Sentences with phrase «uses montage»

Reitman uses a montage to show Marlo's zombified state before Tully arrives — the feedings, the changings, the stained clothes, the lying on the couch eating microwave nachos and watching «Gigolos» — and generally maintains a light directorial touch.

Highly educated older adults showed WM benefit using this montage in previous work.

For a hero as epic and legendary as King Arthur, constantly using montages makes him rather underwhelming.

Marcy Kennedy presents Using a Montage to Handle Time in Fiction posted at Marcy Kennedy's Website, saying, «If you watch movies, you've likely seen a montage.

The collaborative has created a series of hand woven vinyl panels along with a video that skewers class and caste distinctions using a montage of still photographs and an absurdist gesture with a donkey.

The late Austrian avant - garde filmmaker Kurt Kren deconstructs a painting by artist Helga Philipp in his analogue film, 11/65 — Bild Helga Philipp, using montage and editing to create rhythm — in the absence of an actual sound layer.

After collecting the first few Muppets, the characters decide to speed things up by using a montage sequence.

Not exact matches

This month, the members - only service announced partnerships with Four Seasons, Ritz - Carlton, Waldorf Astoria Beverly Hills, and Montage Beverly Hills offering packages for VIP travelers that include complimentary use of the Private Suite.

The music and montage of F1 footage just got you completely hyped for the game — although why they only used footage from the French GP, we're not sure...

«We mapped out the EF strength using the permutation of eight contact leads (four on each electrode), and then we changed the position of the tDCS pads on the scalp to see if moving the pad location (the montage) changed the EF distribution.

Feng's team cleverly took advantage of a 15 -20-minute window during the second surgical procedure, before the surgeon connected the battery to the electrodes, to connect the electrodes to a recording device while applying the direct current through the scalp at different current levels using two different montages (pad placements).

This object was created in Mathematica, and PhotoShop was used to create the montage.

Montaging can be used to outline the boundaries of a structure in a tissue section and then counts performed at high magnification using standard capture tools.

Puttnam, who worked with him on Midnight Express, intended to use electronic music as a counterpoint to the traditional songs of the period, setting Abrahams» performance in HMS Pinafore against the synth - driven montage of Liddell running over the Scottish hills.

One stylized montage, unexpectedly set to a surging symphonic work by Beethoven, uses anamorphic lens effects to distort and flatten out the sun - drenched streetscape behind its subject's head.

It's tricky because using this device could end up heavy - handed, but because of some shrewd and evocative montage editing, McGehee and Siegel cover a lot of ground and character development in surprisingly subtle fashion.

The movie nails Moore for taking a headline from a pro-Gore letter to the editor in a Florida newspaper («Gore Won Florida Recount»), enlarging it, changing the date, and using it as a graphic element in a brief montage, making it appear as though it were an actual news article — «all for one second of footage in the film,» according to Jason Clarke, who thus singlehandedly deflates the significance of his own finding.

There is also a montage of footage during the production of the wave tank used.

«Fantastic 4: Comic Book to Film» (3:50) is an unnarrated montage that simply compares certain sequences of the film to their direct print inspirations, using split screens and cross-cutting.

As it turns out, the relative skill with which Tully has been assembled — with kudos to cinematographer Eric Steelberg for his dusky color palette; editor Stefan Grube for some metronomically precise cutting in a series of domestic montages; and, yes, Reitman the Younger for using pop music more adroitly than usual (notably a suite of Cyndi Lauper songs to score a nighttime drive to Brooklyn) and actually locating and maintaining a non-obnoxious tone for the duration — is beside the point.

Director Neil Burger uses visual effects as shorthand in montages supposed to illuminate Morra's experience of his newfound mental powers, and although these sequences are certainly in no way original or particularly inspired, they perform the task asked of them with dexterity.

Using a ubiquitous and unforgettable musical theme to tie together a series of wordless scenes and montages, the film betrays its independence and low - budget, but the shoot - outs are nonetheless as spectacular as any metastasized Hollywood product.

Rosi uses the same montage style from the «baptism murder» sequence in Coppola's film, cutting from a lavish dinner held in Luciano's honour to scenes of bosses being shot to death in various locations, mostly in Peckinpah-esque slow - motion.

In key scenes (Sahmi's meeting with the General, the montage sequence showing Houshang's attempts to raise money using repetitive framing devices, and several of Parviz's key scenes, which often function like dramatic monologues) the performances appear often to be slightly stylized and theatrical, offering, I believe, a degree of distanciation (in the Brechtian sense), somewhat in the manner of, say, Rainer Werner Fassbinder.

They were part of a montage using popular film scenes to parody music videos, a montage humorously introduced by hosts Anne Hathaway and James Franco.

His flair for montage contributed to the chase scenes in The French Connection, and his use of visual confinement also gave key scenes in The Exorcist a palpable sense of claustrophobia.

