On Immigration, Liminality, and Ellis Island: Debra Scacco's The Narrows Reviewed by Ellen C. Caldwell Debra Scacco's The Narrows is a timely show at Klowden Mann that
uses multimedia art to examine the changing immigrant experience and liminal spaces found, created, and realized on the journey to the United States.
Not exact matches
Detailed video and paper based tutorials on the
use of the software for visual
arts and
multimedia classes are available for purchase from this author's shop at https://www.tes.com/teaching-resources/shop/kellyocs.
The courses include getting teachers ready for the primary computing curriculum, with demonstrations on how to
use the free programming software Scratch, to make a number of
multimedia applications such as games, animations, simulations, stories and
art.
Everything is built around a central, three storey market place and includes an Internet Café with 30 Macs for
use before and after school; a dedicated PC lab with 60 computers; a Science Mega-lab; The Cube Theatre with state of the
art a / v equipment, Mac suites for
art, TV and music departments;
multimedia suites for photo editing; and Kindles and laptops available from the library.
Students in Tim Comolli's electronic -
arts class at South Burlington High School have won awards for their 3 - D graphic designs; they've sold computer - generated logos to businesses in their South Burlington, Vt., community; and they've taught teachers how to
use Internet search engines and sophisticated
multimedia software.
Experience the World War I legend that shaped a nation at the National Anzac Centre, a state - of - the -
art museum that
uses multimedia, interactive exhibits and historical artefacts to create a deeply personal connection with the past, and pay tribute to the Australian and New Zealand forces who served in World War I.
«Whispering Bayou» @ Contemporary
Art Museum Houston Houston, Texas An immersive,
multimedia installation, «Whispering Bayou,»
uses sounds, voices and images to capture the rich diversity and history of Houston and its citizens.
This celebration of creative, costumed, spirited performers has informed the artist's
multimedia art practice, including the
use of nontraditional recycled materials.
Multimedia Piece:
Art That's Personal Create original works
using multimedia processes that mean something to you personally.
For the Biennial, Mutu
uses this dynamic, vibrant approach to realize a live
multimedia performance that animates ideas she has long explored in her
art, ranging from international political events to the daily uncertainty faced by women in Kenya.
Fergus McCaffrey opens a six - week series of performance
art featuring artists who
use their bodies and materials to create site - specific work, including live performance, sound, installation and supporting
multimedia works with all set within the context of the gallery.
-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who
uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the
art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (
art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and
multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos
In an imaginative new visual
art exhibition, French - Moroccan
multimedia artist Yto Barrada and American designer and
art educator Julie Klear invite kids to create new worlds
using colorful
art pieces, to transform the FIAF Gallery into a moveable visual feast.
Jonas
uses drawings, close - circuit video projections and choreography, while Moran is an American jazz pianist and composer who works in theatrical installations and
multimedia art.
Collaborating with partners Susan B. Anthony Recovery Center, Women in Distress of Broward County, PACE Center for Girls and Young at
Art Museum, and MOCA North Miami's Women on the Rise program, Girls» Club offers multimedia and digital imaging workshops that build self - esteem while developing creative skill sets using art and technology for women and girls navigating transitions in their liv
Art Museum, and MOCA North Miami's Women on the Rise program, Girls» Club offers
multimedia and digital imaging workshops that build self - esteem while developing creative skill sets
using art and technology for women and girls navigating transitions in their liv
art and technology for women and girls navigating transitions in their lives.
Rhonda Holberton (b. Reston, VA, 1981) is an Oakland - based artist whose
multimedia installations make
use of digital and interactive technologies integrated into traditional methods of
art production.
Arising from the
multimedia experiments of the 1970s, the widespread
use of a variety of technology - based media has persisted into the
art of the new century.
Simon is one of the pioneers in the development of Software
Art and is renowned in this area for articulating the
use of code in digital and
multimedia works since the mid 1980s.
Ricardo Zulueta (b. 1962, Havana): A
multimedia artist and scholar who
uses photography, performance, video, digital imaging, sculpture and / or installation, holds a Ph.D. from the Cinema and Interactive Media Department at the University of Miami and an M.F.A. in Visual
Arts.
Since 1980, the
use of computer and other technologies has revolutionized
multimedia art (e.g. animation), and has created specific opportunities in areas like architecture and projection mapping.
More theoretically inclined Feminist artists of the late 1980s and 1990s included: the conceptual artist Mary Kelly, now Professor of
Art at the University of California, Los Angeles, whose work borrows from both Marxism and psychoanalysis; the contemporary German photographer Katharina Sieverding, who
uses make - up and face - painting to explore gender borders; the German
multimedia artist Iza Genzken, noted for her assemblages of household objects; the American postmodernist Lynda Benglis, best - known for her wax paintings and poured latex sculptures; and the English conceptual Helen Chadwick (1953 - 96), noted for her feminist performances and installations, but perhaps best - known for photocopying her body next to dead animals.
Hansen is a
multimedia artist who works at the intersection of «traditional visual
art, pointillism, and offbeat techniques,
using media that connect to the subject matter, such as karate chops, tricycle wheel imprints, burger grease, and worms.»