Sentences with phrase «using early film»

A film may also have an artistic edge that qualifies it as a DocDays, such as Bill Morrison's experimental Dawson City: Frozen Time, which told the story of this remote gold rush town made using early film stock that was discovered there, buried underneath an ice rink for over 50 years.

So it wasn't a big step to go from using the look of earlier film genres to actually using earlier films themselves.

But fans of Moorhead and Benson's work aren't going to want to miss the way they use the earlier film to create and subvert expectations here, and to expand their mythology in a way that's increasingly reminiscent of David Lynch's original Twin Peaks.

Not exact matches

A month earlier, Pizza Hut, another Yum Brands - owned chain, released its «Blockbuster Box» in Hong Kong, which let customers create a makeshift film projector using just a pizza box and a smartphone.

For example, earlier this year organizers of the South by Southwest music, film and technology conference used Telemetry to monitor foot traffic and see in real time where bodies were aggregating and which venues were most popular.

When I was in my early teens, I used to watch films and TV programs with romantic heroines.

The early seasons were filmed in British Columbia, and I used to dream of getting lost in those giant forests, and among their tall buildings.

In the 80s and early 90s the BBC used a piece of music from the film The Neverending Story to overlay the starting grid.

Contradicting earlier views that good parenting is simply «good mothering,» recent observational research using films and slow motion analysis, shows that good parenting includes two parenting approaches.

Coss, who taught drawing classes early in his academic career and whose previous research focused on art and human evolution, used photos and film to study the strokes of charcoal drawings and engravings of animals made by human artists 28,000 to 32,000 years ago in the Chauvet - Pont - d'Arc Cave in southern France.

Animators used Zeno rigid - body solver software written by ILM developers to film a major scene early in the movie in which an enemy Transformer called Scorponok attacks a U.S. military outpost in the desert.

More than 3,500 images were recorded during aerial surveys by the National Survey and Cadastre of Denmark in the late 1970s and early»80s, captured with a camera that used film.

It runs the usual Maddin gamut of stylistic nods to (primarily) the late silent and early talkie periods, complete with a whopping amount of explanatory intertitles (perhaps outweighing actual spoken dialogue), artificially scratched / aged «film stock,» use of obvious miniatures, approximation of two - strip Technicolor and so forth.

Rosenthal appeared in movies beginning in 1931, and he worked onscreen right up through The Big Clock in 1948, but most of his best work was concentrated in the early / mid -»40s in the films of writer / director Preston Sturges, who used the pianist / actor in various roles in his films from The Great McGinty (1940) through The Sin of Harold Diddlebock (1947).

He has also played the brusque, bluff President in Being There (1978); senile, gun - wielding judge Ray Ford in... And Justice For All (1979); the twin auto dealers — one good, one bad — in Used Cars (1980); Paul Newman's combination leg - man and conscience in The Verdict (1982); shifty convenience store owner Big Ben in the two Problem Child films of the early 1990s; the not - so - dearly departed in Passed Away (1992); and Broadway high - roller Julian Marx in Woody Allen's Bullets Over Broadway (1994).

It's a film that you expect to open in limited release and expand, but after a Sundance premiere, Focus Features is actually debuting it wide today, the Friday that used to launch the summer movie season (which the moving of Avengers: Infinity War kicked off a week early this year).

Then there's the host of familiar comedy faces peppered throughout the film, including Alison Brie, Megan Mullally, Hannibal Buress, Nathan Fielder, Seth Rogan, Joe Mande, Casey Wilson, Lauren Ash, Brian Huskey, and John Early, who lend a good deal of goodwill to the proceedings, not to mention the slew of big names — including Kristen Bell, J.J. Abrams, Adam Scott, Keegan - Michael Key and Kevin Smith — the film uses in a prologue to explain the appeal of The Room to newcomers.

Aesthetically, the film finds Bertolucci in a transitory mode, caught between his early Godard - influenced abstraction and his later style of lush, operatic camera movements and theatrical use of color and music.

Heck, using your terminology, I rather see three early to mid 20th century Spanish films than a bloated two films on an inspiring kid's novel.

From TIE Fighters to stormtroopers to men in black cloaks wearing helmets using the Force, we believe that these elements are all natural evolutions of what we saw in earlier films.

Attuned to the formalism inherent in Japanese life — the rules of school, playground and workplace; the frequency of group singing and parades; the use of communal and folk song as receptacle of social values and agent of social pressure — Ballad of Narayama simply takes these elements familiar from his earlier films and pushes them to their aesthetic limit.

The film uses archival World War II footage, Hitler» early artwork and Plympton's signature animation to create this provocative work.

Compounding the problem are the slow push - ins and pull - outs and willy - nilly insertions of scenes from the film that sometimes complement the pullquotes but at other times (as in an early insert of the «surprise» flashback over Perkins's difficult admission that her ex-husband's stepfather used to hide in closets to scare him) minimizes Thom's abuse and exposes the relative silliness of the film at the same time.

«Stardust Memories» uses the main character's sexual relations merely as a device to propel a deeper introspection that his earlier films barely touch upon.

Early reports around the film's release have stated the film used around 70,000 gallons of blood.

While the film quality isn't the greatest due to the use of digital film, the lack of stars and its classic throwback to the early zombie movies creates a great genre film for both horror fans and those looking for something different.

