Sentences with phrase «uses images from films»

Day 2 of my Roald Dahl themed Summer Camp (originally for Korean EFL students) Includes: * A short summary of the story - using images from the film and Quentin Blake illustrations * A board game and counters that I made (the same rules as «snakes and ladders») * Team activity «Egg Drop» where students must construct a contraption using art supplies to protect their egg when it is dropped from a window.

Not exact matches

Business Philosophy Our shrink packaging humanizes consumer products.Shrink wrapping and shrink film can be used to create whatever image your product needs - from traditional or conservative, to

We have transformed the way we use TEM — from taking still images to a tool for filming and stimulating chemical reactions.

Using the European XFEL's brilliant X-ray radiation, physicists, chemists, biologists, and other scientists from all over the world will be able to map the atomic details of viruses, decipher the molecular composition of cells, take three - dimensional images of the nanoworld, film chemical reactions, study processes such as those occurring deep inside planets, and more.

FoxP2 expression in area X of multiple coronal or sagittal brain sections was quantified from digitized images of film autoradiograms using Adobe Photoshop 7.0 (Adobe Systems Inc..

It has been a brilliant strategy to refrain from using any images of Batman in the trade ads for this film, focusing on Bruce Wayne throughout, ushering the story through further as a character piece, not a superhero extravaganza.

The digital image from the Red cameras used to capture the film are translated beautifully to home video with a pin - sharp image that immerses the viewer in the chaos.

This year's poster uses an image from Jean - Luc Goddard's classic film «Contempt.»

The well - done selection screens are topped with an animated main menu that achieves classic suspense with a montage of relevant images from the film and the use of an always - effective heartbeat.

This week brought us our first peek at next year's Captain America: Civil War, with some leaked images from the Disney D23 footage popping up online, featuring shots of Cap (Chris Evans), Iron Man (Robert Downey Jr.), Hawkeye (Jeremy Renner), Falcon (Anthony Mackie), The Winter Soldier (Sebastian Stan), War Machine (Don Cheadle), Scarlet Witch (Elizabeth Olsen), Ant - Man (Paul Rudd), Black Panther (Chadwick Boseman) and Crossbones (Frank Grillo), while Mark Ruffalo has revealed that The Hulk won't be appearing in the Phase Three - launching film: «I thought that I would be in the film, but in the end they evidently believe that the reveal of what happened to the Hulk is something too big, and Marvel wants to use this information later.

Playing like the first IMAX film (which cut from a small 1.33:1 image to the full IMAX frame), «Poet» also makes good use of the surround channels, and it's nice to see such a rare promo piece make it's way to DVD.

How a photographic image is cropped can make a huge difference in the visual impact, the same way that filmmakers will film from a distance or use closeups to bring the viewer closer to the actors and actresses.

Owner agrees to have images and information from their case used as a fund raising tool and to provide additional information including filmed interviews if funding is provided.

We have included instructions on preparing files using a camera to take images of regular dental films, as well as abbreviated guides for exporting images from some of the popular digital dental radiography systems currently in use.

Street Fighter: The Movie still had most of the classic fundamentals intact, but something happened along the way: using digitized images of the actors from the film killed the speed of the game, with long load times compounding the frustration.

Kessling works across a range of media such as photography, film, and performance, and here the images reflect performative tools for exploring identity, often juxtaposing the artist's own body with objects and materials such as dust sheets, clay, fabric and paper bags used with transformative effect — the temporal nature of the performative movement frozen in a single gesture — a single still from an action, or a response to an art - historical identity.

February 27 — March 5 I ♥ Neutrinos: You Can't See Them but They are Everywhere (70 mm Film Frames of Neutrino Movements — shot in 15 ft Bubble Chamber at Fermilab, Experiment 564 near Chicago — dunked in liquid nitrogen, neutrino movements events with invisible ink and decoder markers and highlighters, inked up by Monica Kogler and Jwest, film roll from Janet Conrad, MIT Professor of Physics) 2011, 37 seconds Roll of specialized film for scientific use of about 1,000 Images transferred to high - definition video on a hand - made telecine device, no sound Made while Jennifer West was an Artist in Residence at the MIT List Visual Arts Center, Cambridge, MA in 2011; Funded, in part, by the Nimoy Visual Artist Residencies program of the Nimoy Foundation.

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenImages (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenimages of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

Simultaneously, Ritchie has been creating a uniquely dynamic digital world built from his drawings, which allows him to film inside this world using a vast bank of images and narratives to inform increasingly sophisticated videos which can then be deployed into these collaborations.

Perhaps one quarter of the images on view were developed from rolls of film that Winogrand used but never developed.

Apart from the film, the exhibition presents many different items: on - the - spot sketches, preliminary drawings, storyboard, collages, ink roughs and watercolours which fill out the project's origins and development; portraits of riders and of costumed horses and the actual costumes used on the day, as well as sculptural installations where images from the film are printed onto sections of car bodies.

