Sentences with phrase «useful arts by»

Not exact matches

Brooks wants us to think that Where The Wild Things Are is good democratic art because it shows that the best way to save democratic life is by defining health around the useful, prosocial activities we engage in to distract us from the riot of uncontrollable novelties that is our smithereens of non-individual selflets.
To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;
Women's Pleasure or How to have an Orgasm as often as you want, by Rachel Swift, includes a chapter on the art, presumably in case all the other useful tips in the book fail.
Creating the Martial Arts Film and the Hong Kong Cinema Style — an article by Chang Cheh A useful and interesting article by Chang Cheh himself.
Don't feel bad issuing this as art homework, the students will enjoy this variety of eyes to draw by use the ever useful grid measuring technique.
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The criteria used by Wixson and Dutro for this analysis should be useful to districts in evaluating their states» standards for early reading / language arts.
Two days after the release by Electronic Arts DICE of the «Star Wars: Battlefront Rogue One» Scarif patch, complaints are coming out, although those who have downloaded the DLC also report it has a lot of useful fixes and tweaks.
We are also available to answer reference questions, direct individuals to works by Mitchell in museum collections, and provide useful materials for art educators.
Comparisons with the Medici fall short, but Louis Vuitton delivered in its new Design District store with Objets Nomades, an engaging exhibit of 10 designers» travel - driven accessories — the standout, a fold - up turquoise leather Knotted Chair by Dutch designer Marcel Wanders, known to Miami for his redo of the Mondrian South Beach hotel; Audemars Piguet partnered with the Peabody Essex Museum to animate the waterfront with Theo Jansen's magical moving Strandbeest creations and, speaking to the increasingly seamless liaison between commerce and art, any who had the patience to line up at Apple's nearby Lincoln Road venue could install the Apple / Google Play Store's useful new free Art Finder aart, any who had the patience to line up at Apple's nearby Lincoln Road venue could install the Apple / Google Play Store's useful new free Art Finder aArt Finder app.
As a useful product of this ignorance, I've never approached the art world with any sense of hierarchy often that the crude and obvious signals conveyed by prices.
For decades this useful bit of art - world indicator has been an indispensable constant creatively deployed by artists, avidly cherished by the ephemera - obsessed and devotedly archived by museums.
The «useful museum» is a civic institution that promotes art as a tool for social change and is created by the sum of the actions of its users.
In the early 1980s, Jeff Koons consciously updated Marcel Duchamp's proposition that an artist is a «chooser» who gives once - useful objects new meanings (and later, a new commodity status) by placing them in a fine art context.
Dematerialization proved to be a useful myth: useful in that the term was convenient shorthand for the decline of the conventional art object (a painting or sculpture handmade by the artist - author); a myth in that so much advanced work of the period yielded a decidedly material proliferation of paperwork — handwritten or typed texts, contracts of ownership and certificates of authenticity, photographic documentation, inventories, and working drawings.
Hoffmann is positioning himself to be a major player in this emerging field of the exhibition - as - exhibition - history: his most recent book Show Time: The 50 Most Influential Exhibitions of Contemporary Art, published by D.A.P., is a useful compendium of the most important museum exhibitions, biennials, and experimental exhibition projects from the late 1980s through today, offering a thorough look at art exhibitions from the past 30 years that have dramatically altered the way artists, curators, and art patrons experience the contemporary exhibitiArt, published by D.A.P., is a useful compendium of the most important museum exhibitions, biennials, and experimental exhibition projects from the late 1980s through today, offering a thorough look at art exhibitions from the past 30 years that have dramatically altered the way artists, curators, and art patrons experience the contemporary exhibitiart exhibitions from the past 30 years that have dramatically altered the way artists, curators, and art patrons experience the contemporary exhibitiart patrons experience the contemporary exhibition.
She was «given the keys to the museum» by director Charles Esche to produce a space that exhibited and enacted the idea of «useful art
Exposure to these works — with which many Chinese artists might be familiar only in reproduction or online — is seen by Tinari as a means of fostering creative dialogue between the two artistic traditions and diminishing the «time - lag» that hindered domestic art for so long after the Reform and Opening Up period that followed Mao's death in 1976, traditionally taken as the «starting point» of contemporary Chinese art (Tinari concedes that this is a useful marker, but suggests that a new generation of art historians should «complicate» such simplified narratives).
Also useful is the New York Museum of Modern Art publication Jackson Pollock by Sam Hunter (1956).
