Sentences with phrase «uses photographic imagery»

Not exact matches

Using iconic imagery of modern protest with an advanced photographic method, these works become fully perceivable in form and content while illuminated.

Julia Riddiough creates vivid film & photographic essays that combine fact & fiction using found imagery.

Julia Riddiough is a Margate based artist creating vivid film & photographic essays that combine fact & fiction using found imagery often from the archive.

In her work, Stenram interacts with and re-interprets imagery, meticulously using fragments of found materials and finding similarities in photographic styles.

Building on the example of American artists, British artists made use of the possibilities of silkscreen printing and the new developments in lithography that could incorporate photographic imagery and collage.

Today, the digitization of imagery breaks into both the conceptual and impressionistic areas of fine art, where experimentation is even more pronounced, and nonconcrete subjects such as the «digital sphere» can be explored and visualized using the photographic medium.

The artist uses kitsch imagery to explore his interest in the difference between the photographic image and its handmade counterpart, as well as the limitations of both the artist and the viewer.

Photographic imagery is transposed by hand onto gridded paper, the outlines of the subject often rendered using sequential numbers rather than a simple line.

While considerable attention has been given to the decade through artists» use of appropriated imagery and photographic sources, the exhibition examines this moment specifically through the lens of painting, considering the ways in which the medium was reinvigorated throughout the decade at a time when its relevance was fundamentally challenged...

Using both the drama of scale, photographic imagery, stage design and personal words, Beecher sets a scene for her protagonist to be honest with the audience.

The Law and Its Ideas: Daniel McClean discusses fair use an the appropriation of photographic imagery by artists, in the Patrick Cariou versus Richard Prince case.

Rugoff's effort presents examples of the «use and translation» of photographic imagery in recent painting and considers each of its twenty - two artists in surprising depth: Most have about half a dozen canvases in the show.

Gerry Giliberti is a print - based photographic artist who uses graphics, photography, sculpture and digital imagery to create abstract, surrealistic images and constructions that bring the viewer into a new visual world.

German artist Hans - Peter Feldmann collects in order to appropriate and challenge aesthetic sensibility, Richard Hamilton's use of pre-existing photographic imagery is linked with pop's consumerist strategies, and Dieter Roth, German - Swiss conceptual artist and long time collaborator with Hamilton, alighted most particularly (nay obsessively) on the postcard format, exemplified in Postkarte.

Using printmaking, photography and sculpture, San Francisco — based artist Gay Outlaw (born 1959) explores the balance between the organic and the geometric, as well as the relationship of photographic imagery to three - dimensional form.

Throughlarge copper plate etching and photographic imagery, Smith used computer - generated, photographic patterning to create seamless images as it is printed onto long rolls of paper, ergo creating his own unique paper upholstery.

Yutaka Sone used photographic reproductions, imagery from Google Earth, and several helicopter rides to render Manhattan with its Central Park, skyscrapers, streets, avenues, and the bridges to the east and west to scale.

The first major museum survey of its kind, The Painting of Modern Life re-examines what has been arguably the most influential development in the history of contemporary painting: the use and translation of photographic imagery.

Using photographic images from newspapers or snapshots as a starting point, Peter Doig recasts everyday imagery to make imaginary landscapes and figure scenes.

Nicholas Middleton: When you are in the middle of the process it's hard to separate out those decisions that go into making a piece... when I started painting after I left college, I didn't... well, I suppose I fought against the idea of just making a painting from photographic sources which looked like a photograph, so I used lots of strategies to disguise it, or to confuse it in a sense, making paintings which were more like collages, or reducing imagery to... well, I borrowed things from pop art to, I suppose, to complicate things, for a few years it felt like I was fighting against what I seem to be naturally quite good at, and then it reached a point where I just felt I didn't want to tie myself in too many knots in terms of the thinking which was going on behind the pictures and then just let myself just paint fairly directly from photographic sources.

In contemporary terms there is of course the work of John Bunker or John Eaves, who use both painted and unpainted paper and a constructive rather than destructive take on the material; they are part of a small bubble amongst the post-modernist torrent of deconstructed, reconstructed cut - up archival photographic and modern advertising imagery (not to mention the application of untold technology).

From concept to photo shoot, through website design and marketing, I provide photographic imagery for use in print and on the web.