Sentences with phrase «uses less film»

Pallet wrapping equipment uses less film, considerably reducing waste.
Our Pre-Stretched High Performance Films use less film per wrapped pallet, while providing the same containment force as Standard Performance Films.
And by using less film overall, visual packaging manufacturers can reduce their source material usage.

Not exact matches

It plays less like the kind of blockbusters we are all used to and more like a horror film.
While classification freed directors to use explicit language in marvelous films like Platoon and Something Wild and has allowed films like Out of Africa and Children of a Lesser God to explore the complex nature of human sexuality, it has also given us a series of slasher films — Friday the 13th, with its many parts; The Texas Chainsaw Massacre, parts one and two — and films like Brian DePalma's artistically significant but deplorably explicit Body Double.
«I see us being less of a paper - feeding machine and rather a dispenser of value added substrates like water - soluble flavorings or ingredient - bonded films used for flavor transfer.
In mixed plastics recycle streams such as this, using Fusabond ® improves impact resistance, surface finish, and processability of parts and films... so the recycled material can be made into more sustainable articles with less material loss and higher end - use value.
We also develop lightweight packaging that uses less material, and puncture resistant films that help food last longer to reduce waste.
New hot - embossing technology and an in - house engineered calander are used to create a film that has a higher seal integrity than standard polyethylene and weighs up to 30 % less, while still having the same thickness as standard packaging.
The Katan - Ex microlayer film excels in increased pallet stability at elevated temperatures, uses 30 percent less material per pallet and reduces damage products during transportation by 80 percent.
Eco-CutTM enables 20 percent less film to be used per pack sealed, which gives longer running time between film reel changes and impressive cost savings.
Pallet wrappers and pallet wrapping equipment use significantly less film and wrap loads quickly.
A forensic assessment of the filmed recordings by father and son team (Hypothetical Premier League) of every match played in the Premiership and the critical decisions made by referees shows that Arsenal would have finished top of the League (2 points more than they got) and Leicester should have been 2nd (9 points less than they got)-- if the use of video evidence had been used to review important decisions.
FOM can use the footage to customise and edit replays, using the cameras to focus on whatever action is happening at the time and missing far less, because every car will be filming everything that's happening around it, all the time.
«Our new film has been produced specifically for use in less extreme graphics applications where cost is more of a deciding factor,» said Kim Brewer, Marketing Manager, 3M's Commercial Graphics division.
When the viewers used old - fashioned red and blue 3D glasses, their brain scans suggested they were less engaged in the film than when modern polarised glasses were used.
Nevertheless, we know less about the potential effects of films that glorify the use of guns.
A process known as the sol - gel fabrication technique can create hybrid films — but it, too, is less than ideal, because it requires the use of acids that corrode the metals and metal oxides in the devices» electronic components.
The CNT films made using the microcombing technique had more than twice the tensile strength of the uncombed CNT films — greater than 3 gigapascals for the microcombed material, versus less than 1.5 gigapascals for the uncombed material.
Using these less - than - perfect films, the researchers could see how the materials changed using a variety of microscopies and spectroscoUsing these less - than - perfect films, the researchers could see how the materials changed using a variety of microscopies and spectroscousing a variety of microscopies and spectroscopies.
«Quiet on the set» took on new meaning in John Krasinski's horror film, which used a less - is - more approach to its unusual sound design.
All they needed to do was sign up, pay a modest fee (getting a date costs less than going to see a film), write a blog or use a social networking site.
Critic Consensus: Decidedly slower and less limber than the Olympic runners at the center of its story, the film nevertheless manages to make effectively stirring use of its spiritual and patriotic themes.
Yet, while those films used the experiment as a touchstone, allowing the story to take on more aspects of a thriller, Kyle Patrick Alvarez's film is less concerned with thriller elements, but rather the loss of individuality the participants experienced, and how quickly the guards began to abuse the prisoners, most of whom quickly bent to authority.
The actual sound design of the film is a little less impressive; while wholly clean and clear in presentation, dialogue is a bit flat and the use of the surrounds is a little erratic.
Aside from this being a lot less interesting than the original stories, it also gives us a film with more characters than the story has any use for, and that in turn makes what there is of a story feel baggy and drawn out.
Critics Consensus: Decidedly slower and less limber than the Olympic runners at the center of its story, the film nevertheless manages to make effectively stirring use of its spiritual and patriotic themes.
