Not exact matches
A generation of audiences reared on television is
used to animation, emotional appeal, kinesthetic participation, narrative and
dramatic structure, and skillful
use of an «audiovisual»
language.
I grabbed my phone and texted her (I even
used some harsh
language, I don't like the «kill» metaphor but I was exhausted and feeling
dramatic, fyi).
The work
uses strong nation - building references, such as referential movement depicting a group of people going towards their death, then becoming trees, ocean, and forming a strong collective out of a group of individuals; its
language movement is very
dramatic and places a strong emphasis on unison movement rather than individual dancers.
Gertrud renounces external eventfulness in order to cultivate internal or imaginative eventfulness» — and
using the (constant - and - never - moving as a way to allow viewers to focus on acting and the body rather than on technical formalist tricks, in fact, the shots are the longest technically allowable before the invention of digital shooting) camera merely as a functional recording - device rather than as an originator of instant meaning and knowledge as in Hollywood, this film remains the best summation of the truism that a longwinded presentation of several actors merely speaking for ten - minutes - a-scene while the camera does not move and no artificial and manipulative «cinematic
language» is involved, in other words, the dreaded «merely filmed non-cinematic literature and theatre,» not only has a much greater capacity to teach than any Hollywood mode of filmmaking but is more
dramatic than any car chase.
Recommendations encourage teachers to
use a mix of phonics and
language experiences to support the development of a wide range of learners in a context where literacy demands are increasing at a
dramatic rate.
Students learn to: - Define key terms related to the historical context of The Holocaust; - Remember and understand key information about Anne Frank's experiences, that they learn from an engaging PowerPoint presentation; - Read extracts from Anne Frank's diary; - Answer a range of questions to demonstrate their understanding of Anne's diary; - Analyse the
language features
used by Anne Frank to create
dramatic images in the mind of the reader; - Peer - assess each others» learning attempts.
Sandwiched among the
dramatic vignettes of the story, Greenwood pauses to pepper the book with historical sidebars about the «secret code»
language used by those who helped shuttle slaves north to safety; a biographical sketch of Harriet Tubman, known as «Moses» to those along the route; a brief history of storytelling among southern slaves; a scientific explanation for the «swamp ghosts» many slaves encountered along their escape routes; an inside look at some of the methods
used to hide slaves from capture; and much, much more.
Present the original story
using sign
language and
dramatic play for another class or for parents.
In particular, the lesson focuses upon the
language used by Claudio and Leonato to denounce Hero (with links to the expectations within the social / historical context of the renaissance), the
dramatic response to the allegations, and Benedick's altering priorities.
There are many interesting
uses for Read Aloud books, including picture books that kids can have read to themselves — perhaps while they're learning to read,
language training books with audio spoken as the foreign words are highlighted, photography portfolios with background soundtracks, and even plays that could be published with included
dramatic readings.
Tone I hope most authors are familiar with tone from their writing: for highly
dramatic scenes, we make sure our
language matches the scene — we don't
use «poopyface» as an insult in an intense scene in a novel for adults (unless we really want to mess with the tension for comedic effect).
Make sure to craft this critical piece of marketing material
using active verbs, clear
language, and every
dramatic trick you know.
Use dramatic body
language such as turning away from your dog or folding your arms across your chest and completely ignore her to indicate to your dog that her attention - seeking whining won't work.
The
dramatic use of
language matters here in the most concrete way.
Admittedly they are helped by the tendency of some people in politics and the media (and in discussions on the internet of course) to
use dramatic, alarmist even,
language when faced with relatively mundane issues but I don't see any realistic or responsible alternative to telling it how it is.
In my brief life, I have witnessed a
dramatic shift of formal to informal
use of
language, heavily reflecting the digital age.
Their expertise is in interpreting tragic or comic
dramatic roles
using speech and body
language, including dancing and singing.
Attention - grabbing headlines often
use language that adds to the
dramatic element in the coverage.