (dilute oil paint) and gouache; prints and drawings, which consist of charcoal, chalk, etchings, lithographs and monotypes on paper; and sculpture, defined as any work made in three dimensions

These artists created works on paper with the use of many different mediums to achieve their unique creative goal including, graphite drawing, etching, oil paint, collage, crayon, lithography, and watercolor.

Hovering in space, Shiraga swirled oil paint on a sheet of paper that was laid out on the floor and created marks using his feet.

We first made water - based paint and painted with it on large sheets of brown paper, then egg tempera, and finally we ground and used oil paint.

In this exhibition of new works on paper and panel, the artist uses a combination of hand dyed paper, oil, ink and watercolor to create abstract landscapes.

A very much similar technique is used for his works on paper, where he applies oil paint through the tulle.

In addition to painting, he draws using oil stick in the same vigorously gestural language, and several of the works on paper, as fresh and intimate as diary entries, will be available at the Quogue Gallery.

Using oil on linen, the artist faithfully reproduces declassified but heavily redacted US state and military papers, including FBI documents on terrorist threats, cyber counterintelligence and CIA instructional courses on data collection and reports.

multiple made using felt stamps to hand apply oil paints on a silk screen ground, 33-3/4 x 27-1/2» (85.7 x 69.9 cm), paper.

She offers this information as a kind of afterthought, along with a dry, technical description of her awesome, stomach - turning output («This is a show of works on paper and on linen, drawn and collaged using ink, blade, glue, and oil stick») in the concluding paragraph of her accompanying statement.

In Pace Hong Kong's inaugural exhibition, the artist used the formality of oil painting on paper, integrating the Western notion of Surrealism with the Eastern conception of classical art.

Taking a step away from his initial paintings that used only the finest materials, oil and Belgian linen, this show is painted entirely on repurposed brown paper bags.

In conjunction with these paintings, the artist has created a body of watercolor and graphite drawings on vellum tracing paper, realized on process drawings that the artist's studio uses to transfer government documents to linen for the oil paintings.

Part texture (collage, oil on canvas, pastel on paper) and part flat surface, her use of line with geometric shapes in the horizontally moving base juxtaposed against the lines evaporating upwards makes for an effective image, although again subtle.

Using traditional oil paints, epoxy resins, house paints and other mixed media, his abstract variations range from small explorations on paper to large - scale paintings.

With this body of work, she explored using gouache on paper (as opposed to predominately oil on canvas paintings in previous exhibitions) and depicted urban landscapes in both daylight and moonlight.

Both Rockburne and Dunham explore wood in different forms: the former used nails, crude oil, chipboard, and paper, while the latter employed gouache, charcoal, and pencil on veneer.

This effect is achieved by using multiple mediums such as watercolor, colored pencil, acrylic, water - soluble wax pastel and water - soluble oil on paper.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

Fieroza Doorsen uses a wide range of materials: charcoal, ink, pastel, oil, acrylic, gouache, collage to name a few, producing works on paper, oil on canvases and wall based sculptures.