Sentences with phrase «uses orchestra»

How one alum uses orchestra as an educational space to address inequities and bring inclusion to the concert hall.
Other forbidden content in these Guidelines includes a passage that requires knowledge of opera and how composers use the orchestra or singers; a quotation from the Old Testament (or other religious material); a passage describing the use of sailboats for racing (or any «luxuries»); and a video of a dancer requiring knowledge of ballet.
I agree with them using an orchestra.
He had been playing the piece on keyboards, using orchestra software to approximate the instruments, but was awaiting the first rehearsal with the CBSO conductor, the highly regarded young Latvian Andris Nelsons.

Not exact matches

Can you tell me the names of all of the instruments used in an orchestra?
The maximalist use of orchestra and chorus and costuming and set design suggests that nice things are not free.
If he can make use of snob appeal to sell automobiles, washing machines, or beer, he may sponsor a symphony orchestra, but if a sordid murder drama would commend itself to a larger public, he will present that instead.
The brothers sang songs of their own composing, they said, but they still used the ubiquitous tape deck and the unknown, uncontrolled orchestra which had previously occupied it.
What do praise bands and church orchestras and bell choirs and octaves of tuned bells and multi-rank pipe organs and grand pianos and synthesizers and adult choirs and children choirs and choir auditions and choir robes and music folders and the search and review and selection analysis and purchase of new music and multi-line PA systems and multi-screen video systems and live broadcasts and recorded broadcasts and hours of rehearsal time and church bulletins and church bulletin art work and church bulletin paper and designer fonts and newsletters and mailing lists and advertising and advertising placement and multi-media web sites and visits by unique IP addresses and the use of and the presence on new media have to do with living and sharing the Good News?
► In this week's Working Life story, Jeffrey McDonnell explained why he believes that using a «powerful [research] group as a way to think is like conducting an orchestra
After more than six years of research, the research team led by María Soengas, head of CNIO's Melanoma Group, showed that RAB7 acts as an orchestra director, determining the fate of melanoma cells: at high concentrations of RAB7, cellular autodigestion is very active, and this allows tumor cells to obtain energy, prevent the accumulation of toxic components and thus divide and proliferate; when RAB7 is reduced, cells use endosomes to recycle metastatic proteins, favouring their dispersal throughout the body.
Professional musicians should be given protective in - ear devices, whether they are playing in rock bands or orchestras, and whenever sound amplifiers are used, in a bid to reduce the risk, they suggest.
To this day he refuses to sample other people's music, preferring instead to create his own sounds using a virtual orchestra and studio session band he's programmed, and performs every instrument himself.
For a neuroscientist, using one to detect brain activity is like trying to hear an orchestra play from outside of the concert hall.
Yoga White works with suspended chau gongs - also known as tam - tams; these are commonly seen in use by orchestras and are a round dish - shaped disc of bronze alloy.
I always used to go in there on the way to my orchestra rehearsal in London and buy a dress.
The CinemaScope process was well used here, with panoramic shots of Manhattan accompanied by Newman's entire orchestra performing his composition Street Scene in prolog and epilog shots.
Debney's score defines the term «swashbuckling» and his use of the orchestra and wordless choir together adds a great depth to the music.
«Through the use of real - time MIDI, live musicians recorded in ambisonics, and other audio tricks, the gaming environment itself is now an orchestra waiting to be conducted, and everything in it is a potential instrument,» says Derivière.
The introduction of the NeXT computer, which took place in 1988 during Jobs's hiatus from Apple, uses 35 mm film and a full orchestra.
What sets Mr and Mrs Smith apart from other Powell thriller scores are two factors - first, there is a touch of flair added through the use of lots of flamenco guitars - second, there is a larger orchestra than usual, and the composer utilises it very well.
You'd think a combination of a grand orchestra and heavy metal would be jarring, but each is used in the right context at the right times.
Morricone's use of «four sounds» with subtle orchestra remains a fascinating example of powerful restraint, and his collaboration with Pontecorvo ignited a deep friendship, which included Morricone acting as best man at the director's wedding.
Particularly impactful is «The Concert,» a crazily modernistic piece written by Avner Dorfman for chorus, electric guitar and orchestra that are suspensefully used to counterpoint its performance alongside a desperate medical episode.
