Sentences with phrase «used orchestral»

I had only played Dragon Quest VIII before which, despite not managing to please me in the gameplay department, had an enjoyable soundtrack which would eventually turn into a great orchestral album (note: the Japanese edition of the game was completely midi, whereas the US localization used the orchestral version).

A landmark work technologically and musically, it featured well - developed and atmospheric themes that convincingly used orchestral instruments; it provided a captivating accompaniment to a game representing futuristic urban warfare while adding maturity and originality to a key Square series.

and, like most Kirby games, a beautiful musical score that will, sadly, probably become underappreciated (the game playfully uses orchestral pieces for most stages, whether original or remixed tunes, while the aforementioned secret stages pull a classic track right out of Kirby's past).

Not exact matches

Both recordings make only limited use of the new technique, but next year EMI will releases nine orchestral works in full - blown binaural.

Opera singers traditionally use much more vibrato — a slow, cyclic variation or «wobble» in pitch — compared to orchestral musicians.

Add in an epic, bombastic orchestral score by Kevin Riepl (he also worked on Gears of War) and a surprisingly robust and easy - to - use level creation tool and you have one of the better games to be released so far in 2011.

Their use of orchestral instruments in most of their songs is amazing and leaves you wanting more.

The sound here is breathtaking; using electronics sparsely and more relying on melody, subtlety in song writing and a magnificent orchestral

Once the film finds its footing, the mystery unfolds with a palpable disquiet and doom courtesy of Ennio Morricone's menacing orchestral score (coupled with anachronistic tracks) and Robert Richardson's cinematography that uses the expanded frame even when so much of the film takes place inside.

A unique film with no orchestral score, American Sniper uses intense surround sound to build tension and evoke...

«We started by going back to the original sheet music used for the recording sessions, tracked the edits made to these cues as heard in their final state in the film, and then re - edited / re-orchestrated the sheet music to reflect the changes and account for the live orchestral forces.

The film is bolstered by Max Richter's orchestral score, often soaring, and photographer Rob Hardy's use of outdoor scenes, where the movie was filmed in London, Oxford and Yorkshire.

Working with lyricists Benj Pasek and Justin Paul, Hurwitz comes up with a truly wondrous tune in «City of Stars,» using it to form a beautifully thematic basis for the surprising amount of underscore here, his excellent, spot - on retro arrangements going from the simplest guitar and piano to swooning, planetarium - elevated orchestral melody.

Having helped create an all - singing serial killer tuner for «London Road,» Adam Cork uses his instrumental voice to capture the despair and ebullience of North Carolina author Thomas Wolfe for «Genius,» (Milan Records) his Americana - accented score capturing the unique, orchestral spark of literary inspiration along with the jazz bounce of a copious writer's enthusiasm on the loose in The Big City.

This proves to be a somewhat temporary measure, since the electronics - dominated, unsettling music returns for the next two (long) cues, but then «Mike's Fugue» provides something of a happy medium between the two, with Yared using more orchestral methods to generate the terror - methods which are rather more satisfying to this album listener, and would be for the majority, I guess.

For Revenge, which is very music driven, iZLER uses a live orchestra that he conducts for each episode, whilst most of the non orchestral instruments heard on the show are played by iZLER himself.

In his approach to scoring the film, Cacavas uses modern jazz / pop sensibilities to score the villains of the piece, saving the traditional orchestral writing for Van Helsing and his associates.

It's possible though that the word «orchestral» was deliberately used instead of «orchestrated» making the same distinction as you did, and in that case then it certainly gets the point across.

The aural quality and presence of Killzone 2 is evidently heard in every action you perform, be it reloading your weapon, firing said weapon, slashing your trusty knife, the crunch of the soil underfoot or the tapping of your boots on cold and hard pavement, the distinct sound of a rusty old Helghast assault rifle being reloaded from behind cover 10 yards away... regardless whether it's voice, sound effect, music (an orchestral style which hearkens back to Michael Giacchino's Medal of Honor days), or environmental audio, all of it was created and put to use in such a top - notch way that there is no ignoring the fact that you surely are jacks - of - all - trades, Guerrilla Games.

If I had to choose it would be «Hero of Time», the orchestral Ocarina of Time album; I loved the Joe Hisaishi callbacks used throughout.

Unusually for ears used to modern orchestral soundtracks, it shouldn't get on your nerves too much — at worst you'll forget it's there and at best you'll be nodding your head as you drop into a spike pit for the millionth time.

I am Blake Robinson and this is my Synthetic Orchestra, a collection of orchestral music, covers, remixes and doodles created using synthetic or sampled instruments.

Whilst there are no overtly bombastic orchestral scores permeating your every beat, Hellblade's astonishing use of binaural audio puts it in front of most other games on our shortlist.

We have mixed our last 3 albums (both funded on Kickstarter) at the incredible Skywalker Ranch in Marin County, CA and we've used the BEST orchestral mastering engineer in Hollywood (Patricia Sullivan) who works with John Williams, Danny Elfman, U2 & Hans Zimmer to name a few.

If the whole thing was redone in an orchestral style using decent instruments.

Nathan — I used two Roland JV1080 synthesizers, both enhanced with the Orchestral 1 & 2 expansion sound boards.

The game used a brand - new engine featuring fully rendered 3D characters and a much more action oriented style of combat, coupled with full voice acting and a complete digital orchestral score.

He depicted a grim world victim to an organization's heartless manipulation with dark orchestral soundscaping and compelling percussion use.

First invented during the Joseon Dynasty (1392 until 1910), Jeongganbo is a method used to notate the pitch and length of time of notes within traditional orchestral music.