Sentences with phrase «used paint tubes»

Past work has used paint tubes and shadows to conjure up model cities and foil - wrapped furniture to bring the discomforts of an arid landscape indoors, but here things stay plainer.

Not exact matches

Today, all of the company's store rooftops are painted white and use solar tubes that allow natural light to shine into the store and reduce electrical expenses.

I used a piece of the scrap plastic to put my paint on as well as the tube while it dried.

Using recycled cardboard tubes, let your child paint a silly, scary or goofy monster.

We also love that the suction tube is adjustable so that you can use either 1 or 5 - gallon buckets of paint.

This was my first time doing this, and I realized pretty quickly that it would be easier to use metallic paint that comes in tubs that you can pour, rather than tubes like I used here.

Today's we're making another wreath using deco mesh, ribbon, tubing and the star of the show is the gingham plaid bunny we painted recently.

To make any color you want, make your mix using the white contractor paint, then add any color acrylic tube paint (s) to get your color.

Leigh depicts the procedures in exacting detail, but also with great discretion, as though Chardin had painted the implements Vera uses - a syringe, rubber tubing, a grater, a bar of soap, and a basin of water - arranged on a bed, in a still life.

Duaív is a colorful man with hair that matches the full spectrum of art that he creates using cans of paint rather than tubes.

The half - used - up paint tubes scattered at her feet are a reference to Freud's habitual method.

Using light as a conceptual manifestation of the physicality of paint itself, works such as Three Fluorescent Tubes (fluorescent lights, 1963) and Alternate Diagonals of March 2, 1964 (for Don Judd)(daylight fluorescent lights, 1964) are particularly important for their connection to Russian Constructivism, a movement that influenced the Minimalists by its favoring of integrated production and industrial materials over the conventional approaches of traditional sculptural impulses.

Stella uses cones, tubes, even something which looks like a Soviet sickle to make a sculpture, no longer a painting.

As Thierry de Duve has shown, much of Duchamp's work — including his abandonment of painting — followed from the recognition that the can or tube of paint had long been a readymade, industrially produced commodity like any other.10 As Duchamp remarked in 1961, specifically addressing Rauschenberg among others: «Since the tubes of paint used by the artist are manufactured and readymade products, we must conclude that all the paintings in the world are «Readymades aided» — and also works of assemblage.»

In the 1990s he created a number of series based on a configuration of circles, using oil paint squeezed directly from the tube.

Using minimal means — paint straight from the tube, applied meticulously with a palette knife — and a focused selection of colors, Josef Albers's sustained, serial investigation into rhythm, mood, and spatial movement is explored in this lavishly produced catalogue that looks solely at his respective grey and yellow paintings, exploring two distinct color palettes pervasive to his oeuvre.

Just like we are able to peel away the many surfaces that make up great artwork and reveal the base colour used by the artist, the Making Colour exhibition journeys below the surface of modern tube - paint, with the purpose of finding its origin.

He painted mostly on Masonite, using a palette knife to prime the surface with layers of white gesso, then applying each color minimally for maximum effect — one coat of pure color, straight from a tube.

Dan Flavin used neon tubes, Donald Judd made metal boxes, Robert Ryman painted all - white canvases, Ad Reinhardt took to black.

Conaty, who worked at the Whitney at the time of the Biennial and has therefore been familiar with the modular works for some time, found these motivations revelatory, and they serve as the basis for her catalogue essay, which examines his palette and use of readymade color — vinyls or unmixed tube paints — as a through line for works made using vastly different techniques.

The title of the piece refers to a metal table in the kitchen of Freilicher's East Village apartment that she used as a palette (the taches of paint are in the central foreground) with jars and coffee cans holding about nine brushes and tubes of paint in some disorder.

Albers never used masking tape as an aid for painting his edges, and he applied only one layer of paint to his works, from tube to panel, without modification or amendment.

He has been quoted as saying that he used such diluted paint in the airbrush that all eight of the paintings were made with a single tube of Mars Black acrylic.

He uses a unique technique which comprises of squeezing the paint straight from the tube and then spreading it thickly using a palette knife.

Chris Caccamise makes painted - cardboard models of used consumer products (a squeezed tube of toothpaste is one) as well as happy rainbows, clouds, and other items more usually associated with nursery decor.

He sometimes applied paint directly from the tube, and at times also used aluminum paint to achieve a glittery effect.

Isa Genzken's «Elefant» makes use of vertical blinds, artificial flowers, plastic tubing and toy figures in a contemporary art show that avoids popular formats like painting, installation works, big - screen videos and Dolby - sound films.

Entitled Forgive me Father for I have Painted, a set of over 30 methacrylate resin blocks have been imbedded with Montoya's own paint brushes and used tubes of acrylic paints.

Examples include harsh brush strokes, use of a palette knife, or to smear paint from a tube directly onto a painting.

In the mid-1960s he used tubes of paint, dripping color directly onto the canvas, and his earlier «Cachets,» or rubber stamp prints, suggest a mechanical version of all - over paintings.

Among these will be «The Floor I (Studio - floor from Mosfellsbaer, Iceland)» from 1973 to 1992; a series of wall - mounted works form the 1980s comprised of such at - hand materials as toys, sweets, tools, refuse, and dead insects in plastic tubes; and key works from the «Tischtücher» series of paintings made in the late 1980s and early 1990s from used tablecloths.

Using minimal means — paint straight from the tube, applied meticulously with a palette knife — and a focused selection of colors, Josef Albers» sustained, serial investigation into rhythm, mood and spatial movement is explored in this lavishly produced volume that looks solely at his respective grey and yellow paintings, exploring two distinct color palettes pervasive to his oeuvre.

Her use of color in her paintings — often applying paint directly from the tube — make her work highly distinctive.

Mr. Flavin arrived at the idea of using fluorescent tubes after several years of painting and drawing Abstract Expressionistic works to which he sometimes added scribbled texts from the Bible or James Joyce.

He applied each layer of paint directly and with increasing vigour, using not only brush, but palette knife and paint squeezed straight from the tube, to animate and extend the power of his drama.

Tachisme also rejected Cubism and was characterised by paint used straight from the tube, dripped and blobbed.

Apart from geometrical paintings, the exhibition will also fea - ture works with lattices and adhesive tape, as well as light installations using coloured neon tubes.

An addition to that statement is the very method Ivan Alifan uses in order to apply the paint; he is squeezing the paint out of the tube as if adding the topping onto the cake.

From 1972 onwards Bulky constructions followed and paintings using components of tent manufacture (aluminium tubes, canvas and string), their structures often resembling kites.

In particular, his landscapes are done is furious brushstrokes, using paint straight out of the tube.

I use oil paint pretty much straight out of the tube.

Hernández works methodically, using brushes or applying paint directly from the tube, rendering animated lines and marks before washing and scraping the surfaces of his works — in effect creating compositions that appear at once ordered and explosive.

From your recycling bin: • two 2L pop bottles (I used Coke Zero) • mouth was bottle • two shampoo or conditioner bottles (plastic deodorant containers may work too) • round plastic dip or spread container • thin cardboard from cereal boxes or something similar • paper towel tube From the thrift store or the back of your closet: • old purse with brown faux - leather straps From the craft store, hardware store or your supply cabinet: • scissors and x-acto knife • glue gun and glue sticks • white glue • masking tape • wire • spray primer • spackling paste • silver spray paint • craft paint in bronze, pewter and black • paint brushes

I then used these small tubes of acrylic paint that you can get at any craft store for super cheap to paint the rest of the painting technique on each pumpkin.