Sentences with phrase «uses calligraphic»

The legendary American artist uses calligraphic gestures to depict scenes of New York, Greece, and in this example, Eagles Mere in Sullivan County.

Briefly: Kanter, though he does not fling paint like Pollock, uses calligraphic black and white marks against the white, non-negative void; Sloane continues his Herculean examination of the darkest, densest fields of early de Kooning; Paulson, darker still, studies the lines between the figure, the landscape, and oblivion (Thompson) like disappearing tracks in the sand.

Bud Hopkin's Untitled uses calligraphic elements reminiscent of Chinese kanchi (which are totally abstract to us, the non-Chinese readers, but what about the Chinese?)

She also acknowledges the importance to her work of earlier artists who used calligraphic elements, such as Paul Klee and Mark Tobey.

Not exact matches

And now I can use those things in the calligraphic paintings.»

Another important innovation was Dan Christensen's use of a spray technique to great effect in loops and ribbons of bright color; sprayed in clear, calligraphic marks across his large - scale paintings.

Direct drawing, calligraphic use of line, the effects of brushed, splattered, stained, squeegeed, poured, and splashed paint superficially resemble the effects seen in Abstract Expressionism and Color Field Painting.

Lewis» work then moved into what Fine described as «a very calligraphic period, where the use of line in fairly abstract terms for me reflects his interest in music.»

Lerma uses layers of figurative as well as abstract elements, charcoal and colours, text, the blank canvas and smudges of paint to create vibrant, erratic compositions in which you recognize cartoonish figures, mysterious calligraphic signs, and vegetal varieties.

In a similar vein, Dan Flavin's Sailing Across Gardiner's Bay Near Lionhead Beach (lithograph, 1982) uses abstract calligraphic impulses to picture the mast of a sailboat seemingly perched precariously atop the crest of a wave, conjuring a dramatic sense of frailty and motion through an effective use of negative space.

Automatic writing was an important vehicle for action painters Franz Kline (in his black and white paintings), Jackson Pollock, Mark Tobey and Cy Twombly, who used gesture, surface, and line to create calligraphic, linear symbols and skeins that resemble language, and resonate as powerful manifestations from the collective unconscious.

Possessing the qualities in abundance, Untitled VII is one of de Kooning's final triumphs — a painting that's both rapturous and lean, defined by calligraphic lines that curve and wend their way through the canvas, revealing the renewed strength of de Kooning's line and his restrained yet glorious use of color.

Honoring traditional Asian arts through her use of Hanji paper, Korean silk, and calligraphic brushstrokes, she plays with iconography and symbols that have been classified as «foreign» such as blue and white china patterns, fortune cookies (which originated in California but are identified as Chinese), Korean fans, and floating dragons and intermingles them with references to Pop and southern folk art.

Chang's earliest works were commissioned portraits, however, in the late 1950s, he stopped using brushes in favor of using his body to make abstract paintings that were at once gestural and calligraphic.

Trends included the abandonment of figurative designs and of painting on glass in favour of a mix of biomorphic and rigorously geometric abstraction and the calligraphic non-functional use of leads.

Founded by L.A. - based artists Sarah Rara and Luke Fischbeck, Sumi Ink Club invites the public to create an immersive work using age - old calligraphic and brush techniques.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

Born in Tangier in 1983, Zakaria Ramhani have started a project entitled «From Right to Left» since 2006, in which he composes a series of portraits in painting using a dense network of Arabic and Latin calligraphic letters.

Design Bridge crafted a distinctive bee icon for the brand, using grapes to form the body and two elegantly curled vine tendrils for the wings that have a calligraphic quality reminiscent of traditional wine typography.

His recent work has included a 12 - by -100-foot mural and an installation of paintings at Mass MoCA in 2006, whose calligraphic passages demonstrate his amazing use of black.

In RESIST, text is used as a repeated element rising from the floor to the ceiling intertwined in an elaborate white calligraphic motif.

Gulgee adapted action painting's energy and gesture to a Pakistani context, using virtuoso brushwork to produce large, free - flowing calligraphic abstractions that captured the mystical dance of Sufi dervishes.

Polke Letter, 2010 — 11, a trademark calligraphic abstraction on linen, continues Marden's ongoing «Letters» series, whereas the marble painting For Blinky, 2011, which uses a similar palette to some of Palermo's work, reminds the viewer that these works, which might otherwise feel withdrawn from the present, are responses to his contemporaries, making them not only meditations on the relationship between paint and surface but also dialogues between Marden and his generation.

Inspired in the 60's by artists like Jackson Pollock, Clyfford Still, Mark Rothko and Helen Frankenthaler, Mr. Gray began to produce large paintings using a variety of application methods — pouring, staining, sponging and other nontraditional techniques — to create compositions combining expanses of pure color and spontaneous calligraphic gestures.

A «documentarian of city life», as he usually defines himself, Parlá recreates with paint the colors and textures of the city and the places he has visited making use of a multilayered calligraphic style inserting personal tales into his work.

Zao remained wary of objectively Chinese - influenced art and avoided using ink for much of his career, preferring to work with oil paints in a calligraphic style.

The diversity of the 1980s can be seen in Dan Christensen's Tuscarora (1980), which belongs to the vibrant and poetic paintings in which the artist furthered his use of experimental methods to include staining on unstretched canvases and calligraphic «drawing» using sticks, brushes, and turkey basters, Friedel Dzubas's Barrier (1983), demonstrating the lyrical and contemplative style of this artist who studied with Paul Klee, and Stanley Boxer's Speckledchant (1988), a work in mixed media that evokes baroque opulence in the way that explosive forms seem compressed within the confines of the canvas.

The sense of landscape predominates in these dense, calligraphic canvases, and in 1954 Life magazine appropriately used the term «abstract landscape» in association with his work.

Envious of their journalistic skills, she used the idea of writing to generate a new body of work in which she integrated calligraphic mark - making into the painting process.

Zao's use of this calligraphic motif conflates the act of painting with the pictorial structure of the work, something he had in common with other postwar abstract painters, such as his American contemporary Franz Kline.

The exhibition features paintings ranging from the late 2000's, highlighting Saito's use of vibrant color, calligraphic gestural abstractions, and rhythmical brushstrokes.