Blu - ray adds «The Music of Coco»; «Paths to Pixar: Coco»; «Welcome to the Fiesta»; «How to Draw a Skeleton»; «A Thousand Pictures a Day» travelogue through Mexico, visiting families, artisans, cemeteries, and small villages during the Día de los Muertos holiday; «Mi Familia»; «Land of Our Ancestors» in which Pixar artists lovingly construct layer upon layer of architecture from many eras of Mexican history, bringing the Land of the Dead to life; «Fashion Through the Ages»; «The Real Guitar»; «How to Make Papel Picado»; «Un Poco Coco» montage of original animated pieces used to promote «Coco»; «Coco» trailers.

If Lady Bird is, as Gerwig asserts, a «love letter to Sacramento,» then this montage of everyday, easy - to - take - for - granted sights is the big S.W.A.K. on the envelope, an unmistakable declaration of affection; the static shots throughout the movie of old neon signs from Gunther's, the Tower Theatre and Club Raven could be considered the missive's heart - shaped punctuation marks; and the purposeful use of light, about which Gerwig was particularly exacting (she dutifully studied the Sacramento landscapes of renowned contemporary painters Gregory Kondos and Wayne Thiebaud to make sure the color and intensity were just right), is suitably analogous to the fine mist of perfume that will linger after the pages have been folded away.

There's a montage of Thanksgiving, as Roberts sits alone, a crooked New York detective (Josh Brolin) feels the wrath of Lucas» power, and folks lie out in a stupor after using Lucas» heroin.

But to be fair, any film that can simultaneously abuse and lampoon the overused montage scene, make fun of the use of hard rock music during mundane moments and re-use jokes repeatedly with confidence, deserves a look.

There's also an alternate opening scene, a costume - test montage, and one very short special feature on the use of animals in the film that's only notable for Kenneth Branagh's apparent diplomacy regarding furry creatures.

Coogler is clearly a professional filmmaker, using pump - up training montages and enveloping camerawork to make the audience feel the hits Adonis takes in the ring (whether it be through quick - cut editing or long takes).

Only where Anderson marries image and sound in pleasing montages and evocative scenes, the Wilsons merely use songs.

The well - done selection screens are topped with an animated main menu that achieves classic suspense with a montage of relevant images from the film and the use of an always - effective heartbeat.

The repetitive use of music and montages in Wagner are tempered by a fine cast, exquisite use of palatial locations, and many fascinating nuances that make Richard Wagner, as a nineteenth century pop star, quite contemporary.

«The Worlds End» opens with a nostalgic 40 - something Gary King (Pegg) reflecting on the best time of his life from rehab told using an excellent 1990s inspired montage.

Not having extras to highlight, the DVD simply uses the standard screen - filling montage that the Blu - ray later employs.

It doesn't help that we go through a quick Bible lesson using comic book like montages, as if this is going to be Adam and Eve: The Movie — by Zack Snyder.

Mike Mills has shed light on a unique time in history with a fine use of drama and comedy to explore these nuanced characters and an innovative narrative use of historical montage.

Director Jared Hess likes to introduce odd dialogue in the midst of a fairly normal conversation and he also leans towards shooting montages which employ a strange use of zoom lenses.

Musical montages that I don't recall being used this frequently — if ever?

And like an Altman film, though truthfully his influence must be nominal at best, the vignettes herein take some blackly comic byways, occasionally giving in to cynicism (a disastrous hourlong odyssey into town results in a mugging, hardcore drug use and sex trafficking in a crackhouse in one of the most ludicrous Grand Guignol montages ever assembled).

The most impressive triumph of «The Winter Soldier» is the use of the score, montages, and unexpected flashbacks to capture our emotions, and make us care about these characters like never before.

The DVD's animated main menu uses hand - written letters to hold romantic montages while tender score plays and lens flares float.

For example, the music in a quick scene - setting montage in «It's Complicated» featured a boomer chestnut by Crosby, Stills and Nash, while a similar moment in «The Intern» uses a recent hit by Kendrick Lamar.

The film really shines in the action pieces such as the training montage section, where Scott must learn to use the Ant - Man suit, and borrows heavily from a similar sequence in Iron Man (2008) while at the same time taking its own very funny spin on this required story element.

The most famous montage in the film is more about the passage of time, simply using Jake LaMotta's fights as signposts along the way.

Film fans shouldn't be afraid of the technical details, since Ottman uses many sequences as examples of editorial challenges - trimming redundant script ideas, smoothening technical fumbles - and divine moments of creative inspiration that can transform a standard action montage into something noteworthy.

Director Timur Bekmambetov takes this time to use the helpful montage to display how Abe goes from simple wood chopper to taking down entire trees with one swing of his axe.

The prologue is a visual mess of strobe lights and filter effects (A party montage is joylessly similar, using various camera speeds), and when Carrie Anne is on the loose, Tonderai offers only cheap, anticlimactic startle moments (The most ridiculous one eyes a couple making out in a car as Carrie Anne makes her way toward them).