Sentences with phrase «using emotional films»

In contrast, laboratory studies using emotional films often show a consistent decrease in mood immediately after an emotional event.

Not exact matches

Intriguingly, an analysis of movie music scores shows that film - makers use highly non-linear sounds to evoke a stronger emotional response in their audience.

The firm uses galvanic skin response sensors to alter film content to heighten — or reduce — emotional reaction to it.

More ambitious Hollywood films that want to use computer - animated figures for real - life scenes could also benefit — whether they need a virtual stunt double or a realistic emotional performance to match the gravitas of films such as «Schindler's List.»

One thing I will say about this movie is that is quite possibly one of the emotional films that I've seen in a while, and one of those reasons is because of the music, the music in this movie are brilliantly done and the film has little to none of it, but they know when to use it to the films advantage, and it works incredibly well when it is used.

Peck's film sets out to make use of the unfinished manuscript of Remember This House, Baldwin's late - career attempt to grapple with the deaths of Martin Luther King Jr., Malcolm X, and Medgar Evers, but it soon abandons this premise for the kind of emotional detours that give some of Baldwin's best work its freewheeling, capacious spirit.

However, Anderson's film skewers the idea of using other cultures for self - actualisation, while finding deep emotional resonance in the natural vibrancy of its setting.

His use of perspective throughout is done to perfection and during its Iraq sequences, which are constantly referred to and visible right up until the emotional ending, the higher frame rate only enhances the realism — almost to the point of you looking away from the screen as one of the film's most pivotal moments plays out.

-- that the film uses to a full emotional range.

Matthews was fascinated by the softer side of espionage, and as a result, Red Sparrow is a film that uses emotional drama instead of violence to move the plot forward.

Using this emotional turmoil to drive the film rather than just chase scenes, director Andrew Davis ensures the viewer can't rest until Kimble does.

One of the strategies Ford uses to create the film's heady emotional texture is to play with time: to present events out of order and withhold information with a storyteller's cunning.

First love and first heartbreak bring both emotional ecstasy and emotional devastation, and whether you believe the film's statement «We have less to give each new person», you'll likely agree that the use of Psychedelic Furs «Love My Way» is spot on.

Using cinematographer Hossein Jafarian's crisp images, Farhadi develops the mode of camerawork that would characterize his subsequent films, a technique that involves constant movement and reframing (especially in the apartment's beautifully designed interiors) in order to follow the shifting of perspectives among characters as well as the story's emotional twists.

In the 1970 ′ s and 1980 ′ s, Brian De Palma championed the use of this tool to enhance the visual and emotional experience of his films.

With a film like «Blade Runner 2049,» you see how nostalgic callbacks can be used to not only engage fans of the previous film but also how to use that nostalgia as a way to build an original, more emotional story that organically builds off the past.

«Super Size Me,» the anti-McDonald's doc, is the box - office winner, but lacks the emotional appeal of «Born into Brothels» or «The Story of the Weeping Camel,» which is a scripted film using real people (and camels).

The great Roger Deakins was the film's cinematographer, and as with his equally masterful work on The Assassination of Jesse James by the Coward Robert Ford, he understands how to use the landscape to enhance the characters» emotional state.

I mean that literally and figuratively, because Allen and Vittorio Storaro use light and color in a way that is stunning in and of itself but also integral to the mounting emotional power of the film.

Directors Jon Hurwitz and Hayden Schlossberg use this to their advantage, pulling in»90s tracks like the Verve Pipe's «The Freshman» and Bic Runga's «Sway» (from the original American Pie soundtrack) to underscore the more emotional moments in the film.

«A patient, intelligent, emotional, and politically loaded film that uses previously established tropes and clichés to brilliant, revolutionary effect» — Andrew Parker, The Gate

The film presents that journey as a series of false starts (An episode with three very talkative and very, very dense trolls is a highlight and offers the first instance of a few dei ex machina within the story; Tolkien, obviously aware of his proclivity for using the device, invented a new word — eucatastrophe — as a substitute), and it's not until the company leaves Rivendell that the narrative finds its footing and emotional center.

The main menu uses a heart motif while alternating between several montages that depict the film's emotional highs and lows.

Joachim Trier discusses his new film Louder Than Bombs: how he experimented with film form to show us the subjectivity of memory, the importance of two - shots and closeups in the film, and how he used physical spaces to convey emotional meaning.

The visual simplicity that Kalatozov uses to establish the story allows the filmmaker to gradually — painstakingly — develop the film's thematic complexity toward a psychological and emotional crescendo that reveals key self - destructive elements of war.

Sorrentino's use of symbolism ranges from absurd to inelegant, but this crystallising moment is perhaps the most eloquent expression of the film's emotional power.

The film's failings are masked by an obtuse use of music, quick - cutting, and some over-leveraged emotional gesturing between the mother and daughter to play to a viewer's heartstring as the lasting theme of the movie.

As in his famous directorial collaborations with Marc Caro, Amélie isn't lacking in visual razzle - dazzle and overall technical wizardry, but the flashy touches are used in a way that doesn't obscure the film's emotional core.

Instead of relying on the typical one or two explosive emotional scenes, Brooklyn uses several small bursts of sentiment keeping the film consistently paced even when the tone changes.

Whether this was because TellTale felt like they were competing with the films or they simply wanted to use the conversation engine to focus on characters, the completed series winds up being an enjoyable romp rather than something of emotional consequence.

Using sculpture, film, animation, and drawing, French artist Melanie Matranga creates work that convey the emotional value of their production and economy.