It only makes last year's masterpiece Far from Heaven look that much better; writer / director Todd Haynes took another late 50s / early 60s film formula and used the colors and the feel of a Douglas Sirk movie to make a comment about films and about ourselves.

Dosunmu said other distributors courted the feature early on, but eventually went with Paladin for its theatrical release, noting: «People aren't used to seeing Michelle in this way, but Paladin was brilliant in letting the audience get a sense of the film instead of simply pushing it out in a way that doesn't make sense.»

With cinematographer Jakob Ihre, Trier decided to use anamorphic lenses instead of the more naturalistic spherical lenses of his earlier films.

Though he used to be somewhat of a punch line, known more for his shirtless roles in flaky rom - coms than his promising earlier work, recently McConaughey has been repairing his reputation with a string of outstanding performances in films like «Killer Joe,» «Magic Mike» and «Mud.»

Early plot details suggest the film is a drug - centric action thriller centred on submersible crafts used by South American drug cartels to smuggle products into the US.

Fuller has left aside the bravura, thrilling camera movements that marked some of his earlier films, and settled on (sorry, «settled» is not a word to use when speaking of Fuller) a more Bressonian kind of tightly structured watching and following.

Writer - producer - star Derek Ting faces nearly the exact dilemma as Charlie Sheen in the earlier film: Ambitious, but naïve and morally pliable, he uses his considerable brilliance (perfect SAT scores, an intelligence so keen, he dropped out of MIT) to raid a family company and quickly go from hungry young trader to limo - riding, club - hopping slickster.

Academy - award winning director William Friedkin discusses his early career — including making documentaries for David L. Wolper, working for Alfred Hitchcock and what he learned from studying his films, and directing his first movie Good Times (1967), starring Sonny and Cher; how his career path led to making The Exorcist, his initial reaction to reading the source material, the story's theme of Good versus Evil, and the role his own faith played in his approach to making the movie; the techniques he used to generate suspense and fear in the audience, his use of subliminal imagery, and his reasons for recently restoring deleted footage to the film.

Portions of this presentation were used in the earlier Blu - ray releases of «Pulp Fiction» and «Jackie Brown» but this disc presents an extended cut of the conversation, which you can watch straight through or access film by film.

Earlier in the year, the film's director by Ryan Coogler used Lamar's song «DNA.»

In the early days of the internet back in ’96 I used to watch this trailer over and over and yet there are funny parts still in the film, which is rare these days.

And it invests Mowgli with a touch of optimistic environmentalist fantasy: where human mastery of fire and tools was presented in earlier films as a threat, and Mowgli's fated exit from the jungle as an unfortunate necessity, in this film the boy is shown using his ingrained ingenuity to solve problems beyond the capabilities of his animal pals, as when he builds a rappel and pulley system to help Baloo claim honey from a cliffside beehive he's been coveting.

I have a fun, brand new rule to try out and I can't wait to see your teams (remember to pay attention to the films used in this finale — you might have been banking on performances in the movies below for an early boost!).

Scorsese lovingly recreates scenes from Méliès» films showing the techniques that early filmmakers used and how truly groundbreaking the art form was.

Earlier this year, Sony Pictures chairman Tim Roth said director Ang Lee was using ultra high rate film making for certain sequences that enable the audience to, «feel the contrast between the intensity of war and the rest of life, exactly as the young soldiers do.»

A24 brought it to Los Angeles earlier this month and have reconfigured it complete with the same set dressing used in the film.

From his early films Benny's Video (1992) and 71 Fragments of a Chronology of Chance (1994) to his Palm D'Or and Academy Award winning Amour (2012), he has used cinema to paint a portrait of humankind alienated in modern society, lacking in compassion at best and utterly amoral at worst.

«Welcome to Sherwood: The Story of The Adventures of Robin Hood» is an excellent making - of documentary that literally covers everything, using rare film clips from early Robin Hood versions, and fascinating outtake and 16 mm color / black & white behind - the - scenes footage (archived separately as well, with good commentary from Behlmer).

Ferguson will use many of the same personnel as his earlier films including producer Audrey Marrs.

When he finished a movie titled Creature from the Haunted Sea early, he decided that since he has a cast, crew and locations on hand why not ask a screenwriter to quickly throw together a screenplay for him film using that same cast, crew and locations!

Recalling early David Gordon Green films (particularly in the excellent use of non-actors to authentically portray the working class American heartland), this is the assured 2nd feature from Chloé Zhao.

Deadpool 2 is the sort of movie where the heroes kill a guy — after spending the last act of the film saving that guy so one of the characters will learn a moral lesson — all in the hopes of scoring a quick laugh derived from the joys of knocking off religious zealots, while also using time travel during the mid-credits scene to erase a death that took place earlier in the film so as to avoid outraged howls from Internet folks about the wickedness of «fridging» tertiary female characters.

Starring Hemlock Grove's Kaniehtiio Horn — a First Nations Mohawk who grew up on the Kahnawake Reserve — as a Mohawk woman driven to violence by soldiers» assault on her family and her ancestral home in early 19th - century New York, the film engages with the horrors of American history in an uncommonly blunt way, using them to tell a tale of supernaturally tinged revenge.

Guy Maddin is a Canadian filmmaker known for his contemporary use of film styles associated with silent and early sound cinema.