Using the less - is - more approach, Nicholas Smith builds the film to an effective and suspenseful climax.
If the abundance of agriculture may be too much for some tastes, the film subtly reveals how farming methods grew increasingly industrialized over the years: Just as the armies of the Great War employed modern weapons like tanks and airplanes for the first time, so the Paridiers begin to use combines and tractors to yield more crops with less labor.
The lack of a convoluted motivation felt that much more terrifying, a tactic also used in 2006's Them and 2016's Hush, maybe because the indiscriminate nature of the violence makes us all feel unsafe and maybe because, as many classic horror films have shown, the less we know, the more terrifying it can all seem.
The film is about magic, but it's more or less a classic story of star crossed lovers that uses magic as a plot device.
I'm not used to historical dramas having sequels — it's a privilege usually reserved for the less wordy and more spectacular of Hollywood films.
[It] seems reluctant to use the potentials for astute comic strip philosophy that all the other films revelled in to a greater or lesser extent.
Its terribly exploitative in using the decrepitude of death to scare the viewer and shatter his resolve - the same way lesser horror films use tactics like gore and startling noise after lulling the viewer to boredom.
As the film moves on, however, he and Diane develop a romantic attachment and his use of this phrase becomes less frequent.
The material used in this film wouldn't even be adequate fodder for a 30 - minute pilot for a possible cable TV sitcom, much less a 90 - minute gag - a-minute comedy.
Using the less - is - more approach, however, director Nicholas Smith builds the film to an effective and suspenseful climax.
In the film, it works beautifully in the dress that makes use of an antique piece of Flemish (Brussels) lace, but less so in the dress Alma models with a lace apron at the skirt for the fashion show.
While largely avoiding the Twilights and Divergents of the world, he's made interesting career decisions, weaving horror and indie films throughout his comedy roles, and largely using social media in a much more subversive and less thirsty way than some of his peers.
Captain America: Civil War was smart enough to act as a soft origin story for Black Panther, using a handful of well - placed scenes to introduce the character among the melee of the rest of the film, so that when Black Panther proper came out, we were already more or less up to speed.
So I'll use this opportunity to sing the praises of something I'm much less surprised but no less disappointed didn't make our list: Gett: The Trial Of Viviane Amsalem, a thorny Israeli film about a married woman (Ronit Elkabetz, who also co-wrote and co-directed) attempting to secure a divorce against her prideful husband's wishes — a real uphill battle with Israeli law, which is fundamentally stacked against her.
This, combined with the film's extensive use of local non-professional actors, made Toni one of the biggest precursors of the Italian neorealist movement (no less than Luchino Visconti served as the assistant director!).
First love and first heartbreak bring both emotional ecstasy and emotional devastation, and whether you believe the film's statement «We have less to give each new person», you'll likely agree that the use of Psychedelic Furs «Love My Way» is spot on.
Vaughn would bring everything you need regardless and he's so used to working with slightly lower budgets for his films that he could do more with less even if he didn't have to.
Despite cinematographer Shelly Johnson's admirable attempts to ape Janusz Kaminski's lighting style — covered up by the color grading, which A.V. Club contributor Adam Nayman likened to camouflage meant to hide the fact that anyone had put any effort into this movie — this basically looks and moves like an over-heated fan film, and Montiel's tin - eared use of country music doesn't make it seem any less amateurish.
It's the kind of lesser known film you might find through the film festival circuit (had it's premiere at Sundance Film Festival) that's made up of a different brand of comedy or drama than your used to from a typical blockbuster, strong performances from B or C - list actors, and overall much to offer.
Very much a kitchen - sink drama — the family kitchen is the dramatic hub for much of the film — shot in a more or less documentary style and featuring terrific performances by nonprofessionals, the film takes a no - frills dramatic approach that could be roughly located on a Cassavetes - Dardennes spectrum, and uses it to intensely revealing and moving effect.
This power doesn't make women any less of a riddle to Tim, who apparently only uses his abilities to get laid, though no character ever seems to have a problem with money over the film's runtime.
What's especially interesting here is that, due to the extremely tight schedule, Yates decided to use even the scenes with Mitchum's less - than - perfect deliveries, which ultimately gave the film an obvious rawness and imperfection that accentuated the desired feel of authenticity and gritty, unpolished documentary - style filmmaking that Yates and the crew were going for.
Gangster Squad does a good job with nailing the period detail, even if such art direction begs for the use of film and not the less than state - of - the - art digital video.
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