The charter of the Cooper Union was finally adopted in its present form by the legislature of the State of New York, April 13, 1859; and the deed of trust, executed in compliance therewith, on the 29th day of the same month, by Peter Cooper and his wife, Sarah, conveyed to the board of trustees the title to «all that piece and parcel of land bounded on the west by Fourth Avenue, on the north by Astor Place, on the east by Third Avenue, and on the south by Seventh Street,... to be forever devoted to the advancement of science and art, in their application to the varied and useful purposes of life.»
As another aspect of this complex, thorough exhibition, Bruguera activated Escuela de Art Útil (School of Useful Art, 2017 - ongoing) by inviting local art students to participate in special coursewoArt Útil (School of Useful Art, 2017 - ongoing) by inviting local art students to participate in special coursewoArt, 2017 - ongoing) by inviting local art students to participate in special coursewoart students to participate in special coursework.
Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of developmarts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of developmArts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.
Dematerialization proved to be a useful myth: useful in that the term was convenient shorthand for the decline of the conventional art object (a painting or sculpture handmade by the artist - author); a myth in that so much advanced work of the period yielded a decidedly material proliferation of paperwork — handwritten or typed texts, contracts of ownership and certificates of authenticity, photographic
Today, when works of art are frequently asked to justify themselves by addressing political and social issues, Grosz's still relevant commentary on his own troubled era offers a useful lesson in how such content can be approached.
Art Prizes can be useful for artists to get a non bias feedback by professionals and scholars in the arts.
Display 1: Nothing Beautiful Unless Useful (17 September — 1 December 2013) Curatorial Fellow (North West): ANNA COLIN, hosted by Harris Museum & Art Gallery, Preston Tour: Victoria Gallery & Museum, Liverpool, March — June 2014
Ultimately, this is a useful text for art historians troubled by the predominance of racial and ethnic difference in the critical analysis of black British artists.
His memoirs are a useful source for the period, and he was one of several artists to be employed for a period in the greatly expanded system of government art schools, which were driven by the administrator Henry Cole (the inventor of the Christmas card) and employed Richard Redgrave, Edward Poynter, Richard Burchett, the Scottish designer Christopher Dresser and many others.
An exhibition examining the usefulness of art and twenty - first century arts centres, featuring work from a wide range of UK - based artists RESOURCE is inspired by the 1927 founding manifesto of the Bluecoat which states that the organisation was set up to promote not only the arts, but also the «diffusion of useful knowledge».
On view through October, the new exhibition includes free lectures and workshops, many taught by the artist herself, as part of a fully functioning school inside YBCA's galleries entitled Escuela de Arte Útil (School of Useful Art)(2017).
Copyright laws are enacted pursuant to Article 1, Section 8 of the Constitution, which provides that «[t] he Congress shall have Power... to Promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.»
As such, the act serves the spirit of the United States Constitution, insofar as it is used «to promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries (Article I, Section 8, Clause 8).»
He quoted the Constitution to the Justices: «Congress shall have power to... promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings.»
This reform is something that the academic community might assist with by helping legislators construct perhaps a new category of intellectual property for research and scholarship tailored to promote the progress of science and useful arts in the digital era.
What the judge seems to have meant by this is that that everything that might conceivably be a new and useful art, process, machine, manufacture or composition of matter, etc. is prima facie patentable in Canada.
At the same time, the person skilled in the art was required to have determined in 1987 that it was «plain as day» that this one compound (as eventually selected to be claimed by the patentee) would be useful for the claimed uses.
To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries;
Instead of the Commissioner's form and substance approach, the Federal Court affirmed that the test to determine whether an art or «business method» is patentable is as set out by Progressive Games: (i) it must not be a disembodied idea but have a method of practical application; (ii) it must be a new and inventive method of applying skill and knowledge; and (iii) it must have a commercially useful result.
«The Congress shall have powerÂ... Â To promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries;»
Preferring society over the individual leads toward socialism and Marxism, and we do have evidence of that harming innovation and the progress of science and useful arts when compared to the progress accomplished by a nation of individuals empowered with the freedom of and protection over creativity.
Competition for positions within the Arts can be strong and so it can also be useful to gain further experience by taking up work placements or internships within the specific area you are interested in.
Careers in Expressive Arts Therapies (2014)(PDF) by Janet L Hartranft provides a useful guide to exploring career pathways with concise overviews of multiple modalities of experessive arts therapy and an introduction to their respective professiArts Therapies (2014)(PDF) by Janet L Hartranft provides a useful guide to exploring career pathways with concise overviews of multiple modalities of experessive arts therapy and an introduction to their respective professiarts therapy and an introduction to their respective professions.
Recently we covered the concept of Youtility, the art of winning over consumers by helping (not selling) them with inherently useful and relevant information that they actually want.
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