In it, he uses images from Life, as well as found film footage and sound clips, all montaged together.

Often playing with images and materials associated with beauty and desire, Hamilton repeatedly uses sculptural cut - outs of film stills or women's legs made from transparent plastic and wooden shapes based on Modernist depictions of female nudes such as the curvy abstracted figure found in her 2007 piece The Piano Lesson, based on Fernand Léger's 1921 painting Le Grand Déjeuner.

He utilises the full potential of digital technology, using his own store of images to create a compelling narrative that is based on clips and sound montages from film scores and popular music.

Other Warhol source images a photograph of an electric chair that inspired «Triple Silver Disaster,» which he created in 1963, when he was transitioning from hand - painted to mechanically reproduced pop, and a publicity still from the 1953 Marilyn Monroe film noir «Niagara,» cropped tightly and used to create his iconic «Marilyn» prints.

Since this project is predominately created without the use of a camera, the resulting images from the assorted elements cover several inches of the film, neglecting the conventional frame lines produced by camera shutters.

In the film Schnabel remarks: «I started to use different kinds of materials because I was looking for some kind of new way to paint... working with things that already exist affords you associations that are beyond your invention... I see opportunities everywhere as paintings, in images that already exist, in surfaces that will repsond to paint a certain way, or it might come from an accident... I realized a picture could be the architecture of a painting... so I would select thigns that already had pictures - images of things impregnated on them - and then I could treat them as a blank canvas... let them inform what I was doing and make me react to what was there and come out with a hybrid painting... it has a much to do with reacting rather than acting.»

The former works quite traditionally with film and light and the later uses images from popular culture.

At 8 × 10 inches, Sherman's prints look like ordinary film stills: publicity images that stage scenes from a movie for press and other promotional uses.

The same year, Baldessari moved to Santa Monica, where he met many artists and writers, and began to collect photographic images from films and other commercial sources that he would use in his work; during the same period, he photographed himself in deliberately amateurish compositions, and employed local sign painters to execute text - based works.

Richards» film Rosebud 2013 - the first work that greets visitors to the show - features erotic images from a book found in a Tokyo library which have had the explicit detail scratched out by censors using sandpaper.

Living and working under the pseudonym «Lutz Bacher» since the 1970s, the artist's diverse conceptual practice spans photography, film, video and sculpture, often using found material, objects and images recontextualized from contemporary culture.

You may be familiar with her small - scale collage works that in the past have used quite romanticising images drawn from 50s and 60s film stills and hand - tinted postcard views, or perhaps you might have caught her Chapters exhibition that toured from Kunsthaus Zurich to Modern Art Oxford and the Fondazione Querini Stampalia in Venice last year.

In this new series, the artist has painted iconography referencing DC comics, 1970s rock, Hollywood films and detective novels — images sifted from the artist's own adolescence — on to sections of used theatre backdrops.

Working primarily in video since 2000, the artist remained deeply engaged with the politics of image production and reception, using stock footage from Hollywood films, television, and advertising to point to the exhaustion built into much of postwar cultural production.

From 2000 onwards, Sturtevant focused primarily on video, using her own footage alongside stock clips from films, television and advertising to explore the politics of image production and circulatFrom 2000 onwards, Sturtevant focused primarily on video, using her own footage alongside stock clips from films, television and advertising to explore the politics of image production and circulatfrom films, television and advertising to explore the politics of image production and circulation.

Williams usually pairs an image of a model, say, or a dishwasher or a stack of Ritter chocolate bars, with a lengthy title delineating the picture's back story, from the objects depicted to the place they were photographed to the type of film stock used.

Finally the film, the last part of the artwork's triptych, will be made using images from both the polar trip and the Central Park performances and will be shown as part of next year's Whitney Biennial.

Curated by Dorothée Dupuis, the exhibition takes inspiration from Joseph Cornell's experimental 1942 film, By Night with Torch and Spear, and Jerez explores the greater narratives promised by technology and the «increasingly schizophrenic relationship between the mass produced devices / images and the bodies that use and consume them».

Historians would do well to look at Schneemann's influence on Brakhage's work; his early black - and - white psychodrama films transformed after seeing her landscape paintings, her use of color and images from lived life.

Competing for the $ 50,000 prize are Mark Leckey, who uses images from «The Simpsons» TV show, the movie «Titanic» and the cartoon character Felix the Cat in his film - based installations; Cathy Wilkes, nominated for a work featuring a mannequin on a toilet with a bowl of dried porridge at its feet; film and video artist Runa Islam; and installation artist Goshka Macuga.

Although similar in subject matter to other documentary photographers such as Diane Arbus and Saul Leiter, as well as fashion photographers Irving Penn and Richard Avedon, Klein's images broke away from established modes through his use of high - grain film and wide angles to create his often out - of - focus black - and - white prints.

(«Avatar» is also from the Sanskrit, though the film plays on the word's two meanings of an image used in a role - playing game, and a deity appearing on Earth.)