Still, by
using beautiful cinematography, the director succeeds at masterfully letting the young cubs tell their story through actions rather than imposed voiceovers.
Not exact matches
The
use of music together with the outstandingly
beautiful cinematography and interesting things the movie has to say about the gap between rich and poor and how mankind apparently fucked up its gene pool is very fascinating and interesting.
This Asian (South Korean / Chinese) film made good
use of that figure, with sometimes disturbing, but very well done fight scenes and in general,
beautiful cinematography.
There are a few good things about it, the gunfights were gritty and non exaggerated proving that Mann can still do decent gun play that is more accurate opposed to the infinite clip that we are
used to seeing in many other movies, the
cinematography is also very good and it was really nice to just look at the
beautiful landscapes and backgrounds of the locations they filmed in Hong Kong and Jakarta.
Using a combination of a great score, sleek but
beautiful cinematography, and a story that plays with the discovery of something that could change everything, writer & director J.C. Chandor crafts a dramatic thriller that does put you on the edge of your seat while waiting to see how everything plays out on the eve of a financial meltdown that we're all very familiar with.
The
cinematography itself is
beautiful, and the film makes good
use of a Steadicam, but often it feels like the gaffer was only interested in natural lighting.
With a radical take on narrative, disturbing yet
beautiful cinematography, and a highly sophisticated
use of on - and offscreen sound, Martel turns her tale of a decaying bourgeois family, whiling away the hours of one sweaty, sticky summer, into a cinematic marvel.
There's also the
beautiful look of the film, from Hill's
use of lush locales and romanticized vistas, to Conrad Hall's (The Professionals, Fat City) Oscar - winning
cinematography, which makes the West as real as if we were actually there.
With smart writing, excellent performances (particularly from an almost unrecognizable James Franco, who should have snagged an Oscar nod),
beautiful cinematography and brilliantly innovative editing, Spring Breakers is that rare creation: an intelligent and insightful exploitation film that
uses its titillating story to make a larger point.
Add in the
beautiful cinematography, the one - shot camera deal, the way it
uses HDR like I've never seen yet, the general extreme level of polish and the replayability and you got yourself a killer.