As Rian audaciously had teens mouth off with film noir finesse, Johnson cast an atmospheric spell that turned all manner of metallic sounds and unstrung instruments into the fast - talking patter for secondary education's murderous underbelly, an eerily innovative «junkyard orchestra» that used every «found» instrument from cheese graters to closing cabinets to reflect «Brick's» 40s era homages.
As artistic director Peter von Bagh writes, the aim is «to make film screenings shimmer like live performances — through our efforts to guarantee the original format, the best technical care...» (1) And indeed thanks to that care, which includes live accompaniment by great musicians or the use of a large orchestra for new commissioned scores, or again the availability of new and recently restored prints within the walking space of four close venues, the experience of watching a film becomes something unique, a concert - like event.
For Revenge, which is very music driven, iZLER uses a live orchestra that he conducts for each episode, whilst most of the non orchestral instruments heard on the show are played by iZLER himself.
Zimmer's presence is felt in each of the films and TV shows scored by his descendants, from the performance - enhanced orchestra playing club grooves in Mad Max to the drum circle and sequencer - cello action in Wonder Woman (a score that, to bring this full circle, uses the electric cello theme that Zimmer cowrote with Junkie XL for Batman v Superman).
«It1s a psychological drama, so I used a small string orchestra as a percussion instrument.
We used the same musical vocabulary you would with a classical orchestra but the sound is very different.»
It's a time when one could wander a studio lot, open the door to any given soundstage, and discover some sort of wonder: a cowboy as adept with a six - string as he is with six - shooter, a giant pool where mermaids perform a water ballet to the music of a live orchestra, a tavern where sailors about to ship out sing in lament of the absence of dames at sea and dance with each other (since — wink — they're going to have to get used to that situation — wink again), or a lavish bacchanal hosted by a Roman centurion who's on the verge of accepting a new kind of faith.
Danny Elfman is conducting a hodgepodge orchestra on the same recording stage that Jerry Goldsmith used for the original Planet of the Apes.
Meant to publicize the film, this unique program used a live performance with Korngold and a decent - sized orchestra, performing key themes, with brief narrative and introductory words from the great Basil Rathbone (who played Sir Guy of Gisbourne in the film).
Whereas the Fox prologue used extremely wide crane shots, the MGM short intercuts various angles - several held in closer view on key soloists - and conveys the size of the orchestra through more dynamic angles (including a very cool overhead shot) and tracking shots.
World music percussion specialists Inspire ‑ Works ran two workshops: a fascinating guide to the use of this Indonesian orchestra in the classroom; and «What can I do with my music trolley?»
The drama lesson encourages children to bring these sights and sounds to life, performing the poem using mime, dance, expressive movements, and a sound orchestra!
For example, the conductor of a symphony obviously uses musical intelligence, but also must use interpersonal intelligence as a group leader and bodily - kinesthetic intelligence to move in a way that is informative to the orchestra.
I think we can easily see the flaws in her argument if we consider how the same logic she employs can be used to argue against schools having orchestras, theaters, and a host of other activities.
A complete scheme of workfor Key Stage 3 which takes the learners through each instrument and section of the orchestra using movie scores.
«It means that schools can look to use their whole orchestras and young musicians to compete in a novel competition.
After all, we spend tax dollars on national parks, symphony orchestras, and Amtrak because they make the lives of those who use them better today.
I often use the metaphor of the conductor of the orchestra.
But now the school uses its academy freedoms to offer pupils more than 100 after - school classes - with everything from extra English and maths classes, to an orchestra, a choir, a debating club, Minecraft club and circus skills on offer.
The angular SUV comes with a soundtrack, provided by the twin tailpipes in high - gloss chrome that provide the typical AMG V8 orchestra, that can be conducted in two ways, using the switch in the center console or depending on the driving mode engaged.
Typical uses for a HELOC may include items like orthodontics, band or orchestra instruments, education expenses, or technology upgrades.
Gambang orchestra is a set of metalophone - liked pentatonic instrument that is used in cremation ceremony.
There are some classical pieces that are used in Kubrick's adaptation of The Shining where the orchestra is doing the percolating thing.
