Sentences with phrase «uses images from popular culture»

The former works quite traditionally with film and light and the later uses images from popular culture.

Using bold colors and stencil shapes, create screen - printed art using images from popular culture and methods of stylistic pattern making.

Ray Johnson, a collage artist who was a pioneer in using images from popular culture, died Friday in Sag Harbor, N.Y..

Not exact matches

The pop art movement took place primarily in the 1960s, and it is easily distinguished by its use of images, objects, and themes from popular culture as subject matter.

Working Paper Series # 1: Michael A. Genovese, Art and Politics: The Political Film as a Pedagogical Tool # 2: Donald B. Morlan, Pre-World War II Propaganda: Film as Controversy # 3: Ernest D. Giglio, From Riefenstahl to the Three Stooges: Defining the Political Film # 4: John W. Williams, The Real Oliver North Loses: The Reel Bob Robert Wins # 5: Robert L. Savage, Popular Film and Popular Communication # 6: Andrew Aoki, «Chan Is Missing:» Liberalism and the Blending of a Kaleidoscopic Culture # 7: Barbara Allen, Using Film and Television in the Classroom to Explore the Nexus of Sexual and Political Violence # 8: Robert S. Robins & Jerrold M. Post, Political Paranoia as Cinematic Motif: Stone's «JFK» # 9: Richard A. Brisbin, Jr., From State and Local Censorship to Ratings: Substantitive Rationality, Political Entrepreneurship, and Sex in the Movies # 10: Stefanie L. Martin, Fiction and Independent Films: Creating Viable Communities and Coalitions by Reappropriating History # 11: Peter J. Haas, A Typology of Political Film # 12: Phillip L. Gianos, The Cold War in U.S. Films: Representing the Political Other # 13: Michael A. Genovese, The President as Icon & Straw Man: Hollywood & the Presidential Image # 14: Michael Krukones, Hollywood's Portrayal of the American President in the 1930s: A Strong and Revered Leader # 15.

Wesselmann and his contemporaries — Andy Warhol, Roy Lichtenstein and James Rosenquist — forged the Pop Art movement by creating large scale, dynamic compositions, experimenting with new media, and using images from everyday popular culture.

He first used the term «mass popular art» in the mid-1950s and used the term «Pop Art» in the 1960s to indicate that art has a basis in the popular culture of its day and takes from it a faith in the power of images.

Mainly, he expanded upon Pop Art's use of images from popular culture, and further complicated it by adding abstraction and an emphasis on painterly process.

She makes extensive use of Xerox transfer printing, a largely Western technique, to incorporate found photography into the works: family photographs; images from Nigerian popular culture; clippings from political, fashion, and society magazines; and ornamental patterns from traditional textiles.

Both have a darkly comic twist to their work, using paint and collage to discuss and abstract images from popular contemporary American culture.

There is a an undeniable reference to memory and youth in these images, specifically the childhood associated with 1950's popular culture — from the use of the artist's own toys, to the evocation of editorial pages from Life and Look magazines or family - oriented situation comedies like Father Knows Best.

Part of NSU Art Museum's Regeneration Exhibition Series, and featuring works from its Golda and Meyer Marks Cobra Collection, the largest Cobra art collection in America, this exhibition explores Cobra artists» innovative use of animal images and how they expressed elements of popular visual culture.

Employing recognizable objects, images of celebrities and symbols from popular culture, this updated form of Pop - Art also drew inspiration from Dada (in their use of readymades and found objects), and from modern conceptualism.

It was his use of images from popular culture that gave him the label Pop - artist, although his artistic statements have also led to some of his work being described as Neo-Dada art.

This question is generally treated from the prism of Caribbean popular culture, using the humor and elements of this culture, and such clichés formed about the culture, that when it comes from them, it builds images that simultaneously incarnate that reality, and question it.

Henrot often uses a constellation of images from both academic and popular sources to connect origin myths with contemporary culture.