- Kataoka believes the world of The Legend of Zelda: Breath of the Wild is the true protagonist of the game - at times, really beautiful and delicate, and other time's it's rough and ruthless - the natural beauty is one of the main appeals of the game - she wanted the music to not just reflect, but also enhance that appeal - she wanted the music to reflect the long History of Hyrule, but also the ordeals of the Link and Zelda of this particular entry - in order to express the idea of a world in ruin, yet so vibrant, she decided to use traditional instruments - these included the shinobue and the erhu, which are not commonly used in orchestras - these contrast the synthesizer sounds of the ancient civilization - the main theme includes chord progressions which are not really suited to classical music - Kataoka wanted reflect Link's 100 - year sleep in the main theme, which explains the rather strange break in the song - the break represents Link taking a «new breath», after 100 years in stasis - the break basically serves as the division between Zelda and the past, and Link and adventure in the present day - she usually does not pay much attention to such details, but had the opportunity to do so this time
- the team has been adding weapons one by one because they want the same amount of attention for each weapon - the team learned that when they added two new weapons at once, one would end up getting overshadowed by the other - there were more new stages than returning stages because bringing back old stages would have little surprise - since they want to satisfy both new and returning players, they changed the order of stage additions - there weren't any major direction changes in balancing from Splatoon 1 - there have been more pattern combinations between weapons and stages, so there was more involved to balance them all - matchmaking is handled by getting 8 players with similar rank points, and then they're split by weapons - the rank point gap between S + players is bigger than ordinary players - only about one in 1,000 active players are in the S +40 to S +50 region in Ranked Battles - there's even less than one in 10 players that reach S +, while 80 % of the overall player base are in A or less - about 90 % of S + ranked players are within a + / -150 hidden ranked power range - rock was the popular genre in Splatoon, so they tried changing it for the sequel - they prioritized making good background music first before forming the band to play that music - the design team would make the CD jacket - like artwork afterwards - due to this, the band members would often change; some getting added while some others removed - Off the Hook is an exception, as they first decided they would be a DJ and rapper along with their visuals first - Off the Hook's song came afterwards - In Splatoon street fashion was the trend, but in Splatoon 2 they tried adding more uniqueness - the aim was to add Flow with ethnic clothing and Jelfonzo with high fashion - all Jellyfish in this world are born by splitting, which means Jelfonzo was born by splitting from Jelonzo - Jellyfish are like a hive mind - when they hold a wedding ceremony, they're just simply holding the ceremony - Jelonzo and Jelfonzo start gaining their own consciences so they can speak - Flow used her working holiday to go on a trip before reaching Inkopolis Square - during the trip, she met the owner of Headspace - the owner liked her, so she got hired to work there - Bisk has a unique way of speaking: anastrophe - the team tried to express him as an adult man - they made him into a giant spider crab because they wanted someone with high posture - he came from a cold country and broke up with his girlfriend to join a band - just like Flow, he became attracted to squids - Crusty Sean finally has his own shop, but he opened it because he's someone who follows the current trends - one of the trends happens to be people opening their own shops - drink tickets aren't stacked, but the probability is higher than a single brand - the music in Inkopolis Square changes depending on the player's location - sounds contribute to creating atmosphere in the location - the song at front of Grizzco Industries had an atmosphere that feels like some smell can radiate from the game screen - as for Salmon Run, they imagined it as a Japanese restaurant outside Japan that is not run by a Japanese person - each time the player moves between the shops, the game uses an arrange shift that shows the personality of each inhabitant - the arrangement in Shella Fresh is related to Bisk's guitar and mystery files that describe his past - with the Squid Sisters moved to Hero Mode, Off the Hook was put in charge in guiding battles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel of the story's real culprit with this music - the probability of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form of this - when Salmons are fighting to the death, they can feel the same sense of unity - they would be one with the world if they were eaten by other creatures, and they also fight for the pride of their race - MakoMart is based on a large supermarket in America - the update also took place on Black Friday in America, which was why Squids are buying a lot of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including balancing
A soundtrack that features the largest orchestra ever used in producing a video game.
a b c d e f g h i j k l m n o p q r s t u v w x y z